I’m just so happy the old format is back!

I just bought my first JHS PEDAL! WOOOHOO! It's a 3 Series Screamer and it's UNBELIEVABLE! I can't believe I got this for $65 brand new. Easily my favorite OD pedal currently. If this is what one can get from JHS's "basic" pedals, I can ONLY IMAGINE what your premium pedals sound like. I'm a JHS fan for life at this point. I honestly can't believe how great this thing is. 👍👍👍👍 None of my pedals sound like this. None have a tone control this usable. This thing is SICK!

Loving the lives, short, long, halfway…it’s all good! 🙏🏼💜✨

Really enjoying this format.

Great jams. The drum sounds are killing.

For apartment/headphones people, stereo is a must, it expands your world. Welcome to the headspace.

As long as you guys keep doing lives, doesn't matter if they are 30 min long or 3638 hours long...

Wow I love the intro tune...my favourite ever!!

Brian Wilson was deaf in one ear. The fact that he used ping-pong echo is testament to his imaginative genius.

some of the best jams you've ever done

Josh’s ability to create jams w*llie nillie is incredible

The jam from 20:00 was epic!

Both of these pedals have been on the wish list for a good while and i thing this is my sign to buy em

This is a great video. Thanks, JHS.

I came for the effects, stayed for my new favorite song

I was about to get a second hand Boss delay until I saw this, now I have a D7. Most excellent, thanks for this.

Nice opening jam fellas🤘😝

Now it’s how we all feel at the end of the day. Thanks 🤙

I've had both of these on my board for several months now and they’re fantastic. I’ve cycled through various reverbs & delays (Fathom, Slo, Arp-87, Belle Epoch, etc) and the Mooers kicked them all off. They sound great and are just insanely convenient, especially with the ability to store the presets.

I got that reverb about a year ago and absolutely love it for the price--the shimmer really blew me away for a pedal that price and been recommending them.

These were really cool!

Great stuff. Especially the liquid delay jam xo

I think they sound great..great video.

Good to see the band back together. I'm an x horrible guitarist and still love the tech / live music. These vids hit both nerves perfectly. Welcome back Nick. Where is that sweet sweet bass?

I love all Live shows!

Sick opening jam

I like the short live events.

I think I like the long versions a little more, but l'm just happy to be here

Way to take it home at the end. Nice

These are fantastic pedals and are both after my Tonex pedal - they hold 14 presets each ! So you might need a post it note to remember the patch color and number ala Y2 or P4 for Yellow or Purple mode effects. Very easy to use and tweak. So good I wish they had USB to backup/restore presets. But great no hassle pedals !

what a great time to be a musician =

25:44 now that is a golden sample right there.

I dig the Crocs.

That last jam was cool. The spoken words reminded me of Breadcrumb Trail by Slint or Creation Story by Lungfish.

I bought both of these pedals after buying the A7 Ambiance verb and preferring it to the Old Blood Noise Endeavours Dark Star. I decided to get the upgrade and go stereo with the same algorithms for the verb, and the delay seemed like a no-brainer off the back of it. The delay is gorgeous but the verb really is something special for the price

From what I understand, ping pong was invented with reel-to-reel stereo tape machines back late 50s, early 60s, probably. Using a mono tape machine was what gave rockabilly and early rock-N-roll the slapback effect. For ping pong, Instead of feeding back a certain amount of the playback head into the recording head on the same channel to get feedback delay, you cross the channel inputs over ch1 out -> ch2 in and vice versa. This was most likely done originally to double the amount of delay possible (2x the distance between record and playback head instead of 1x), but if you played back the resultant recording you would immediately hear stereo "ping-pong". If you had a stereo desk, and were recording to stereo, this could be done live with no problems.

So nick is really reminding me of mick the trainer from rocky today!

"That's how I feel at the end of the day!"

the drummer looks sick

The JHS show has talked a lot about Flamma pedals before. Flamma are just rehoused Mooer pedals. So the Flamma Delay and Reverb and the same as the version 1's of these pedals. The main difference I see is the dedicated tap versus holding down the footswitch for tap. If that's not a deal breaker to you, you could get the Flamma and save $50.

yo i dig the bass sound

ill take any format ...just keep em coming.

Ohh I soooo missed the old format!

I had the original (smaller size) D7 back when I had a pedalboard. It was a great pedal. It replaced a mini flashback 2 and frankly kicked the crap out of it. BTW the slow gear mode is kind of a Autoswell type thing, but just on the delays. Or you could do what I did, drop the time to zero and the crank the mix all the way up.

There must be a link between (chinese FX builders) Mooer and Flamma. I have a Flamma FS03 delay (certainly influenced by Josh's video on Flamma pedal)---and the names of the delay presets in Mooer D7 are the same. Even more obvious was the name of the TWEAK parameter "Slow Gear" (which doesn't mean anything to Josh or myself). Even if they are one in the same (Mooer = Flamma) it's hard to disagree with the ~$100 value (stereo) delays. If anyone wants a slightly cheaper, slightly simpler version of D7-----try the Flamma FS03!

If the Shoe gaze fits!

you only played the Fuzz Delay sound you have not heard for a second, but it really gave me vibes of the solo Steve Howe did in Owner of LOnely Heart.

