Albéric Magnard, born in Paris in 1865, was a pupil of Dubois, Guiraud, Massenet and D’Indy at the Paris Conservatoire, and he frequented the circle of César Franck. His last chamber work, the Sonata for Cello and Piano Op.20 is among his most significant compositions. Composed between 1908 and 1910, it is structured in four movements like all his chamber works, betraying his devotion to German contemporaries and in opposition to the French tendency for three movements in symphonies and instrumental compositions.
Completed in 1905, the Piano Trio Op.18 was first performed at the Salle Aéolian in Paris in January 1906. Also in four movements, it presents more measured
writing than the Cello Sonata or Violin Sonata. The dialogue between the three instruments is refined and balanced without any break in interaction. These are works by a brilliant composer faithful to tradition. On the whole the music can be described as an innovative and surprising, certainly deserving of wider recognition.
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Painting: Pierre-Auguste Renoir - Une route à Louveciennes
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Tracklist:
Composer: Albéric Magnard
Artists: Camilla Patria - cello, Elena Ballario - piano, Franco Mezzena - violin & Sergio Patria - cello.
00:00:00 Cello Sonata in A Major, Op. 20: I. Sans lenteur
00:09:22 Cello Sonata in A Major, Op. 20: II. Sans faiblir - III. Funèbre
00:21:47 Cello Sonata in A Major, Op. 20: IV. Rondement
00:30:05 Piano Trio in F Minor, Op. 18: I. Sombre
00:38:43 Piano Trio in F Minor, Op. 18: II. Chantant, dramatique, limpide, mouvement
00:50:38 Piano Trio in F Minor, Op. 18: III. Vif (temps de valse)
00:56:10 Piano Trio in F Minor, Op. 18: IV. Largement - Vif - Largement - Vif - Double plus vif - Large - Vif - Double plus lent - Vif - Large
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