In this conversation with Anupama Chopra, Kriti Sanon talks about her most loved failures, and what all she learnt from them. She delves into her life as Producer, and how it has changed her as an Actor. She shares her views on the exorbitant rates actors now charge for films, and the aspects that lead them to doing so. She then discusses with us how she balances her work, and work; and the kind of partner she looks forward to having in her life.
#KritiSanon #Crew #TeriBaatonMeinAisaUljhaJiya
00:00 - FC Front Row ft. Kriti Sanon
03:18 - What is Kriti’s favourite failure?
06:15 - A failure teaching way more than a big success
06:54 - Kriti’s year 10, and the streak of successes
11:55 - Mimi changing her process as an actor
16:49 - How many takes does Kriti take to give a final shot?
18:12 - Kriti as a producer, and a common dilemma these days
21:01 - Does Kriti have the nakhras that come with stardom?
22:28 - Getting funding for a film led and headlined by women
25:26 - What kind of Producer is Kriti, at this point?
26:21 - Is she in-charge of finances, or is she more of a creative advisor?
28:36 - Channeling her career into entrepreneurship
31:50 - How far are acting and beauty from each other?
33:22 - Blue Butterfly Films looking for fresh voices
35:37 - What kind of man would Kriti look forward to being with?
37:02 - Dealing with the drawbacks of the Film Industry
41:40 - Having security as an actor, and validation turning into confidence
43:40 - Audience QnA
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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.