Watch മോയിൻകുട്ടി വൈദ്യരുടെ അനശ്വര ഗാനങ്ങൾ | Moyinkutty Vaidyar Selected Hit Mappilappattu Audio Jukebox
00:10 : Haqana Khonamara
05:07 : Badharul Hudha
10:03 : Endum Nabiyulla
14:52 : Tharanam Pithavore
20:10 : Immalayalathikkuri
23:54 : Poomakalane Husunul
30:16 : Thashrifum Mubarakathara
34:48 : Udane Jumailath
37:59 : Peruppam Padappellam
45:33 : Kette Kadha Abbas
50:05 : Ukareedamlam
55:31 : Elarum Urangi Poyi
58:50 : Aadhithan Ahadhaniyath
1:04:53 : Kandarakattummal
1:09:06 : Adhiperiyavan
1:13:43 : Ahadhathile Alif
1:16:35 : Abvanor appal
1:22:13 : Kudhitth bandh
1:26:37 : Mathimakalvaan
1:29:55 : Muhibbnoor Thirumathi
1:34:02 : Othesumatthil
1:37:05 : Sabaradangalil
1:40:18 : Vambutta Hamsa
1:44:46 : Uaratthe yaa Moulal
1:49:53 : Pukinthariruperum
1:56:29 : Subhanamallahuna
2:00:06 : Manatth maaran
2:02:52 : Thadakimanatthe Samayatthil
2:08:09 : Thiruthidumoli Faqeer
2:12:01 : Thaanam oru Pusthan
Moyinkutty Vaidyar (1852-1892), often referred to as Mahakavi (great poet), is historically considered as one of the most renowned poets of the Mappila pattu genre of Malayalam language.
Personal life
Moyinkutty was born to Unni Mammad and Kunjamina in 1852 at Ottuparakkuzhi, near Kondotti in Malappuram district. Unni Mammad was famous practitioner of Ayurvedic medicine and a poet too. He lived longer than his son and completed his unfinished work titled Hijra from the 27th Ishal onwards. Moyinkutty continued his family tradition of Ayurvedic medical practice and learnt Sanskrit and Arabic languages. He died at the age of 40 in 1892 leaving behind his wife, two sons and a daughter. No known photograph or painting of the poet exists today and none of his descendants survived after his children
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Early works
At a very young age of seventeen, he composed the romantic epic Badarul Munir - Husnul Jamal (1872) . It narrates a fictional love story between Prince Badarul Muneer, the son of the King Mahazin of Ajmeer and Husnul Jamal, daughter of his minister Mazmir. Most of the events narrated are pure fantasy, with plots involving the transformation of the hero into a bird and back, and frequent interactions with Jinns.[7]
Padappattu
Later works by the poet followed a very different pattern. These works were essentially war songs in nature. The Badar Padappattu and Malappuram Padappatt are the most popular songs of this genre.
Badar Padappattu
Shabvathul Badarul Kubra, more popularly known as the Badar Padappattu is considered one of the finest compositions of Mappilappattu.[8] It narrates the tale of the Battle of Badr by Prophet Muhammed and his companions.
Malappuram Padappattu
The Malappuram Padappattu (1883), also known as the Madhinidhi Mala describes the undercurrents of peasant life and struggles in Malappuram in the 18th and 19th centuries. In 1763, a local landlord named Para Nambi had a dispute with one of his officers named Ali Marakkar. The dispute escalated to a major battle between the landlord's men and the Mappilas and the lower caste Hindus amongst the tenants. 44 Mappilas and a lower caste Hindu of the Thattaan (goldsmith) caste lost their lives in the battle. They were eulogised later by the Mappilas. Some time later, the Nambi felt remorse at his deed and decided to make up with the Mappilas. This was the theme of the Malappuram Padappattu. The work was composed with 68 ishals, four vambus and a kuthirachaattam. It also makes references to the story of the King Cheraman Perumal who is said to have journeyed to Makkah and converted to Islam.[9][10][11]
Mappila Paattu or Mappila Song is a folklore Muslim song genre rendered to lyrics in colloquial Mappila dialect of Malayalam laced with Arabic, by the Mappilas of Malabar.Mappila songs have a distinct cultural identity, while at the same time, remain closely linked to the cultural practices of Kerala. The songs often used words from Persia, Urdu, Tamil, Hindi apart from Arabic and Malayalam, but the grammatical syntax was always based on Malayalam.[2][3] They deal with themes such as religion, love, satire and heroism, and are often sung at occasions of birth, marriage and death. Mappila Paattu form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all communities in Kerala
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