Marche pour la Ceremonie des Turcs / Jean-Baptise Lully / Klaus Mäkelä / Oslo Philharmonic

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4 ай бұрын

The Oslo Philharmonic with Chief Conductor Klaus Mäkelä performs Jean-Baptise Lully's Marche pour la Ceremonie des Turcs. The recording was made on 19 January 2023 in Oslo Concert Hall.
Multicamera director: Ole Sandholt
Script: Steinar Yggeseth
Music producer: Vegard Landaas/LAWO
Sound technician: Thomas Wolden
Lighting design: Petter Dahl Nielsen
Video production: Trippel-M Levende Bilder
Producer for Oslo Philharmonic: Helene Øverlie
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Пікірлер: 89

@cynthiabeltran1680 12 күн бұрын

Excellent version. The conductor and the orchestra are absolutely sure that they are absolutely right. Bravo!!!

@shadowrun45 4 ай бұрын

Be careful, Klaus! Take care of your foot!

@mertkarabey 4 ай бұрын

indeed! 🙂

@culturalivrebr 3 ай бұрын

Nice!

@namenlos2578 3 ай бұрын

Klaus, you should ware heavy-duty boots

@leroicanard3520 3 ай бұрын

😂

@audreykennedy90 3 ай бұрын

@@namenlos2578ware or wear?

@ralphcanfield9555 7 күн бұрын

Thank you for sharing.

@rogierasselt4972 3 ай бұрын

lully was a true master, his melodies are extremely catchy ...brilliant!

@edgardepaz2958 3 ай бұрын

Love conductor and orchestra energy, there is no other way to play Marche pour la Ceremonie des Turcs.

@msg776 3 ай бұрын

Finally, finally we have come to an age where all the knowledge we gained throughout the last 60 or 70 years of historically informed playing of the baroque era, has been woven into the modern orchestral performance of these pieces! Slowly but surely! Amazing performance with a baroque aura on modern instrumentarium 🎉🎉

@remifasolla5324 3 ай бұрын

Lol it still sucks compared to actual historically informed ensembles

@msg776 3 ай бұрын

@@remifasolla5324 of course, nothing can replace baroque bows, gambas, harpsichord and cohorts of four or five-keyed oboes and bassoons, but for a modern orchestra, this is a step forward. Maybe it's my frustration from those Rameau and Charpentier recordings from decades ago that speaks in such awe of this performance, but again, for modern instruments, pretty good and close!

@LucienMarine 2 ай бұрын

Your analysis is wrong because the Baroque period was rediscovered by the Romantics a few decades later. *LM*

@msg776 Ай бұрын

@@LucienMarine I know, but in the years of the 50s, 60s, 70s and the 80s of the 20th century, mostly up until now, non-period instrument modern symphony orchestras haven't played baroque pieces in historically informed way. I am talking about non-period instrument ensembles, ergo symphony orchestras, I am not talking about baroque ensembles. In the time of Mendelssohn they have probably played Bach and Telemann in a much different way, more style accurate than a symphony orchestra in 1960s! Of course!

@LucienMarine Ай бұрын

@@msg776 My musical commentary aims to recall the historical context of this composition by Jean-Baptiste Lully and the means implemented at the time. It is regrettable to note that the symphony orchestras of yesterday and today play on a register that does not belong to them. The Baroque period has nuances and colors that deserve its own instrumentation. I think that this conductor Klaus Mäkelä has great qualities but has difficulty controlling his impetuosity. Youth obliges! Hoping to have met your expectations. *Lucien*

@chong2389 3 ай бұрын

Conducting 'a la Lully' and lived to tell the tale! 🤣 Nicely performed!

@gabrieleluparello3312 3 ай бұрын

😂

@Bruniebear 3 ай бұрын

Always know where your feet are!

