He is a fantastic conductor, indeed.

I agree...seems to be really enjoying himself.

I think almost every conductor loves what he/she is doing. You cannot make ist to the top, particularly in this genre, if you‘re not extremely passionate about your profession.

His expression of pleasure and joys is communicated to his musicians. Of course, depending on the score, he is not smiling at all, but nevertheless manifestly enjoys what he is doing (is playing in fact). Bravo depuis Montréal.

In der Tat

@@lincolnclay898 Stimmt

Aber eher schlechte Kammeraleute😂 1.25

@@zupanova3 ....die Kameraleute sind nicht das Problem, sondern eher der/die Editoren der Aufnahmen ;-(

How did that happen? Are you a musician? Were you backstage? This is like my dream come true to talk to some of the best conductors in the world.!!!

@@katrinat.3032 I am a musician, and yes it was backstage. At the New York Philharmonic, we don’t need special access to get into the green room backstage, we were just able to walk in, stand in line, and I talked to him for a few minutes and got a selfie with him.

I will beg to differ...No. 40 in G minor is his "best" but this is darned close and yes, a miracle. :-)

Dommage,qu'il soit mort si jeune

thanks alot!!

Hallo 2dNP

Paavo is probably a better conductor than Neemi nowadays. He has inherited his father's flair and command of the orchestra but without the tendency to drive the music too hard and play fast and loud for its own sake which often marred Neemi's performances

Yep, it is the best Jupiter we may listen to on YT.

I prefer Harnoncourt's 1991 recording with the European, but this one is still excellent.

Paavo Jarvi's versatility is legendary and he is equally at home in any repertoire. Check out his barnstorming performance of Messiaen's Turangalila Symphony with the same orchestra. I reckon it's one of the best live classical performances on the whole of KZfaq.

While there is something very special about Mozart's music, Berlioz is the greatest of them all - for both melody and drama he has no equal, my opinion of course!

no berlioz is mere shadow of beethoven and brahms

Renata Wisniewska I appreciate what you say but we will have to agree to differ on this one!

good because i will never ever betray mozart music

+cameronpaul Berlioz was a big Mozart fan, like pretty much every composer since 19th century

Jawohl

Concordo!

De este extracto Woody Allen dijo que por él merece la pena estar vivo

1. WTF?!?! 2. Das war Mozart 3. Liebe

What do you mean ?

He Sayd Great, you can listen for this forever!

What do you mean ?

It was a mistake, but as you said...."nicely resolved" Brilliantly covered

Would you like to elaborate on this? What's an appoggiatura, and why was the resolution of the (possible) error historically informed? I'd love to learn! Thanks

@@maaaaaaaaarcel These are very good questions and deserve an answer. An appoggiatura is a "leaning note", usually immediately above or below the principal note, which is considered dissonant (in context) and is written in smaller type as a grace note--in this period. The "historically informed" part of the question involves the duration of this note: should it be given a definite, measured value, or just snapped off as quickly as possible? The flutist here hit a note above the one he should have (a D instead of a C#) and covered very nicely indeed by converting the written triplet C#-B-A into an even quadruplet D-C#-B-A, which would be correct if Mozart had written the D as an appogiatura--hence "historically informed." Two observations: 1) There is still dispute in certain cases as to which method of performance is correct, and 2) if we were sitting together by a piano this explanation would be much clearer. Music is like eating and sex: reading about it just isn't the same thing.

@@urmorph Thank you very much for this lucid explanation! I naturally looked up what an appoggiatura is, but only your explanation allowed me to understand what Vinicius meant, especially why the resolution was historically informed. As for the sitting together by a piano: I wished I had some talented musicians trained in classical music that could explain such things in persona. Thank you again.

@@maaaaaaaaarcel You're very welcome. Musicians to ask such questions are out there; they are often disguised as anything from waiters to computer programmers, because they also enjoy the physical pleasures of nutritional intake. Seek and ye shall find.

Csodalatos ♡♡♡

"Contessa Perdono" from The Marriage Of Figaro, Act IV (also by Mozart). Truly music from above, which still gives me chills and misty eyes. As Salieri said in Amadeus, "God was singing through this little man". Amen.

amse9297 your photo I have gound my people

found 😝

I tend to be with you there. A lot of modern conductors/orchestras make that choice these days, it seems: They allow the brass to overpower the winds and even strings. I find that in works of Mozart, and many of Mendelssohn, it has a negative effect. Still, overall a fine performance and recording.

I love it! "Chap wi' stick could hardly keep up wi' band! :)" I'm using that!

The Four Seasons from Vivaldi are perfect (my opinion)☺️

the trevor pinnock version is great

Schostakovich 10th Symphony, 2nd movement

without wanting to sound cynical, Clara was likely not yet as important "a part" of the HR-Orchestra back in 2012, as she appears to be now with maestro Andrés Orozco-Estrada for the past 5 years or so. Just compare her visibility to the audience in this recording where she was mostly hidden from the front-camera behind a "sheet-tripod" (and not better visible to the camera in the right-wing) as opposed to more recent concerts with HR.

Da gebe ich dir absolut Recht 😉

Your lordship ...do you want your money back?

I. Allegro vivace 0:32 II. Andante cantabile 11:48 III. Menuetto: Allegretto 21:30 IV. Molto Allegro 25:36