THANK YOU VERY VERY VERY MUCH MEMCHURCHHARVARD!!!!!!!!!! BEAUTIFULL VERSION FOR THE ORATORIO , GORGEOUS SINGERS ALL OF THEM........AND THE ORCHESTRA , WWWOOOOOOWWWWW !!!! RABBI STEINBERG , DEEP AND BEAUTIFULL REFLECTIONS ON FUNDAMENTS OF MACCABAEUS AND THE RELEVANCE FOR JEWISH CHRISTIAN TRADITION, GREAT PERSPECTIVE. THANK YOU SO MUCH.😇😇😇

Address 10:07 - 17:40 PART I Ouverture 19:26 Mourn ye afflicted Children 25:57 Well may your sorrows 29:44 From this dread scene 30:42 For Scion Lamentation make 33:12 Not vain is all this storm 36:02 Pious orgies 37:00 O Father whose Almighty Pow'r 39:12 I feel the Deity within 41:33 Arm, Arm ye brave 42:26 We come in bright Array 45:26 'Tis well my friends 46:40 Call forth thy Pow'r 47:20 To Heaven's Almighty King 49:21 Come ever smiling Liberty 49:47 'Tis Liberty, dear Liberty 52:25 Come ever smiling Liberty 54:41 Lead on, Lead on 55:46 So will'd my Father 56:42 Disdainful of Danger 58:02 Ambition if e'er Honour 59:56 Hear us, O Lord 1:02:36 Part II Fall'n is the foe 1:22:15 Victorious Hero 1:25:53 So rapid thy course is 1:26:34 O let Eternal Honours 1:31:46 From Mighty Kings 1:32:18 Hail Judea, happy land 1:38:24 Thanks to my Brethren 1:40:33 How vain is man 1:41:16 O Judas! O my Brethren 1:46:41 Ah ! wretched Israel 1:47:28 Be comforted 1:53:12 The Lord worketh Wonders 1:53:47 My Arms against this Gorgias 1:56:46 Sound an Alarm 1:57:07 Enough! To Heav'n we leave 2:01:37 With pious Hearts 2:02:17 Ye Worshippers of God 2:05:28 O never bow we down 2:06:39 We never will bow down 2:09:12 Part III Father of Heav'n 2:28:17 See yon Flames 2:33:53 O grant it Heav'n 2:34:32 So shall the lute 2:35:01 From the Capharsalama 2:39:08 See the conqu'ring Hero 2:40:21 Sing unto God 2:43:26 Sweet flow the Strains 2:46:01 With Honour let Desert be crowned 2:46:54 Peace to my Countrymen 2:50:20 To our great God 2:51:04 Again to Earth 2:53:45 O lovely Peace 2:54:29 Rejoice, O Judah 3:01:05 Hallelujah, Amen. 3:02:52

Mon oeuvre favorite de Haendel

Words cannot describe the feeling after watching this tremendous oratorio. Especially the two Israelitish women "smiling with wavy corn." Excellent!

Benjamin Wenzelberg - BRAVO! Really enjoyed hearing you. So lovely.

Great performance! The last duet was so good. The male soprano was out of this world. Everyone did well. This particular oratorio is very difficult, having perfromed it with my choir back in the early 2000s. Great job! Enjoyed it.

Goah!! 52:27 the countertenor is spectacular. I had to stop what I was doing to listen. WOW!

wow this is astonished and mind blowing performance thanks a lot for sharing

Congratulations, excelent version of Judas Maccabaeus. I like the male soprano soprano and tenor. Thanks a lot for sharing.

Thanks for posting this performance, I enjoyed it. What a great voice of Benjamin Wenzelberg!!!

PROFETIONAL BRAVO

One of the better versions on the Web. Professional-Grade orchestra and chorus ! Outstanding & memorable are the tenor soloists. A few of the soloists seem a bit weak in that all-important area of - VOICE PROJECTION. But,they are just students,after all. The counter-tenor is good,with great purity & clarity.

GREAT GREAT JOB!!!!!

Magnificent!

Brilliant! Loved the idea of using chorus members for the solos and recitatives rather than a fixed group of solists.

LOVED this, thank you for sharing it. The male soprano is brilliant! Who is he, please?

would like to know which edition has been used, particularly i have interest in the parts for timpans in Act 3, part 56 "see the conquering heros comes" since I could not find any trace of that in the original on IMSLP and not all recordings are consistent.

I was most interested to see this example of a Georgian church or chapel, as it bears resemblances to St Thomas' Church, Lymington, England; and also to Christ Church Warwick, Bermuda. Aside from that, this was the first time I'd heard the entire work. In places the pace is almost too much for the performers. Having been a member of the Bournemouth Symphony Chorus at one time I can only offer this humble remark. Otherwise it was a splendid performance of a work rarely heard.

1:35:37 that was yodeling, i’m from 🇨🇭

could it be time already to disable the comments?

Is she really singing at 46:00 to the right? 😃

Enjoyed and well done my only critique the Intermission could have been edited out.

exelente si me apoyas con la pista de con jubilo cantad

A 'safe' rather sterile performance, that for me completely fails to bring out the real character and drama of this piece.