@willcwhite 4 ай бұрын

So great to hear a real orchestra play this music

@JorgeRuizDeArco 4 ай бұрын

Tous Les Matins Du Monde'

@cynthiabeltran1680 12 күн бұрын

Yes, but that version is not close to reality. kzfaq.info/get/bejne/jdSlh82LzNSYpGw.html

@LucienMarine 3 ай бұрын

The March for the Turkish Ceremony (Marche pour la cérémonie des Turcs) was written by Jean-Baptiste Lully in 1670. It is taken from the ninth comedy-ballet entitled « Le Bourgeois Gentilhomme » by the playwright Molière. Comedy-ballet is a combination of spoken comedies, singing, and dancing. This form was desired by King Louis XIV in order to sew together theater, music and dance without breaking the thread of the piece. Context: The King received the emissary of the Grand Turk represented by Suleiman Aga in 1669 but the diplomat's clumsiness and casualness turned into a caricature. It was then that the famous « Turkish ridiculous ballet » was born. The comedy-ballet is a veritable reservoir of the processes that Lully will find in lyric tragedy. She is entirely instrumental and is intended to be danced. So it’s ballet music. To heighten the irony of this scene, the composer employs all the instruments at his disposal and also uses percussion with oriental sounds. The march is structured around two repeated musical phrases. From the first notes, everything is done to create a solemn character as the key of G minor, the dotted rhythms similar to opera overtures and supposed to represent the march of the Sun King. This colored piece also includes a small tessitura of which the repetitions offer a journey of exploration of the timbre in the score. *Lucien*

@enguerranddemarigny Ай бұрын

Grand merci pour vos informations de contexte !!

@LucienMarine Ай бұрын

@@enguerranddemarigny Merci ami de la Musique ! *LM*

@SeadPasic 4 күн бұрын

very good!

@user-ce8os7kd9i 2 ай бұрын

Yes~ new version! Thank you Oslo!

@fsib8652 3 ай бұрын

Moliere et Lully à Oslo, top ! Magnifique interprétation de la turquerie du Bourgeoise Gentilhomme. Bravo Klaus Makela

@upsill 12 күн бұрын

Merci !

@bloodgrss 3 ай бұрын

Best thing I've seen Makela do; on point musically and theatrical. Hope he does more French baroque...

@rtorresj7038 2 ай бұрын

Klaus Makela y la Filarmónica de Oslo son mi combinación favorita, nunca me decepcionan!! Magnífica y divertida interpretación me hace viajar a la época de su compositor

@jean-yvessala526 3 ай бұрын

SPLENDIDE ! BRAVISSIMO ! BELLE INTERPRÉTATION ! 😇😇😇🥰🥰🥰😍😍😍😁😁😁😇😇😇❤❤❤🙏🙏🙏

@rosekokose2031 3 ай бұрын

❤❤❤🎉🎉🎉😊😊😊

@ethanbowie3050 Ай бұрын

SIR you are real MAESTRO 🎶🎵 much love and respect ❤❤❤❤🖤

@autoghg 4 ай бұрын

Bravo!! Great work as always from the Oslo Philharmonic and Klaus Mäkelä!🩵🩵

@melaniamonicacraciun9900 3 ай бұрын

Delightful performance indeed bravo bravo congrats, music is our family and we will never be apart anymore 💋👍🥂💎👍👏🎁🍀

@redwine2664 2 ай бұрын

What an epoch France enjoyed. With a King who saw himself as Jupiter and producing genius like Lilly! Unlike today's France. A scoundrel for a president and a nation in ruins.

@aminen5316 7 күн бұрын

Not bad 🔥

@BsktImp 4 ай бұрын

Needs piccolo or sopranino recorders doubling at the octave.

@julesmarwell8023 3 ай бұрын

class, culture, beautiful. thank you from Australia

@joseluisgimenezperez909 Ай бұрын

Muy obcuro duro "marcado" En fin...

@williangel5403 Ай бұрын

I love te faces!

@sevoo1579 3 ай бұрын

Une merveille mes amis ! Soyez bénis

@user-gn6mr1hl5n 3 ай бұрын

다양한 시도 다양한 레퍼토리~ 메켈레 음악 인생에 브라보!

@berndmensing8707 3 ай бұрын

Another version I didn't know yet. But beautiful

@manuelpinto7293 4 ай бұрын

Maestro, sublime as ever. And the Oslo Philharmonic as well. Lully is applauding no doubt! Probably seated but applauding!

