Thank you Maestro Johanes

Thank God for Johannes. You have exelent points.

Lol! I like you so much Johannes! I particularly love how you threw the Schoenberg cello concerto on the floor Hahahahaha. Thank you for recommending the “cello mind” book, I am learning a lot from it as a teacher and as a cellist.

I have been working on this piece for about a semester in college now, and this series will be some of the best help and blessings that I have come across. Thank you so much, Johannes! This will aid me to prepare for the upcoming concerto competition.

Thank you so much!

Absolut amazing and sharp ideas. Super effective. Very interesting. Professionall and already very sensitive.

Hello Mister Moser. As always, masterfuly teached! Thanks for every video you upload! I Wonder if you can tell us where can we find all the history information. I found really interesting all you said about Antoine Kraft, and about everything you always tell us. I wonder also, if you can recomend a textbook (or many of them) about it, to read. Thank you again! Hopefully I will soon upload my video for your masterclass. Best Regards!

Thank you very much for sharing this fantastic masterclass! Would be super the same on the Haydn Cello Concerto C Major, especially for the last movement 😃 Wish you all the best from Italy, Prof. Moser 🎻

The hint to check out the resonances is amazing!!! Suddenly it feels so much more natural

I'm really looking forward to this, Such an accomplished cellist! Also I wish Isserlis had been involved in the tribute video!

Thank you for these! I'm a beginning/intermediate cellist, and even though the Haydn is a bit out of reach right now, some of the basic principles you cover have been very helpful in what I am currently learning. Your tips on shifting, intonation, phrasing, are all universal and a great insight. Thanks again!

Thank you so much!!! I wait for your master class every day!!!)

I adore your masterclasses! Please, give us more and more!😊😍❤️👏🏻

Thank you for this Video!!! Love it~❤️

Excelente, gracias!!!

For sure the opening all the way through the triplets. Bowing on the tenths. Fingering on the arpeggios.

Hello Johannes moser! I love your videos they help a lot

Hey Johannes! Thank you for your videos! I just discovered them one week ago and I´m becoming an adict because they are so useful for me :D For me it would be SO GREAT that you upload a video about the Gendron Cadenza, that is my worst nightmare in this concert :) Thank you so much!!!

Saludos cordiales desde Oaxaca México! Gracias por la información! Gracias por los subtítulos.🤝

Thank you for the video. Lol I don’t know who disliked this video. They must be a concert cellist that got passed over to play the Haydn and are sour.

This is awesome❤️

Dónde está el botón de “me encanta”!! Gracias!! 💕

Esse concerto sem dúvidas é um dos mais lindos de Haydn. Gratidão pela maravilhosa masterclass:)!

Amazing. And can't wait tomorrow, i want yo pratice all this Master level tips

Bravooo 👋👋👋

Thanks so much!

Danke Schön wegen die Spanisch Untertitel!. Tolles video Johannes!.

thanks for the subtitles ☺️

“Haydn D is not difficult” -> second note requires semitone control within its own self 😎😎😎 For real super enlightening - I think it’s only difficult in the sense it is so “exposed” and obvious to listeners intonation wise, like the Bach suites. I’m pretty sure Shostakovich concerto can be a half step off and still sound ok. Maybe even prefer it a little out of tune / frenetic.

Thank you 😍

Excelent recording! Wht mic you have been using for recording this. Video?

Great video! I liked especially the "hybrid" intonation system applied to the opening notes, as well as the references to A.Kraft. In his sonatas for cello and basso one can also find a very narrow parallelism to some passages from the Haydn concerto. As a sidenote, around 3.00, wouldn't it be better to match the E to the one found on the A string (the 2nd harmonic), as the E in the C string is lower (which fits to a C major chord)?

After Dvorak's cello concerto, this Haydn D is my next favorite. Danke schon!

Hello! In the next video, could you discuss fingerings on the arpeggios in the development? The really nasty ones

10:40 If you don't shorten the note, how do you make the shift without losing time?

You have had nearly 250 years to work this out, and it is very much a concerto, so if orchestra don't have a clue none of this will help. Jaqueline du Pre is one example.

I don't like Haydns D very much. The C is the only authentic work.