Karol Szymanowski - Symphony No. 3, Op. 27, "Song of the Night"

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Precipotato

Precipotato

Күн бұрын

Karol Szymanowski (1882 - 1937) - Symphony No. 3, Op. 27, "Pieśń o nocy" (Song of the Night) (1914 - 1916)
Moderato assai [0:00]
Vivace scherzando [8:07]
Largo [16:15]
Ryszard Minkiewicz, tenor
Warsaw Philharmonic Choir and Orchestra, Antoni Wit (2007)
Karol Szymanowski's Symphony No. 3 was composed in 1914 to 1916 after a period spent traveling in Eastern Europe. The symphony sets a poem by 13th-century Persian mystic Jalal ad-Din Rumi, translated to Polish by Tadeusz Miciński. The work is in three sections and typically lasts around 25 minutes.
"Melody plays an important part in this work, and Szymanowski exhibits great inventiveness in this area - above all in the widely stretched violin phrases in high registers, flowing imaginatively and filled with strong emotion, their interval structure (similar to Songs of Hafiz) possibly bringing associations with some original ephemeral scales which do not stabilise; of greater importance, however, are certain distinctive and recurring motifs. These melodies - exceptionally beautiful, each one different, lyrically songful and new in structure - are contrasted with others - simpler, compact and forceful phrases made up of a few notes; through habit we perceive them tonally and attempt to refer mentally to a particular tonality which, however, does not reveal itself; what is heard instead is the repetition of certain recurrent, sparse-sounding motifs, which creates an individual expressive effect.
The novelty of the style of Symphony No. 3, apart from the level of expression, manifests itself above all in the timbral layer. Szymanowski turns out here to be the master of extraordinarily subtle and sophisticated orchestral colouring, which in its daring often goes beyond the ideas of Ravel and Stravinsky; some 'fantastic' timbral effects (such as accumulations of glissandi) constituted at that time a new idea.
The form of the work is original and far from traditional conventions. It is not a typical symphony, made up of separate movements, but a free, vocal-orchestral poem. In it, one can distinguish three different parts, although they are not indicated as such in the score; in each case they are only separated by a prolonged pause. These three individually structured fragments fulfill different functions in relation to the literary subject, imposed by Rumi’s text.
Part I, which uses the first seven verses of the poem (to the words 'The hero this night is Your Spirit') is the introduction, preparing for and encouraging participation in the mysterium. The second part, without a text (apart from the orchestra the choir sings without words), functions as lively and expressively contrasting intermezzos. The finale, beginning with the words 'Oh how silently the others sleep' (and thus making use of the majority of the full text), is the act of the mysterium itself, and brings the musical and expressive climax of the work.
Symphony No. 3 'Song of the Night' is original not only in representing Szymanowski’s new style. It is an exceptional work without any counterparts in its unique concept, shape and character, its particular expression and timbral aura, and the nature and the quality of the experience enclosed in music. It is, one might say, a composition which cannot be repeated, a 'one off', in the same way as - in spite of their totally different style and spirit - Stravinsky’s Rite of Spring or Schönberg’s Pierrot lunaire."
Here is the text:
"Pieśń o nocy"
O, nie śpij, druhu, nocy tej!
Tyś jest Duch, a myśmy chorzy nocy tej!
Odpęź z oczu Twoich sen!
Tajemnica się rozwidni nocy tej!
Tyś jest Jowisz na niebiosach,
wśród gwiazd krążysz firmament, nocy tej!
And otchłanie orła pędź!
Bohaterem jest Twój Duch nocy tej!
Jak cicho, inni śpią…
Ja i Bóg jesteśmy sami nocy tej!
Jaki szum! Wschodzi szczęście,
prawda skrzydłem opromienia nocy tej!
Nie śpij, druhu!
Gdybym przespał aż do ranka,
jużbym nigdy nie odzyskał nocy tej!
Targowiska już ucichły,
patrz na rynek gwiezdnych dróg nocy tej!
Lew i Orion,
Andromeda i Merkury krwawo lśsni nocy tej.
Wpływ złowieszczy miota Saturn,
Wenus płynie w złotym dżdżu nocy tej!
Zamilknięciem wiąże język,
lecz ja mówię bez języka nocy tej!
"Song of the Night"
Do not sleep, O friend, through this night!
You, a soul, while we suffer through this night!
Ban slumber from your eyes!
Revealed is the great secret in this night!
You are God in the high heaven,
Round the starry vault of heaven you go round in this night!
Like an eagle soar above!
Now is your soul tonight a hero!
So quiet, others sleep…
I and God together, alone in this night!
What sound! Joy rises,
Truth with shining wing shines in this night!
Roads on earth are silent,
There see the starry paths of this night!
Leo, Orion,
Andromeda and Mercury gleam blood-red through this night.
Saturn binds with fated powers,
Venus swims in golden rain through this night!
Silence chains my tongue,
But I speak, though without a tongue, in this night!
(source: karolszymanowski.pl, Chandos)

