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This week, I’m working with Spitfire Audio’s BBC Symphony Orchestra library to have a first look at Orchestral programming, beginning with a Violin phrase. It’s one thing to play the notes you want to use but another to bring them to life.
So, this episode will explore some of the key ways that composers putting together orchestral mock-ups work with sample libraries to make them feel more musical. I’ll show you the key MIDI Controllers - Modulation (#1), Expression (#11) and Vibrato (#21), to explore what each can offer a melody. We’ll also see how Logic’s Force Legato feature can help shape a phrase and how Velocity can be used to introduce Glissando. Let’s take the first steps into orchestral programming.
All the videos in this series can be found here: • Composers Toolkit
00:00 Intro
01:14 Recording 1st Violin line
01:35 Understanding MIDI controllers for orchestral samples
03:08 Understanding dynamic sample layers
04:39 Quantise? (or not)
06:36 Closing interface and analysing notes in Piano Roll
07:36 MIDI CC11 Expression for Volume control
10:56 Introducing Modulation for shaping
12:45 Alternative Modulation lines - different musical results
14:57 Editing Modulation
16:22 Expression and Modulation working together
17:43 Force Legato
19:50 Velocity - Glissando
23:23 CC21 - Vibrato
27:33 Summary and where we might go next…