I do.

I couldn't agree more.

@@jesseharlin3264 You're not impartial! :) /ryan

Awww... Dale, that comment means so much! I'm so glad you feel like we're all in this together because we ARE all in this together! I've said it before on livestreams but I'll say it again here: I was a Reason user before I was a Reason Studios employee and I'm still just a music maker like all of you so I really do feel a very strong connection and closeness to the Reason community that predates my work with the company. But that feeling I have isn't unique to me, either. There are so many of us at Reason Studios that are lucky to work for the music-making platform we already loved. And it's comments like this that amp me up even more to make and share any other knowledge I possibly can if it helps people out there because exactly like you said better than I could - we're all in this together. /ryan

You're going to get them Vadim!! /ryan

@@macbrain4333 Where did you see the word ORIGINAL? Stop eat glue.

@@macbrain4333 Someone can say "ryan's creative techniques" and not mean "ryan's original creative techniques". They could mean "the creative techniques ryan uses" or "the creative techniques ryan has learned."

@@macbrain4333 In your comment, so you brought that word here. You're trying to inject it together with modern problem of binary logic: what people don't say and what they mean. Try to invert your logic to what people don't say and what they don't mean. Keep your free advice on being original with you.

@@macbrain4333 yes

I did peddling by mistake in the past.

Love it! And congrats on the gig and making the client happy, too! :) /ryan

Easiest way is to load up a rex drum loop and then play the NNXT piano or just draw it in.

Dude… It IS rocket science! 🤯 I feel special needs the way these guys use Reason…. 🥴. 😂

You're so fast!! /ryan

@@ReasonStudios when it’s about getting Knowledge from Ryan I am always fast ! Hahahahaha ! I am on white page and that helps a lot !

Check back tomorrow! I'm giving it away on the Reason Studios blog! :) /ryan

@@ReasonStudios My guy Ryan💪🏾💪🏾 will do thank you!!

It's not here yet, that's right. It goes out tomorrow on our blog and I'll update the link in the description when that happens. /ryan

hahahah! Actually Marc, I might be doing that on the next video I'm working on. /ryan

@@ReasonStudios Double thumbs up!

Yeah Combinator changed in 12. Just make a seperate piano.

You could still do this with Reason 11, sure! You'd do it almost the same way I do in the video but I'll describe it for you: In Reason 11 or below the first thing you'd drag into an empty Combinator is the 6 Channel Line Mixer found in the Utilities section of devices. Then drag in the two Radical Pianos (or any instrument you want to do this with), and then click the "Show Editor" button to access the key range for each piano by selecting it on the left side. The interface is a little different looking than this video but the process is basically the same. /ryan

@@ReasonStudios Thanks for the help, it says show programmer. I see the grades below, but I can't change them.

@@DjCrabtile Oh right! I've already gotten so used to Reason 12's way of doing it. I just loaded Reason 11 and checked. When you select one of the pianos in the Combinator Programmer section in Reason 11 you can adjust the key range by clicking and dragging the "Key Range Lo" and "Hi" values that show up in the row of settings along the lower area. You'll see -C2 and G8 there by default. /ryan

@@ReasonStudios Now it worked, I thought you could write the manual into it. But I have to click and move the mouse up or down. Thanks for the help. I will upgrade to 12 when I have excess money.

In Reason go to the Window menu and select Manage Content. Radical Piano has its own library to download so it's part of a separate process. In fact, if you're missing Radical Piano you probably never got some other stuff you'll find there like Klang, Pangea, etc. /ryan

@@ReasonStudios thanks for the help!

The inversions aren't static but it's not auto-changing either. You could automate the inversion control on the Player to accomplish voice leading or, what I do, is to write my progression and then print the MIDI to the sequencer where I transpose the notes necessary to swap the inversions as needed. It's a good point, though. Thanks. /ryan

I agree, I really like scales and cords in general but in certain settings the voicing is an issue. It would be a cool theoretical problem to figure out how to automatically generate nice voicings

@@TheMorMor I don't think it would be difficult. The problem with automated compositional tools is that they often lack context awareness. What was played before or after determines what's best at the current moment. If Scales and Chords could remember the last played chord, I don't think it would be hard to calculate the inversion with the smallest voice movement once the next chord is known.

[checks username] Your story checks out! Wow. Hopefully the music is genetic for you. :) /ryan

Yeah the request has come in from others for the song file so I'll be including that tomorrow in the Friday Giveaway on our blog (and linking it in the description here) /ryan

@@ReasonStudios great! Your the best!

Ooh... that's a good idea. Maybe I'll add the Reason file for this to the giveaway of the Combinator tomorrow! /ryan

Did you download the song file and write some bars?? :) /ryan

@@ReasonStudios i did Some editing and wrote a verse but it isnt recorded yet

@@meinwegalsproducer Nice!

@@ReasonStudios hope the mp3 arrived well, i sended it james, hope u liked it