Miles Davis - Tokyo JAPAN 1973

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Miles Davis - Tokyo JAPAN 1973

Рет қаралды 33,114

Күн бұрын

Miles Davis (tp)
Dave Liebman (ss)
Al Foster (dr)
Michael Henderson (b)
Pete Cosey, Reggie Lucas (g)
Mtume (per)
Tokyo, Japan, 19th June 1973.

Пікірлер: 67

@flame-sky7148 2 жыл бұрын

What a beautiful period of music (1970's).

@josecofre-kr6sp 9 ай бұрын

Comenzó aproximadamente el año 1968 a la fecha. El estilo se llama Jazz Fusión. Miles Davis es un genio.

@janpierzchala2004 6 ай бұрын

which period precisely?

@sirqitous 6 ай бұрын

@@janpierzchala2004 I would say 1969 through 1974 (his first 6 fully electrified years)

@romemiller5349 4 ай бұрын

@@sirqitousMy favorite period from Miles ❤

@flame-sky7148 25 күн бұрын

@@romemiller5349 Yea 1969 to 1975 is where it's at with me with Miles, I loved 1981-1982 the comeback years as well.

@georgelumsden4484 Жыл бұрын

its so interesting hearing pete cosey with such a relatively clean tone. I thought he would have more effects on this one but i guess he really leans into that at the end of 73. I love hearing the process of this band

@jamescraine8871 8 ай бұрын

yes, very true - I think later in the year or early '74 he added an EMS Synthi A to his arsenal and used that to great effect - Johnny Marr has done the same thing on his last couple of recordings (with the Erica clone I think it is)

@williemakeit2346 3 ай бұрын

He added the EMS Synthi A in late 74/early 75

@directcurrent5751 2 ай бұрын

Definitely a lot of FX stuff later, that's true.

@kou817 Жыл бұрын

この時期のマイルスを観れた人が羨ましすぎる！✨ と、同時にこの斬新なスタイルのマイルスの音楽性を当時の人がどう思っていたのかが気になるところ🤔

@user-rp3gm9vj1l 2 ай бұрын

Mtume's percussion and Michael Henderson's bassline are awesome. Needless to say, Pete Cosey's guitar...! Reggie Lucas' cutting is quite groovy, this band is right for some Rockfestival.

@oil2281 Ай бұрын

必要最低限の照明とシンプルなステージこれこそライブですね

@misoulian13 5 ай бұрын

Those shades don't mess about!

@shawnbruce6934 5 ай бұрын

This is Unbelievable! Wow!!

@Ivan.8067 3 ай бұрын

Que privilégio desses que puderam ver Miles nesse período experimental e criativo 🤌👏👏👏

@jamescurran9002 2 ай бұрын

It occurs to me, that yes, when someone mentions Hendrix or Prince...i should be proud to give them just a taste of Miles

@FuzzyBuzzBoy 2 ай бұрын

Then Give them Some of miles wife. The Great Betty Davis! She made mile in the 70's.

@MP-ov1tp 3 ай бұрын

Lo de Miles Davis es único y en especial su etapa eléctrica, innovación pura, pasa por todos los géneros. Irrepetible en la historia de la música.

@gordon8463 Жыл бұрын

When music is perfection and freedom...!!!..

@user-zj4jp8dc1r 8 ай бұрын

ありがとうございます。Turnaround Phraseも初々しいです。

@paoloprovvedi7983 6 ай бұрын

Genio, ❤ grazie 🎉🎉🎉🎺🎺🎺🤗

@artyfhartie2269 7 ай бұрын

Davis trumpet playing is similar to that of a child. Innocence and naivity. Like the art of Picasso.

@aaarauz1 5 ай бұрын

Brilliant.

@Michael_talks_ 3 ай бұрын

Miles Davis is my favorite

@erikheddergott5514 2 жыл бұрын

Thanks for uploading,

@ZUPPOFLYINGSNAKE_ 6 ай бұрын

this is is brilliant

@R34LITY_SUX 3 ай бұрын

D Liebman is a F-ing beast

@victorbedrinov7387 7 ай бұрын

Setlist: Ife Agharta Prelude Zimbabwe Tune in 5

@AlessandroSouza-kl9wj Ай бұрын

Alessandro de Souza Baeta Neves.

@nikolaosmosxakis3395 6 ай бұрын

VERY GOOD.................................................................................................

@quisowens8025 Ай бұрын

Tune in 5 is uh tuff asss groove

@shawnbruce6934 5 ай бұрын

Wow!!

@freedomofexpression4916 2 жыл бұрын

Thank you very much!