Пікірлер: 31
@XinhaoZheng
@XinhaoZheng 2 жыл бұрын
This is goddamnly gorgeous! It's such a shame that I hadn't come to know this composer before. Szymanowski's output during his "impressionist" period consists the chromaticism and profound of late romanticism, blurriness and orchestration techniques from the French impressionist school, as well as his incredible volume, scale, delicacy, and musical complexity. I can't help to say that this piece, along with his Violin Concerto No.1, can be counted as ones of the greatest works ever written in early 20th-century music.
@BenjiOrthopedic
@BenjiOrthopedic 4 ай бұрын
Yes, unfortunately he's not all that well-known these days. I'd encourage you to seek out his 2nd Violin Concerto (it's even better than the first) and for that matter, all his violin music, which was usually written with the aid of his friend, Kochanski. The 2nd Violin Concerto was completed and premiered only a few years before he died. It is an obscure work, hardly anyone plays it really. But I remember when I heard it many years ago, I said to myself "I have to learn that piece if it's the last thing I do." And I did.
@ericdevaughn5941
@ericdevaughn5941 Ай бұрын
I agree 110% my friend. Your first sentence says it all ! Thanking you. Szymanowski was brilliant through all his periods of development.
@duqueadriano0081
@duqueadriano0081 2 жыл бұрын
Ethereal moments from first movement 0:03 1:15 chant starts 2:23 3:48 4:52 5:26
@scriabinismydog2439
@scriabinismydog2439 4 жыл бұрын
Masterpiece. Possibly the best symphony written in the 20th Century Thank you so much Precipotato for the upload!
@GUILLOM
@GUILLOM 3 жыл бұрын
Ok
@SCRIABINIST
@SCRIABINIST 2 жыл бұрын
One of the best*
@jakub-or2vk
@jakub-or2vk 11 ай бұрын
@@SCRIABINIST name top 3 best symhponies of the 20th century
@Arobamod
@Arobamod 7 ай бұрын
@@jakub-or2vk 1. Sorabji's Jami 2. Messiaen's Turangalila 3. Brian's Gothic
@marcinkrol8375
@marcinkrol8375 11 ай бұрын
Cóż powiedzieć- arcydzieło polskiej muzyki symfonicznej, jak i kolejna symfonia Karola Szymanowskiego
@andreamandelli569
@andreamandelli569 Ай бұрын
Sublime.
@AlexanderWollheim
@AlexanderWollheim 4 жыл бұрын
Well holy shit.
@musik350
@musik350 3 жыл бұрын
s z y m a n o w s k i
@estherassuied
@estherassuied 2 ай бұрын
Masterpiece
@isaiahcruz3431
@isaiahcruz3431 3 жыл бұрын
2:23 love the violin solo
@larastender6492
@larastender6492 10 ай бұрын
same
@captainhaddock6435
@captainhaddock6435 4 жыл бұрын
Feels a bit like Skrjabin's late works like Prometheus
@SCRIABINIST
@SCRIABINIST 2 жыл бұрын
Definitely influenced.
@paeffill9428
@paeffill9428 4 жыл бұрын
Great upload!
@anguslee1446
@anguslee1446 4 жыл бұрын
Been wondering if this'll be up since you uploaded his 2nd... thank you so much!
@BenjiOrthopedic
@BenjiOrthopedic 4 ай бұрын
Szymanowski's two violin concertos - which I believe are the only two concerti he ever wrote for any instrument - are both incredible one-movement works, written with, and for, his friend Pawel Kochanski. The 2nd Violin Concerto recycled a few melodies, in slightly disguised form, from this 3rd Symphony.
@SCRIABINIST
@SCRIABINIST 2 жыл бұрын
h
@_rstcm
@_rstcm 2 жыл бұрын
Is it okay to call Szymanowski the Polish Scriabin????
@SCRIABINIST
@SCRIABINIST 2 жыл бұрын
Probably not. Just like how you wouldn't call Debussy 'French Schoenberg'
@_rstcm
@_rstcm 2 жыл бұрын
@@SCRIABINIST I wouldn't. BTW is it fair to call Korngold the Austrian Prokofiev or Stravinsky the Russian Bartok?
@imcpan2590
@imcpan2590 2 жыл бұрын
I heard that Skriabin is like a drunk Chopin.
@_rstcm
@_rstcm 2 жыл бұрын
@@imcpan2590 And somewhere I saw that Szymanowski is like Scriabin, but on crack.
@marcinkrol8375
@marcinkrol8375 Жыл бұрын
Is John Wiliams an american Richard Strauss?
@BB-xm8jc
@BB-xm8jc 2 күн бұрын
slop
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