😂😂😂😂😂😂

The singing is not that good. You only said that because she is so sexy

Ok will do the same exact video. Thanks

LMAO

Same here 😞

Damn it’s that easy.. No gate or anything and the results are just amazing🙏🏾

try explaining compression, eq, gain staging, preamps in one fkin minute dude😀😀

@@lilgrippie what is your point bro? I will never try to explain something I don’t fully understand dude 😀😀. It doesn’t change the fact she used clickbait to lure people for views dude 😀😀

Just what I thought and no one responded about it

Maska😅😅😅laga Raha hai bro 😅😅

They are, you can hit, hardware harder creating coloration that you can't get with digital. Also a mistake in hardware isn't the same as a mistake in digital a mistake with digital is more crucial. The con with hardware is if your hardware fails where as digital you can just uninstall then reinstall. I've spend hours changing tubes for example in my different pre's and compressors seeing what I liked best. Also if your settings are one way with HW it might sound different the next day even wit the same settings, mic, artist, etc. They both have their pros and cons, but I'd choose analogue every time over digital. I've used many of the consoles and gear over my 32 years and you can tell the difference if your ears are trained to between the two, some come close (for example) waves may sound closer to the actual 76 than UAD version to some.

😂😂😂😂🙏🏾 no one can explain that 😇

Not true, you should aim for -6 for correct signal to noise ratio, this was a standard practice when using analog preamps, as you would get more pleasant colour from your Pre. Also, a mixing engineer will also just turn down the input of the compressor. -6 is industry standard for vocal recording and sometimes louder for the style or genre of music. Lots of music has been recorded with clipping their pre amps for a particular sound, better to record something slightly louder and be able to turn it down, than to record something to soft where you can’t boost it dies to noise from the ground floor and the units you used to record the material

@@stilltrvsbeats9606 I understand, but you can still achieve the same results at -6db... While keeping the recording levels less than halfway when you record. The reason for this is because you will achieve max volume plus clarity. If you record at high volume levels, you'll loose clarity when trying to keep max volume on vocals. Trust me

@@therealforeignwolfreal talk atleast with my Apollo when my levels are that high , I get some nasty ass distortion. I usually need it only peaking into the yellow at my loudest points.

@@stilltrvsbeats9606this is irrelevant to in-the-box mixing bro. What you just said about noise floors is only relevant to hardware units. I typically record low & use gain staging to increase volume. Works out a lot better. You also flipped it, you can turn something up more, but if it’s too loud you cannot turn it down.

​@@stilltrvsbeats9606 dont listen to this nigga hes talking nonsense. The "industry standard" is -18 dBFS and all the plugins hardware emulation aim to that level as well, which is 0vu analog.

Lol 😂 literally

@@lindasanchez6182 seriously, lol. glad I'm not the only one.

Yup since the efx and how he break down all the autotunes lol litty that song go hard

So with the interface there’s an option . You can either have the effects on just so the artist hears it while recording , or you can print it , so all those effects actually manipulate the vocals , meaning there’s no going back lol

I think it’s ableton

@@flakomane787 ok ima have to check out this software, I’m still learning this stuff … idk what I’m doing lol

@@baddiezone keep at it 🙌🔥🙏

@@flakomane787 will do thanks for the encouragement 💗

@@baddiezone pro tools, ableton isnt that ugly.

FOH, you cap!

@@honorrollTM yeah it look to good to be true huh ... . Say less 💯💪

man i wish id be happy with some unison pre

thats ua console or luna

@@prodbydramatic okay thank you

@@markspencerofficial your very welcome and those come free when you buy a Apollo interface. Anytime you got question I gotchu bro we all start somewhere

48khz is more reserved for film/video sound. 44khz is slightly more "musical" and tends to be a little softer to the ears. Most films/videos have 48khz as it sounds more modern/digital. But I'd recommend switching to 44khz to trial it out and to see if you prefer it

She makes living out of it but yeah you probably know better. Headroom in digital era? Come on dude 😂

@@krystianbojarczuk4324 yes headroom is still a thing every time you run a signal through your converters or pass an existing digital signal to a plugin they have a nominal dbFS level, turd. Dynamic range doesn’t stop being a thing just because a signal is digital 😂

Not for peaks, a very dynamic performer can peak up to -6, but yea keep your signal around -16ish so you have headroom to mix!

Right I ain’t got a stack on me like that just lying around 😂😂

@@misterhutch2053 work

seductive voice? bro are you good 💀

Why not?

The software emulates a recording console. On a recording console, you want to record as hot as you can without clipping or distorting the signal.

W the apollo u can choose which effects to print with and which to just monitor thru

Right... I have tried those UAD preamp plugins a few times and I'm just not satisfied.

@@blvkqmusicgroup I wouldn’t rely on the unison functionality over equivalent external preamplification if you can afford not to. The benefit is in being able to process many channels of externally captured signal using the closest equivalent to physical hardware. I may dream of it, but I’m never going to own several physical channels of SSL 4000 channel strips or even empirical distressors