I love using delay. It just makes me happy. What's your go-to delay setting? Comment below and let me know!

You know, not only are you knowledgeable brother but one of the funniest guys I know. As long as I been in the sound game, I continue to learn things from you my brother. We appreciate you God bless you and we love you.

Thank you for this tutorial! This is something my church is going to experiment with this Sunday! I also want to try tucking the delay into the Vox reverb like you mentioned. Thanks again for all your help!

Stumbled onto to this one. Glad that I did. Amazing.

I really enjoy your videos. I have learned so much.

For spatial purposes, I like to use 2 delays with 8-14 ms...each one different and then pan it hard left and right. HPF/LPF as you explained in your videos. By the way...James, you're doing a great job!!!!

Thank you for the informative video sir!

Thankyou for the tutorial, Love seeing the camera shake when the bass kicks in, It must feel epic in the room. 👍

This was a great video. I'm just getting into adding reverb delay into our church vocal!

You are the best who explain it!

Thank you very much for your crystal clear tutorials

thanks for the tips :D you're awesome!!

Amazing! Thanks for this video! Love from Sweden.

I love delay, I really enjoy your tutorials, thank you

Just found you on YT....great balance between the practical and tech jargon. Keep it up!

you are amazing man

I usually mix secular, but I've been told that a lot of my mixes sound a lot like worship music. 32%fb, quarter or eigth note, depending on the song. LPF 2-4k, depending on the vocalist. I don't usually feel a need for HPF because I usually start the vocal channel cut at 160. Always, always feed the tap delay back to the (usually 2.5s hall) verb. Whole Lotta Love and Joelene both sound great with this. I can get away with a bit of a hotter delay with rock/pop/country, too. Also, I'll sparingly use a 175ms delay at 12% for a slapback delay, with a hi-shelf down 3-4dB around 2k. Or, if it's a country act, maybe less sparingly.

Lol ...been asking for this and here it is! smdh

Here’s my feedback: I’m learning so much. I like that this is simple and using only a limited number of concepts. I’m a beginner so I get confused easily.

Video top. Parabéns. Deus abençoe sua vida e seu ministério.

Thanks! Great staff! Do you us stereo or mono delays here?

I love that your camera vibrates with the music

I'm mixing my Church Livestream audio with Studio One 6. I have incorporated several delay and reverb tricks mentioned here and other places. And I like what I've come up with, but that doesn't stop me from changing it up from time to time. Here's mine: I'm sending it to a separate FX channel pre-fader to allow the FX channel fader control the amount that gets mixed in. This delay/reverb FX channel goes into a stock Studio One compressor at 6:1 that is sidechained to the dry audio. This ducks the delay/reverb on the vocals, but let's the effect come up on the quiet areas. The delay itself is the Studio One stock plug-in called Analog Delay. I'm only adding a very small amount of feedback, but that might change later. And right now it's at about 120 ms instead of synced to the audio. Again this might change this later. Then there's some stereo ping-pong to widen things up a little. Next is my Relab LX480 Essentials reverb where I roll off the lows at about 600 Hz and the highs at about 10k. The reverb is based on a vocal plate. My whole delay/reverb effect is very quiet on purpose, in part because I still pick up the natural room acoustics a bit, and this effect mixes into it fairly well. Or at least I've not been tech soloed for it. My final step is pushing this FX fader to about -10 during singing and backing it down to -25 during the message. I don't really feel I need a lot of the effect to get what I'm after. PS, feedback.

My favourite effects tap delay😊

can I achieve this same effect with H-DELAY from waves?

Hi! I've been LOVING your stuff lately. I like to think I'm fairly experienced with this stuff but it's really nice to have a refresher course once in a while. I have a question, I play in a rock band that usually plays smaller clubs, and I've noticed that sometimes the cymbal and hi-hat bleed into the vocal mics when there's delay involved can make them sound disjointed and muddy things up, in that context would you recommend avoiding delay altogether and just using reverb instead?

Thanks for this I was so cautious not to ruin my live mix so I only used reverb.. super play safe 😂 . But next time I’ll try adding delay.

