Thank you. I've always liked the way you've shared unedited images. That helps me better understand what the film really looks like.

I've been shooting this stock rated at ISO 400, without push processing it, and the negatives are still plenty dense. Add to that the fact that Kamerastore tend to spool a little extra (I recently got 49 shots out of a roll), and the fact that they had a significant sale going on for this film in July (€10 inc. tax) and I think this is my favourite film to use at 400 ISO. The scans may take a little more contrast correction if you shot them in unfavourable lighting, but they're still very good.

Your photos always make me emotional ! Especially 9:03

Awe I love Emily! She’s a friend of mine. Her colorful style is indeed so great to show off this film. Great video and in depth dive into this film. ✨

The information in quote marks is wrong! "Color reversal" is SLIDE film. This, obviously, is a negative film. Love the comparison.. Good topic.

Great shots! Really interesting to hear your thoughts and process 👍

your content and review is so delightful to watch

as an Aerocolor-defender, and like you someone who doesn't shoot 100 speed very often, it's worth noting this stuff does push very well at least up to 400 if you're doing your own development. The contrast at 400 is much closer to where you'd want it, though it still helps to boost the saturation a bit. The datasheet you were reading from has Kodak's recommended push timing for this film in C-41 chems.

Very cool look of the scans. I recently tried the medium format of aerocolor in studio portrait, it turn out pretty good too.

They sold an ad to someone talking about a dead kid. Happy video + dead kid story = bad time

Nice one Sam! Thanks for sharing and going into depth into this film! Keep doing all the amazing work that your doing!

I’ve shot 4 rolls (2 x 35 and 2 x MF) of this film and I love it. I agree that there is a lot of magenta in it which makes color correction a little difficult even using silverfast., it actual shows more magenta with less exposure than it does with more exposure. I am going to shoot some chip charts on my next roll to get a baseline. I agree that it can be pushed around a lot in camera and post, so I love its flexibility. The grain and contrast are delicious. Other companies selling this stock include Popho, Cat Labs, and Flick Film.

I think that a lot of what you are saying about the film having a vintage look with a green cast has to do with your scanner and Negative Lab Pro not knowing how to handle this film. I have been shooting the Flic film Elektra 100 of Aerocolor and I really like it. I got my film developed and scanned at Gelatin Labs and got some great results from it. It has very fine grain and shows a lot of detail and I also like the colors from it. Also the Flic Film Elektra 100 is a little cheaper than the Reflx film

fun fact you can cross process this film in E6 to get really nice slides! Just a disclaimer though without filters it will kind of look like tungsten film so you might want to get some heavy warming filters

Interesting colors, thanks for sharing also the unedited shots! Reminded me of Agfa RSX or some East German film (Wolfen?)… and I find you can bring out the more sensitive side of a person in your portraits 👌.

Great video, however my neighbor declined my offer.

bastante contraste destruye todo.

I'm glad this video showed up in my recommendations. You have a very nice presentation style, and shared a lot of information in an engaging way. This film doesn't really appeal to me based on what you shared. The Kodak Gold shots, however, were really lovely and to my taste. BTW, 妳是台灣人嗎？妳講英文的樣子很像我的一些台灣朋友們。

I don’t use photoshop I prefer to send them to The Darkroom Lab to get the original results.

I wonder if this is the same stock as in SatalColor 100. It is also spooled from some Kodak aerial film.

big fan

Definitely has a look but to me I’m not that into it. I think when people use things like Kodak gold now it’s like it’s a “vintage look” because of the golden hour leaning tones, but it’s actually not really, it’s more like a stylised perfect modern version of the idea of vintage, whereas this is kind of a truer representation of that era which in reality when you look through the majority of old photos (at least excluding the very vivid slide films like Kodachrome) tended to be kind of flat and muddy looking for the most part

whats scanner do you used? its noritsu or frontier? thank you

There is no new film.

The second roll looks so good, I think I’ll still use negative lab pro 🫣 excited to give it a try though 🥳