There's a fuzz delay setting on the Mooer Ocean Machine. These pedals are pretty cool. Affordable and versatile stereo, great for studio use.

wouldve liked to hear some of those full wet. also i'm wondering if you can use the delays as just chorus or flanger or fuzz or whatever by going full wet and putting the delay time to zero and the repeats to one??

The second demo tone reminds me of a more tame Terra Echo

This series has a cab sim, too, I believe. Anyone know what that sounds like? How does it compare to the Walrus ACS1, for example? Are there more in this series?

Where can we get those power jacks you guys use??? I've looked everywhere for something like that. 🤷

Beanie giving off Devo Energy Dome vibes.

Still like drum sounds

Josh Scott, I'm glad you didn't die in 3rd grade.

Longer lives please!

Donner had/has? the White Tape Delay that's 2 delay circuits in a single housing. Each with their own dedicated input & output jacks. Talk about stereo delay. Pretty sure it'll do ping pong and all sorts of stuff.

SOLD

Addison, please come back. 🥺

my heart rate dropped to below 50bpm during that last jam....

I miss the dude that used to play bass with you guys.

I want a box for my built nota klon! It doesn’t fit in the box it came in Josh!!!!😂😂😂

Some Adrian Belew I'm inspired guitar riffing in that first jam.

1994 DALLAS SHOT SHOW?! Whoa.

Why can't someone just do the Yamaha SPX-90 reverse and reverse gated reverb in a pedal properly?

What's the make model of that Epi bass?

You guys ever tried the Mooer GE300?

One of the other channels who does ambient guitar videos covered these pedals nearly 2 years ago, give or take. I never bought them and ended up with all Alabs pedals. I think the Alabs Cetus, Timeslip and Novadrift are prettt damn good. Punch above better than Mooer or Flamma and are poor man's Walrus pedals.

🐄 💨 MOO

I love the format of these pedals: a simple design with presets and tap tempo. However, I find Mooer's tape and analog delay algorithm's to be... lacking (💩)

Nick....i need drum loops!

Look who likes stereo.

19mins in and this gets seriously girthy

Oh no I’ve been eyeing the reverb forever now it will never be available again

The reading at the end was great needed reverb and delay though

Shouldn't y'all be building Notaklons? ;)

It's "Josh Gaze".

have the mini size d7, not my fave. this looks better

Red and the orphans

I have the reverb. The reverse really is pretty good, the spring gets....weird. The plate is solid, hall and rooms are decent, and you can filter the tone enough that the shimmer isn't TOO crazy. The mod algorithm isn't quite as nice as a classic Boss modverb, but it is good enough for how versatile the pedal is. Some of the more "effect-y" reverbs are a little much, very situational, but thats fine for those ones, I guess. R7x2 on... ...Guitar: 7.5/10. It's no strymon or Meris, but it's more than good enough for how much it does and how little it costs. ...Synth: 7/10. Doesn't clip at line-levels, but just barely. If I i send a big saw out of a monosynth through a ZVEX SHO boost into an overdrive, the R7 clips. And the controls get a little touchy, so you can tell that it works at line level, but it's not what they had in mind. The filters are great to help tame the sound enough to keep it usable at a variety of mix% and decay lengths. ...Bass: 5/10. If you are one of those rare people who uses reverb on bass, like I sometimes do, this WILL do it, but it is not the best tool for the job. It doesn't cut low from the dry through, but some of the algorithms feel unusable with all that low end no matter how I work the filter controls. It's either not there at all, or it's mud. Not particularly nice mud, either. Pro: I love the ease of the presents. At the beginning of a set I just pick my algorithm for the song, get it set, save it, and it's so easy to set and save a good baseline, and very easy to tweak from there. Scrolling through the algorithms with the pedals is also very easy, click both at once then the lights blink and left is -1 right is +1 on the list. Con: The knobs are very touchy. Really, it feels like there might only be 64 steps of adjustment on each knob, not 128. Idk what it actually is, but thats the feeling i get. On some of the algorithms that need delicate adjustment to not be overwhelming, there's just no way I can turn the knob to get it just where i want it. It's not awesome for bass.... Like, it works, and I've used it, but its WORK to get it set right to be there, but not too much. The above complaint about the touchiness of the knobs feels worse when working with bass. Maybe its just that I have active circuitry, so the signal is pretty hot coming in, but this thing is fine with my mono-synths, not mindblowing but really good. Just doesn't love my bass, or maybe it's just my bass amps. Whatever though, I'm sure some people think its sacrilege to play bass with reverb anyway.

Hey! Jim Morrison, give the poetry a rest. Trying to hear the pedals within the context of the track.

👀

You could buy an Ocean Machine for under $200 and get an extra delay and looper included.

You’ve got a bit of a Spinal Tap situation on bass .. Addison went on a musical journey and never visits, then Driller disappeared too …

I loved the D7 as a "but we have a delay with presets at home" placeholder until I upgraded to Halo and DD200. But these are cool and could be adequate for some players and gateway for others. This sounds pretentious and I didn't mean it that way. Sorry..

Where do they sell this pedal at? lol

how do you feel about sam ash going out of business?

1:30-1:35 What is going on in that phrase ?

"Budget"

AI digital delay answers need some work 😂

It’s pronounced mow-er

Who punched Nick?

Has anyone stopped to consider that those Mooer pedals are ugly?

too much talking crap just give us the demo please - you guys aren't particularly funny or entertaining