Thank you for your audio videos! I am a worship leader with a pro audio background and am helping my church team improve the live sound and get set up for improved streaming. So glad I found your site and your very informative to help me refresh and update my chops!

Very cool

Do you apply the HPF and LPF to the FX send?

is there an ios iphone app that has all these things? I mean lpf, hpf, delay, reverb and preferrably eq and compressor as well?

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Whats the name of the console you are using ? it sounds phenomenal!

I have presouns live studio , what is equal 1/4 in my mixer?

@Attaway Audio do you route ALL of the delay into your reverb bus or is it a wet/dry mix? The diagram seemed to imply it was a mix

How do You tap the delay in?

use it in faster music?

Feedback........... its great

That was one of the most practical advice. I have a question though. I singand run delay from my vocal unit. Is it better to send the entire mixed into the reverb or would it be better to send the delays and the dry voice separately into the reverb? Thanks

Great content! I already watched all your videos. Also I have a question. How can I send my delay to the same reverb on behringer x32? Thanks a lot :)

Hi! I love your setting for the reverb and delay. I have SSL 200 too. What is the name of your reverb are you using and delay?

Great video. How loud are your monitors? I can see the bass shaking the optics of the camera.

Have you tried Allen Heath Qu24? What’s the best delay & reverb type for voclas? Thanks

Do you do private course

great sounding console! 1/4 and 1/8 sounds good..do you remember how long they were in ms?

hello i wanted to know what i hear only delay or reverb + dellay? Thank you

Great video again . When you say ",send the dly to the same reverb your vocals are being sent to", do you send it from aux send on the on the dly return channel.

For vocal delay, should I use mono or stereo delay? Thanks for video

Any chance you could convert your 1/4 and 1/8 to ms for us? Sounds like you're about 67 BPM, so would that put your 1/4 delay just under 900 ms? That seems slow to me, but that may be close.

I need help! I have an allen and heath SQ-7 and I haven't found a good effect for vocals and instruments, for example I really like the plate reverb effect of the Yamaha M7CL consoles, I have been trying different effects on the SQ-7 and I haven't found any of them to my liking. I would be very grateful if you could help me 🙏

Do you use 1/4 triplet?

It all highly depends on the song’s melodic & harmonic structure. In this song here it’s all about pentatonics. With that you might add 70% or more feedback without really distorting the tonal structure; it will always fit in the harmony! - Things would get far more delicate with a less ‘folky’ pop song, with diatonic scales and (modulating) chords in it

I've been working on adding reverb and delay, but I'm uncertain how to use them together. I get that you added the delay back to the reverb to smooth it, but how much vocal are you sending to the reverb alone verses to the delay? Do you regularly use both?

So more delay, less reverb? I’m always using reverb because I’m scared of that 1/8 delay you demonstrated. But what if the singer request he/she likes to hear her Ssss more? 😆 happened to me, I don’t know how to refuse 😛

Can you explain about how much and how to send back delay to reverb tips? Thanks

I need your vocoil please help me

Feed back!! Thanks

feedback 👍

I could use a little more "with" "without" back and forths

My church has granite floor, big smooth walls and windows! It's nothing compared with yours acoustically. So you can imagine that it's more like a cathedral hahaha. But I'd like more time to test effects.

Hi thanks would you high cut as well , thanks

play with a loud band any advice?

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the song name？

Gain Structure please

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I love the series so far, but the removing the highs out so sharply makes some of the words more difficult to understand and it removes intended emotion and expression from the vocalist. Dessers and eq'ing these frequencies out should be used sparingly and not holistically. Just my 2 cents. I often hear sound engineers focusing so much on that topic because it is a topic, they don't fully understand How, When and How Much to remove. It's a very fine line just like proper effects in general.

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If only the acoustics in the space I mix in would support more FX polish.

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just enough delay to add depth to vocal while keeping it subtle

Feedback 1:48 :)

anlatımız için teşekkür ederim ama bide türkçe anlatım yada alt yazı geçseniz süper olur

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misotsa zokee

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Way to confusing!! And all systems are different, it makes it even more confusing. Cheers

I dont hear a difference lol

Lost…lol

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