Finale act 2, Di sprezzo degno, with Jose van Dam, Jonas Kaufmann, Christine Schäfer, conductor Sylvain Cambreling, direction Christoph Marthaler
Пікірлер: 36
@michaelfuting2403 Жыл бұрын
Christine Schäfer bricht mir das Herz, so beseelt und nicht langweilige Stimmschönheit, sie führt diese Szene - nicht die Männer...
@cynthiachase3427 Жыл бұрын
fabulous singing and acting. To be able to act out abjection like this, as Kaufmann does, is extraordinary.
@cynthiachase3427 Жыл бұрын
Glorious Christine Schafer. One should watch and listen to all of this La Traviata again.
@user-ig4vo2of7q5 ай бұрын
Marvellous acting and his voice!!
@helgawolter58163 жыл бұрын
Was für grandiose Stimmen! Der junge Jonas kaufmann und diese tolle Frauenstimme!
@isabelescudero41195 жыл бұрын
Que gran tenor y que gran actor
@tomasjuhasz15 жыл бұрын
The best young tenor big big talent i think perfect!!!
@christawietholter32473 жыл бұрын
Beide Sänger noch so jung - und schon so große wunderbare Stimmen!! Enorm . . .
@elitap2214 жыл бұрын
Christine Schafer and Jonas Kaufmann have great voices.
@fleurdelis99394 жыл бұрын
elitap22 I wonder so many years later why they are not performing traviata anymore,their acting ability is great here too!
@kristatavel16686 жыл бұрын
Priceless morning present! Tnx!
@jackylen5715 жыл бұрын
Que de belles voix : celle de Kaufmann bien sûr mais j'aime aussi José van Dam Merci
@Klinxor15 жыл бұрын
Kaufmann is outstanding!
@babinesrouges51287 жыл бұрын
Merci Monsieur Mortier!
@user-ig4vo2of7q5 ай бұрын
How lovely!
@albertgeorgesmehl67656 жыл бұрын
Sublime!
@FranciscoFerrerGaliana19308 жыл бұрын
Final del 2º acto , con un trio de Voces extraordinario
@marinacaracciolo5940 Жыл бұрын
Messa in scena assai discutibile, ma gli interpreti - in particolare, naturalmente Jonas Kaufmann - sono davvero eccellenti!
@motardbear1514 жыл бұрын
Mise en scène SCANDALEUSE ! Direction d'orchestre CALAMITEUSE ! Quel gâchis avec de TELS chanteurs...UN Gâchis de plus !! Pauvres Kaufmann, Van dams et Schafer !!! UNe parodie de Traviata...
@juanantoniomunozherrera9280 Жыл бұрын
JK: Gran actor y gran cantante. Un verdadero artista. Me encanta la idea de régie, además. Y Christine Schäfer hace un trabajo también muy interesante sin ser una voz para Violetta,
@juanamariamalvarezcid8587 Жыл бұрын
❤❤❤❤
@marxgraf13 жыл бұрын
Super Inszenierung und eine wunderbar untypische Violetta.
@arankaneumann-kd1iv3 ай бұрын
Csodalatos előadás lehetett. Szívesen megnézném, ha lehetne.
@mellismellis776511 ай бұрын
Hoe I love this production - just like I love to remember Kaufmann - he was great then.
@docudoc10013 жыл бұрын
What an unimaginative stage direction: full of cliches, staignant positioning of chorus members. The singers are definitively good, particularly Schaffer. I would prefer a lyric tenor for Alfredo, though. I am happy I saw it, though, Thanks for sharing.
@GERMANYFrankie14 жыл бұрын
@motardbear15 correct!
@richstout14 жыл бұрын
The singer in the white dress looks like baby Spice.
@cavadefeo11 жыл бұрын
Mr.Kaufmann: You are a great singer and you don't need to perform La Traviata as you did.The direction is worst. Poor Verdi!
@szegedification4 жыл бұрын
I agree the direction is horrible. Jonas Kaufmann is great.
@elidafrankel26999 жыл бұрын
I do not like the mise en escene. Although the voices are very good.
@claudinethuet95816 жыл бұрын
“ Cette terrible production “ fait cependant sens car elle montre s’il en était besoin que l’histoire de Violetta Verdi est celle Marie Duplessis courtisane du 2d Empire est celle de Marguerite Gautier, la Dame aux camélias d’Alexandre Dumas fils, fort amoureux de son héroïne, peut être transposée à toutes les époques. La transposition est celle de la vie d’Édith Piaf et celle de son 2ème mari, Théo Sarapo. Certes la coiffure de Jonas Kaufmann est ridicule. Il en a beaucoup ri lui-même à l ‘émission de Ruquier “On n’est pas couché “ sur la 2ème chaîne française le 7 octobre 2017. Le rire bavarois de Jonas Kaufmann est en soi une légende. C’est le rire de Mozart dans “Amadeus”.
@cynthiachase34272 жыл бұрын
Thank you, this is valuable knowledge.
@artshouldbebeautiful64079 жыл бұрын
The only saving grace of this particular production is that it's actually pretty hysterically funny. Wasn't even Kaufmann barely able to keep from laughing at one point? It of course makes it all amusing to watch, but strangely not in synch with the tragic subject. But then again.. who cares? Not like this opera has a particularly meaningful moral message. A kind of 19th century 'Pretty Woman' deal about a rescued prostitute. Dream on. Now if they do this to Fidelio, i will be pretty upset.
@simonboccanegra38118 жыл бұрын
I think it does, really. It's a good drama. It's worth considering, why a woman we first see surrounded by people at a party says in the next act that she has no friends, and dies almost alone. It's an indictment of some elements of society.. However, re: this production, I have to say that compared to some of Marthaler's other work, this looks almost good (on the evidence of the few clips I've seen). I would gnaw my own arm off to get away from watching his Tristan or Tales of Hoffmann again.
@katherineroppel45956 жыл бұрын
ArtShouldBeBeautiful Well I guess you know by now that they did do this to Fidelio. Almost no opera is off-limits from the avant-garde Regis today. Some work and some don't. I struggle with this all the time. Keep on supporting opera though.🤓
@6591lucaf15 жыл бұрын
BUT the heck is she saying ?? not a single syllable is comprehensible and mostly invented..