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Miking an acoustic piano is a task you’ll need to know how to do as a sound engineer, as it’s a common task for a variety of styles and stages. In this video-which comes from Berklee Online’s Microphone Techniques for Live Sound Production course by Ken “Pooch” Van Druten and Ben Cochran-Pooch shows you that while miking a piano in a recording studio may be a challenge, miking a piano in a live concert setting has its own set of considerations, especially in instances when you don’t know what kinds of equipment a venue will have. Pooch offers advice on how to navigate contact pickups, condenser microphones, boundary microphones, omni microphones, and more.
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ABOUT KEN ‘POOCH’ VAN DRUTEN
Ken “Pooch” Van Druten is a tenured and acclaimed producer, engineer, and live sound engineer. His track record of recognition for flawless engineering started at Berklee College of Music and has continued through three Grammy nominations and a history of Platinum and Gold records. He is the FOH engineer and production master behind Jay-Z, Travis Scott, Red Hot Chili Peppers, Justin Bieber, Iron Maiden, KISS, Guns N’ Roses, Linkin Park, and many more. He holds close to a dozen FOH engineer accolades.
ABOUT BEN COCHRAN
Ben Cochran is an engineer and technology adviser at Audio-Technica in Stow, Ohio, and is the worship and production director at Christ Community Chapel in Hudson, Ohio. He holds a master’s degree in electrical engineering.
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Microphone Techniques Live Sound Production | Miking a Grand Piano | Contact Pickups | Boundary Microphones | Condenser Microphones | Ken “Pooch” Van Druten | Pooch Van Druten | Jay-Z | Travis Scott | Red Hot Chili Peppers | Justin Bieber | Iron Maiden | KISS | Guns N’ Roses | Linkin Park | Ben Cochran | Berklee College of Music | Berklee Online