@quisowens8025 Ай бұрын

I wanna hear wahwah trumpet today. Bring it back! Who brave enough?

@highvibee 5 ай бұрын

Awesome T

@pholussus 11 ай бұрын

The camerawork is rather poor, as it is mostly in this period, because the directing guys are still looking for soloists and star-featuring, while this a living jungle, where all beings sound together ... but as Miles always said" the music speaks for itself"..never more true than here ... . get up with it!

@BBoldGaming 9 ай бұрын

Lol my dad is Michael henderson and wasn’t too fond of the camera man either. He’s on the bass

@cali22boi 9 ай бұрын

@@BBoldGamingit's a damn shame that your father wasn't interviewed much or truly revered as he should have been during his time with Miles. He was Miles' longest standing bassist, and all of audio and footage shows why this is. Unfathomable range on his instrument. Godspeed to your father.

@aaarauz1 4 ай бұрын

@@BBoldGaming he was a beast!

@BBoldGaming 4 ай бұрын

@@cali22boi I have a lot of that footage and going to debut it on the official website ❤️📌

@cali22boi 4 ай бұрын

@@BBoldGaming please do so. Miles based all of his music between late 1970 to 1975 around your father's prowess on the bass. I've been listening to this music for over 30 years and I still discover something new at every listen 🎶 🙏🏾

@JotaOrtiz 2 жыл бұрын

Gracias!

@Markus_Breuss Ай бұрын

🎺🚀🎺🎺🚀🎺🚀🚀

@olivierdrouin2701 7 ай бұрын

Intéressant de comparer a environ 46' avec la dernière intervention de miles sur " Gondwana"

@dannymgodtheholyspiritrthe3438 4 ай бұрын

June 19, 1973 Shinjuku Kosei Nenkin Hall, Tokyo (Japan) Nippon Broadcasting Corporation TV broadcast (B) Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume First set 1 Introduction 0:33 2 Turnaroundphrase (M. Davis) 12:30 3 Tune in 5 (M. Davis) 9:25 Incomplete (9:23) on Jazz Masters 4 Right Off (M. Davis) 3:33 5 Funk [Prelude, part 1] (M. Davis) 8:357 Introduction 1:11 8 Ife (M. Davis) 21:48 9 Agharta Prelude (M. Davis) 9:52 10 Zimbabwe (M. Davis) 10:59 11 Tune in 5 (with applause) (M. Davis) 2:30 This may just be a continuation of "Right Off," but the el-b vamp has some elements in common with that of "Funk." Perhaps the latter evolved from "Right Off" during this period 6 Tune in 5 (with applause, announcement) (M. Davis)

@bmuhamad 9 ай бұрын

Interesting enough, seems like the watershed moment is when John McLaughlin joined the band. Personally, I love this band more.😂 🎉😅

@bmuhamad 9 ай бұрын

Also I might add, the band was better with Don Alias. Mtume never liked the structure of Afro-Cuban congueros. He thought that tradition was boring. Albeit, they have roots.

@shemusmcquillaide 7 ай бұрын

I really don't know, but a jazz guitarist friend of mine told me years ago that McLaughlin was one of the guitarists who played on Bitches Brew, so that would be about 6 before this. I agree though this band is something else and the videos of their concerts later in the year in Vienna and Berlin (?) are great too. Pete Cosy has to be just about my favorite guirtarist, John McLaughlin is not nearly as interesting.

@bmuhamad 7 ай бұрын

@@shemusmcquillaide Sonny Sharrock shared the guitar chair before Mr. McLaughlin. They both played simultaneously on Wayne Shorter's Super Nova,1969.

@Jacqo-z3n Жыл бұрын

🤩😇🥰

@FrankMagnolia 4 күн бұрын

proto-house music :))

@trobson9952 6 ай бұрын

😢

@ilovetomorrow 2 жыл бұрын

👍

@jiyujizai Жыл бұрын

😀❤️🌺🍀

@romemiller5349 4 ай бұрын

Michael Henderson and James Mtume were phenomenal musicians !❤ James Mtume was a force of blackness on The Strata East Mothership . And Michael Henderson went on to watch his own Star shine bright ... but it doesn't hurt to be a piece of fruit on The Miles Davis Tree until you become ripe.

@dykeritz9 8 ай бұрын

mr Foster

@aaarauz1 4 ай бұрын

that's Aloysius to you and me. :)

@benjaminmcclelland2464 8 ай бұрын

Does anyone know what the instrument mtume is playing is called? I can't seem to find it anywhere but im curious because he plays it in most of miles' recordings and sets from this period

@musicglenn 7 ай бұрын

wooden tongue drum (starting around 36 min)