@ruialves66 3 ай бұрын

Fabulous! Thanks for posting. Congrats Klaus and OP!!

@mertuzun8976 Ай бұрын

🔥🔥🔥

@djvelho57 4 ай бұрын

BRAVO!!!!!!!

@moyrawoodward2291 3 ай бұрын

Love it.

@user-ek6qq7ry8y 3 ай бұрын

This is a very modern performance.

@squaterryzzz 3 ай бұрын

So cool !

@heuriskonful 4 ай бұрын

Bravo! Mais... Maestro, Attention à ne pas vous cogner le pied!😉😅😁

@israelquezada9936 4 ай бұрын

Beautiful!

@user-pi2tl8iu6z 4 ай бұрын

참 좋습니다

@gabrielaberna5526 3 ай бұрын

👏👏👏👏👏👏🎶🎵

@johnanderson3700 2 ай бұрын

He is so full of the energy if music it literally bursts out of his inner being:

@juanchoi8007 2 ай бұрын

오스만투르크 Ceddin deden 투르크 군가 같은 리듬 같기도 하고,Jean baptise Lully가 작곡한 바로크시대 발레음악이라니 신기해요 ...루이14세가 발레하는것같기도합니다😊

@kevmortensen7462 3 ай бұрын

That was fun!

@Coolguy-ge3qx 3 ай бұрын

Funny & brilliant! Where is the audience Louis XIV? ^_^

@albinojuanbazzanella6142 3 ай бұрын

Bravo!

@mariaisabelsotomartinez1195 3 ай бұрын

❤❤❤

@barbarafuglein3918 3 ай бұрын

Klasse!!!!😊

@TaylanErgul 3 ай бұрын

💐👌🏼

@jiheelee3175 3 ай бұрын

👏🏻👏🏻👏🏻👏🏻

@brunopicaude3092 3 ай бұрын

Version très pédagogique qui commence par la percussion, les basses, puis les parties intermédiaires avant d'ajouter la mélodie. Style parfait.

@enguerranddemarigny Ай бұрын

Cette interprétation est absolument sidérante, et allant crescendo en intensité, ça prend aux tripes ! Merci pour vos précieux détails et informations ! Makela a même respecté la direction au bâton !

@brunopicaude3092 Ай бұрын

@@enguerranddemarigny 🖐

@engelbertschoormans 4 ай бұрын

Better stolen well then thought badly… ;) Nice performance!

@jenjiskaintryh2616 3 ай бұрын

❤❤❤👍🏼👍🏼👍🏼👍🏼

@sumanilyas293 3 ай бұрын

What a talent this man is!

@DomFileoreum 3 ай бұрын

Dude watch your foot

@leirascanio Ай бұрын

Le falta fuerza.... el báculo debe sonar con imponencia...

@stevieb6368 3 ай бұрын

I dare say the orchestra would play just as well without him!

@rastislavdemko6682 3 ай бұрын

Spot on, Stevie. Lully is the father of the professional orchestra, capable of performing under any circumstances. That’s exactly the point.

@Paroles_et_Musique 3 ай бұрын

@@rastislavdemko6682 It's a myth. An orchestra needs a director, the 0,0001% chamber orchestras playing without a one is an illusion, the first violin is giving the tempo and entries.

@janheuvelmans7096 3 ай бұрын

Heeft Klaus achteraf zijn tenen geteld?

@DeBreuitateVitae 3 ай бұрын

Pourquoi se mettent-ils tous à l'interpréter comme F.-X. Roth ? 🙄

@kinasek Ай бұрын

La version de Roth est bien meilleure! En fait, ses deux versions sont meilleures.

@bill9218 3 ай бұрын

They need a more impressive Turkish Crescent... :>)))

@kinasek Ай бұрын

Indeed!

@kinasek Ай бұрын

Too much of the same strings... Where are the wind instruments? Not as good as François-Xavier Roth's 2min41sec version.

@isqueirus 3 ай бұрын

These string orchestral players that move all over the place while playing are so annoying. If it is the concertmaster I understand, it's suposed to do that. All the others stay still and play whatever you have to play.