KHACHATURIAN - "Gopak" for Solo Piano (Arranged by Thomas Kobialka)

  Рет қаралды 4,728

tomekkobialka

tomekkobialka

2 жыл бұрын

This is my arrangement of "Gopak", a dance from Aram Khachaturian's ballet Gayaneh (which also contains the famous "Sabre Dance" and "Adagio"). This arrangement was partly inspired by Georges Cziffra's arrangement of Sabre Dance, which holds a special place in my heart as it's one of the first memories I have of being awestruck by a piano recording. (That performance is also available on my channel here: • Cziffra's 'Sabre Dance... ). Enjoy!
DESCRIPTION:
Aram Ilyich Khachaturian was born on 6 June 1903 in Tbilisi, Georgia, into a poor Armenian family. In 1921 he moved to Moscow, soon entering the Gnessin Institute as a cellist and, in 1925, beginning composition studies, transferring in 1929 to the Moscow Conservatory and Myaskovsky’s class.
From earliest years he was fascinated by Armenian folk-music, and ‘oriental’ sounds and melodies, graduating with a work in this style, the First Symphony (1934). Around the same time he married the composer Nina Makarova, a fellow student from Myaskovsky’s class. In 1936, his substantial and popular Piano Concerto included Georgian as well as Armenian elements within a lushly romantic framework. This was followed by a first ballet, Happiness (1939), set on a Soviet-Armenian collective farm. During World War II Happiness was reworked as the patriotic ballet Gayaneh, with its famous ‘Sabre dance’.
The ballet Gayane was modestly successful when danced before Joseph Stalin. Excerpts from Gayane are performed by dance companies and dance schools, especially the wedding in the second act: wonderful duets and variations for Gayane and Kazakov, her lover. The choreography was unusual for its time-classical and folk dance combined-especially the stylized use of arms and hands from the folkloric Armenian culture that is the ballet's background.
The collective farm's ethnic diversity is the backdrop for each part of the music (adagio arrangements, lively Armenian and Caucasian tunes) and for the compelling tale of love between a couple from between different social classes.
Hopak (Ukrainian: гопа́к) is a Ukrainian folk dance originating as a male dance among the Zaporozhian Cossacks. It is performed most often as a solitary concert dance by amateur and professional Ukrainian dance ensembles, as well as other performers of folk dances.
The Hopak developed initially as a Cossack social dance (Ukrainian: побyтовi танці), and was practiced in the lands of present-day Ukraine beginning in the 16th century. While the militaristic Zaporizhian Sich generally frowned upon amusements and diversions from military training, such regulations were overlooked when Kozaks returned victorious after battle. Kobzars and other musicians would gather their instruments - violins, bagpipes, bandura, cimbaloms, and fifes - while other participants would dance.
The modern-day Hopak is a choreographed dance made to appear full of improvisation. Much of the seemingly improvised parts involve solo dancers, usually male, performing visually and technically amazing acrobatic feats. These include jumps and spins and are usually the highlight of the performance. The name hopak is derived from the verb hopaty (Ukrainian: гопати) which means "to hop," as well as the corresponding exclamation hop! (Ukrainian: гоп) which can be uttered during a jump as an expression of surprise or amazement.
Music for the Hopak is not standardized by tempo or melody, although 2/4 time predominates most arrangements. The dance is supposed to evoke a sense of improvisation, so the pace of the music changes from segment to segment, allowing dancers to distinguish themselves. The melodies of the songs Hop, moyi hrechanyky (Ukrainian: Гоп, мої гречаники) and Od Kyeva do Luben (Ukrainian: Од Києва до Лубень) can be found in many Hopak arrangements. Hopaks usually end on a fast and furious pace, with some incorporating boisterous Ukrainian marches, such as Zasvystaly kozachen'ky (Ukrainian: Засвистали козаченьки).
Joseph Stalin once famously forced his eventual successor Nikita Khrushchev (who had been the Communist Party chief in Ukraine) to dance the Hopak.
SOURCES:
www.boosey.com/pages/licensin...
en.wikipedia.org/wiki/Gayane_...)
en.wikipedia.org/wiki/Hopak

Пікірлер: 11
@thenameisgsarci
@thenameisgsarci 2 жыл бұрын
"to be played with no mistakes" mmmmmmm ok sure XD
@dylan_s
@dylan_s 2 жыл бұрын
"To be played without any mistakes..." that's why we have MIDI :D Jokes aside, excellent arrangement!
@vinceh3623
@vinceh3623 2 жыл бұрын
Love the textures at 1:08
@lluisrafalessole-classical5068
@lluisrafalessole-classical5068 2 жыл бұрын
Fantastic music 🎹🎶👏
@Marianopiano
@Marianopiano 2 жыл бұрын
This is amazing!
@RicardoOliveiraRGB
@RicardoOliveiraRGB 2 жыл бұрын
Awesome!
@AlChile2
@AlChile2 Жыл бұрын
Great arrangement and programing (performance)!
@jeffreydeitz2682
@jeffreydeitz2682 2 жыл бұрын
I’d love to see Yuja give this a go
@1lavrentiberia
@1lavrentiberia 3 ай бұрын
Exactly!
@joshscores3360
@joshscores3360 2 жыл бұрын
What MIDI do you use?
@tomekkobialka
@tomekkobialka 2 жыл бұрын
If you mean sample library, it's the Steinway D from EWQL Pianos Gold. The MIDI itself was exported from Finale and manually tweaked in Cubase.
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