Understanding Form: The Gigue

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In this video I discuss the musical characteristics of the Baroque dance known as the Gigue.
A special thanks as always to musopen.org and imslp.org for offering free public domain sheet music and recordings online.

Пікірлер: 31

@xrrainx823 3 жыл бұрын

I never click on notifications as fast as I do for yours haha

@arshiaganji5204 3 жыл бұрын

Thank you very much for this series! It helped me a lot. Please make more videos about other forms of music.

@generalferret7129 3 жыл бұрын

I can’t wait for more! :D

@98voteforpedro Жыл бұрын

Love this series

@johannpetersen3637 3 жыл бұрын

thanks so much for these videos

@fernwehn5925 3 жыл бұрын

Amazing.

@kofiLjunggren 3 жыл бұрын

Yesssss!!! Antother high qaulity video

@robinfox4440 7 ай бұрын

Thank you so much for this invaluable resource on classical music education and history. I only wish my early violin teachers were so informed! I would be so much more interested if they were able to answer my questions as to why so many of my Suzuki Violin music was called Minuet or Gavotte.

@neilwalsh3977 3 жыл бұрын

I love your Gigue - elements of Art of Fugue there

@caterscarrots3407 3 жыл бұрын

Will you cover the Bourree and Passipied at some point? Also, I feel more of a duple meter in the Beethoven’s Ninth Scherzo than 3/4, 12/8, or anything similar. Each measure feels either accented or unaccented, like the beats of a 2/4 measure.

@francobonanni3499 3 жыл бұрын

All very interesting. Could you please make a video on the pavan's. I would like to try to compose a Pavan's gut I would like to know more thank you so much.

@tristanpaxton51 Жыл бұрын

Just discovered this channel! So excited, thanks for the meticulous work

@caterscarrots3407 3 жыл бұрын

You say that 6/8, 9/8, and 12/8 are all derivatives of 3/8. I don’t really agree with that interpretation. Instead my preferred interpretation is this: Any compound meter in a multiple of 3, divide the top by 3 and the bottom by 2 and you have your time signature derivation. It’s basically implicit triplets. I like this interpretation, because it doesn’t just apply to the Gigue and some Scherzos, but also much more tranquil pieces, like the nocturnes of Chopin and John Field. As an example, Nocturne no. 1 in Eb by John Field. It’s in 12/8, as is Chopin’s Nocturne in Eb. And in both, I would say that it is basically 4/4 time with implicit triplets.

@JKBlackwell 3 жыл бұрын

Do have a video that explains Minuets?

@ItJamesIs 3 жыл бұрын

Awesome. Sad though you won't cover the Chaconne..

@MusicaUniversalis 3 жыл бұрын

I will, but I want to write one first.

@kateb3288 Ай бұрын

Do you have anything for cello solo?

@Fine_Mouche 2 жыл бұрын

do some of your musics are on spotify / soundcloud / YT music ? (especially your baroc album)

@MusicaUniversalis 2 жыл бұрын

My Baroque Album has been on Spotify for a few months now. Here‘s the link: open.spotify.com/album/2seMCbnetvv3EaVSSeshuz?si=q3ez-sRoSc-EN56aSCMVQw&dl_branch=1

@Fine_Mouche 2 жыл бұрын

@@MusicaUniversalis thanks you ^^