rip

Thank you, appreciate it! 🤘🏻

Very cool. I love that album. I was in middle school when that came out and I had my mom go to the record store and buy me the tape so I had it as soon as I got out of school.

Ayyyyy thanks bro!! Going see them in Tampa in 2 weeks with Misfits!

He was super kind to us! Even in the dark haha

i mean i use fx bias 2 elite as a vst in cakewalk when i play and why even buy amps or speakers anymore, just use vst and plugins its that good

Megadeth bro!!!

I believe those V's you are thinking of are the Epiphone Prophecy. A Black V with silver Fishman Fluence. The Mustaine Epiphone has Seymour Thrash Factors.

there is 2 models dude. the prophecy model has fishmans, the custom model has seymour duncans. so you're wrong.

Yes!! They are available to order now 🤘🏻 check out my interview with Dave that came out today, we talk all about the Kramers!

@@JeremyWhiteShow yeah not the U.S made ones though.

​@@leeroden7900Right now, Bryan Jones is maintaining that Dave is playing the same stuff we can buy in the store. That said, I'm sure we're getting more models.

He’s great!

All my $5,000 and up George lynch ESP's are bolt on and are solid.

@@releshred1272 I'm sure they are. Solidity isn't the issue, nor is sustain and some of the other things neck-through "snobs" sometimes bitch about. It's all about the playability at the upper frets, and not having to deal with a block of wood invading the palm of your hand when you're trying to fret at 18, 19, 20 and above. Even with my set-neck Les Paul style ESP, I have these issues where my thumb has to stop moving up when my fingers still need to keep moving up the fretboard. On my OTHER Les Paul style ESP, my LTD Deluxe set-through neck, there's no such problem and the playability is nice and clean all the way up to the 24th fret. So I use the 22-fret set neck for nothing but rhythm, and don't even try to get to the upper frets on it. So that's what it's all about to me. Easy access to the entire fretboard. But I know there are plenty of people out there who have gotten used to these chunky neck joins and have no problem with it, they can dance all over the upper frets with no ease. I just don't understand why anyone would want to HAVE to get used to something like that when it's perfectly feasible and affordable to get good playability all over the neck with neck-through or set-through construction. So that's my take on it.

Jackson also makes great neck-through guitars. Can't go wrong with either ESP or Jackson's non bolt-on offerings.

Ughhhhh Floyd will always be the inventor 🤷🏼‍♀️

@@JeremyWhiteShowvery true. Before the edge trem Ibanez used "licensed by Floyd rose" on their old Jems and RG's

Prefers it haha

@@JeremyWhiteShow Haha. I thought you might say something like that.