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where have you been meja? you gave us the touch of angels with your beautiful voice and dissappeared like an angel as well..I hope to hear new songs from you my dear childhood love. take very good care of yourself..

youre welcome this is in my opinion your best song and video!

Gode gamle Jonas Åkerlund

中学生の時、fm tokyoのハートオブサンデーという番組で初めてこの曲を聴き、カセットに録音して何度も聴いたのを覚えています。素敵な曲ですよね。

our pleasure:):)

First reply After 7 year

3333222ｷｸｻｸｽｸしたりさせないとの公示しますでしょ。しかし

peace rara 自分も、この番組を観てて曲を知りました。懐かしい‼️

Good point, we should look into that....

@@mejaofficial Thank you for your appreciation.

You sound like a perv

Looking back I think that was largely due to not catering to 'western influence' in the composition style of her music and videos. For the sake of her art, think that's for the best.

​@411DL If that's the case that doesn't make sense. Most of her music would fit right at home with all the 90s pop classics you hear everyday. This song and How Crazy are You are two songs I'm quite surprised didn't get air time. Nothing about her style sounds out of place with whats typical for the time and im not saying that as if its an issue. I mean that in the best way

@@stormcutter59 I was soft stepping with how I was trying to convey that. I'll be more direct. If record execs in the states had creative influence (or sometimes control) over the video for 'How Crazy are You' it would have likely looked like a scene from MTV's Beach House. Why? Cuz that's what those same execs felt sold well in that genre back then. I also have to imagine the song would have sounded different, too. I'd bet that slide guitar and its solo would have been mixed out and replaced (even though the use of it added creative depth). Not a critique, just how I observed things back then. Now if you want a cut-n-dry example of how the composition of a song can change when it goes across the pond and a U.S. Label's producer is involved, Ready to Go by Republica. There's an original on the album as well as what's called the U.S. Mix, Remixed by Ben Grosse. For a lot of other bands he was the label's Producer. I think of him as an example of 'the guy in the room'. Just how much influence does a Producer have? In 1989 Geffen Record producer Bruce Fairbairn kept a song off Aerosmith's Pump album cuz Steven Tyler wouldn't relent to a name change of the song. That song... Deuces are Wild. Another problem is back then that the record execs have always exerted a lot of influence over radio stations as well. So they had to push the artists that played ball with the label.

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