John Singer Sargent: Portraits in Charcoal

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Күн бұрын

In 1907, at the height of his success as a portraitist, John Singer Sargent (1856-1925) astonished the transatlantic art world when he stopped painting portraits in oil. Afterwards, he switched to charcoal, producing several hundred portraits of individuals recognized for their accomplishments in fields such as art, music, literature and theater.
This exhibition is organized by the National Portrait Gallery, Washington, D.C., and the Morgan Library & Museum, New York. The presentation of the exhibition at the National Portrait Gallery is made possible with lead funding from Ann S. and Samuel M. Mencoff. Additional support is provided by Dr. and Mrs. Paul Carter, Andrew Oliver Jr. and the American Portrait Gala Endowment. Richard Ormond is guest curator of the exhibition. The curator of the exhibition at the National Portrait Gallery is Robyn Asleson, Curator of Prints and Drawings. The curator of the exhibition at the Morgan Library & Museum is Laurel O. Peterson, Moore Curatorial Fellow, Department of Drawings and Prints.
The exhibition was held at the National Portrait Gallery, February 28, 2020 - March 13, 2020

Пікірлер: 26

@MsGaella 2 ай бұрын

Excellent. Thank you.

@andreaandrea6716 Ай бұрын

This was very enjoyable! Thank you!

@marianclough8577 5 ай бұрын

I watched this with a smile on my face because these drawings are wonderful and I enjoyed them so much. Thank you.

@Eternal-ReTuning Жыл бұрын

Incredible display of line skills, expressionism and accuracy.

@kenneth1767 2 жыл бұрын

JSS revived in the 21st century. Amazing artist.

@kevenquinlan 6 ай бұрын

For as much as I don't like watercolors (of his- I don't like the medium specifically) his charcoals are mesmerizing. I could look at the detail of these all day. thanks.

@beverlykandraceffinger3764 3 ай бұрын

Still amazed by the direct simplicity of these charcoal portraits-- and glad that this exhibition was mounted even in a time when few could visit and enjoy the works, though the gallery was filled and waiting. We tend to forget-- here where I live a local museum (MART) had mounted a show to display a newly-restored Caravaggio masterpiece, along with related masterful works...and nothing but the video tour remains. Not a soul could visit the museum during lockdown. Celebrate our current open access to original works of art, and try to see actual works as often as possible. It makes a difference.

@tanishsingh5260 3 жыл бұрын

Thank you for this lovely tour.

@caileanparis9998 3 жыл бұрын

I wish I could view these in person

@VirginiaBarber-nv9hj 4 ай бұрын

Thank you so much for sharing these drawings with me!

@algernonwolfwhistle6351 Жыл бұрын

Very good. Thanks for posting.

@xjAlbert 2 жыл бұрын

This video's a wonderful souvenir of the exhibition I saw at The Morgan Library in the Winter of 2019.

@ArtHistoryProfessor Жыл бұрын

Stunning.

@lucianonevesvfx 5 ай бұрын

Amazing !!!

@Andomalo 8 ай бұрын

Thank you for sharing this

@hijayang4416 Жыл бұрын

thank you!

@ronaldi9571 3 жыл бұрын

Very good !

@cellison9414 3 жыл бұрын

I really enjoyed this, thanks.

@SharifD-PaletteAnArtdsb 2 жыл бұрын

Thanks for the video

@alrasyidpencil4902 3 жыл бұрын

I click like even before i watch

@nickrodis6862 5 ай бұрын

Salamat po

@alexport5419 Жыл бұрын

calling them influencers made me choke lmao

@gemgem-hl7ii Ай бұрын

Imagine your middle name and surname being occupations

@KpxUrz5745 5 ай бұрын

Placing great importance on the value of master drawings, I simply cannot look at Sargent's drawings without stating the obvious. And that is, for those who have seriously studied the best drawings throughout art history, I find these quite minor when compared to all the better artists. There is a degree of insipidity of "vision", while executed with much crowd-pleasing flashiness using a whole slew of what I must call "illustrator's tricks". Again, for me, Sargent's drawings (paintings, too!) do not measure up very well in the annals of Fine Art. The vision is always quite maudlin. I can understand his popularity because, on the surface, general likeness is depicted, but always with an eye on commercialism.