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I've been been doing top down forever before I even heard the term. It's hands down the best way to work.

Nice video. Pretty revolutionary material right here. Thank you for this.

Great video brother clicked on it as soon as I seen it ‼️📌

I always called it "sweetening" when I'd take my exported songs back into the DAW to nudge particular EQ frequencies, and compressing the whole track. Great idea to start it that way.

Bro thisbis so controversial but when something works use it. And I have been using this because I can't stand the way my stuff sounds sometimes to even start with out doing a little on the master. You know way more than I ever will. But so glad you had the courage to say it.

Awesome, i've only got back into recording and mixing, so this is great. The mixing university link isn't working for me, but maybe it will later. Thought i should let you know just in case.

Brilliant channel. Thanks for your wonderful insights.

The master fader treats whatever comes through it as a stereo track not individual tracks, so,, one db boost doesn't mean a one db boost for all individual tracks, one db boost on master fader means exactly 1db boost

This is incredibly enlightening! thank you for sharing this.

I’ve always used a combination of track inserts, mixing busses and some subtle EQ, mastering plugin and a tiny “glue” reverb on the mastering bus. I’ve been wondering if this was right. (I’m not mixing church worship music, of course)

We miss you Friend Graham, come back.

Please make a video on C1 mic how to proper eq and how to cut his brighter part

Cool! Thanks man

Hey Graham, I have a question for you? Isn’t any plug-in that goes on the Master fader post-fader? And if so, shouldn’t I want a Submaster AUX track to do real pre-fader mixing?

Im wondering if that would be kept the same when bouncing it or is this just to have a pleasant sound while recording?

yes

Great way to save some CPU power too.

I do this

Doesn't this preclude the value of mastering?

Hey Graham. Nice tip! How can i get you on the phone to ask you a few questions about vocal recording? I want to know how to read peak hold meters ... that yellow orange looking line above the signal in full green when setting instrumental levels on the mix window in Pro Tools. This can be a paid gig ... if you already did a video on this please point me to it. Thank you from a beginner in Pro Tools.

Graham, where are you?

Is graham still alive?.

Looks like you’re doing some mastering within a mix session. The point of doing channel moves is so that you don’t end up with a mass of one frequency range. Leave the small mix bus moves for your mastering session.

Did you just discover this now?

It's funny how he is just regurgitating his older videos on us the only thing is he just remakes them every year LOL