All About Triadic Chromatic Concepts - Peter Martin & Adam Maness

No video

All About Triadic Chromatic Concepts - Peter Martin & Adam Maness | You'll Hear It S4E53

Рет қаралды 12,695

Күн бұрын

Today, Peter and Adam answer a listener's question on creating altered melodic ideas while improvising without it sounding like a random lick.
Open Studio has a brand new course from renowned pianist Helio Alves! Brazilian Jazz Piano shows you the authentic way to play Brazilian jazz styles including samba, bossa nova, baião, and more. Go to www.openstudio... for more info.
Also new from Open Studio: get our official practice journal! This is the perfect tool to improve your playing, and includes 52 weeks for a full year of notes. Learn more at store.openstud...
Like those You'll Hear It shirts Peter shows off on the podcast? Want some YHI swag of your own? Take a visit to our store! Just go to teespring.com/...
You can get our podcast on Apple Podcasts, Google Podcasts, Spotify or wherever you get your podcasts. For more info, check out our website: www.youllhearit...
The theme song for You'll Hear It is Peter Martin's "Emotion in Motion":
open.spotify.c...
Be sure to subscribe to our channel! We're uploading a video for each episode of our podcasts, so come back each day to check them out!
Follow us on Facebook, Twitter & Instagram at:
/ heyopenstudio
/ heyopenstudio
/ heyopenstudio

Пікірлер: 25

@SimonWhitesideMusic 4 жыл бұрын

My favorite game is " what does the open studio sign say today" the mic stands cover up letters and make new words today Ope St Dio patron Saint of Jazz?

@paulward1586 4 жыл бұрын

Great episode. I totally agree with what you say about triads - they’re so fundamental the listener “gets” them every time - and yet they’re like architecture for building beyond change for outside stuff. I think triad pairs are cool this way. But the approach Adam is talking about is fantastic.

@paulward1586 4 жыл бұрын

I’d love to hear you guys talk about Scofield’s solo on the Hudson album’s “A Hard Rain’s A-gonna Fall”. It blows my mind at how it balances “out” with “logic” using triads/interval organization. And what a slow build! Just jazz at its best.

@loladelon5648 2 жыл бұрын

This is so cool!! You guys are awesome and this KZfaq channel is the best thing that's happened to me . Ever.

@chikung 2 жыл бұрын

Thank you so much as this helped me put a name on what I'd been hearing and loving for decades. Helps me understand things I had been hearing from Zawinul and Hancock in the Bitches Brew period.

@benjamindragon598 4 жыл бұрын

I feel like you could play anything over a V7 chord

@benjamindragon598 4 жыл бұрын

@@colecorbett255 I'll just mash my face on the piano every time theres a dominant chord

@DojoOfCool 4 жыл бұрын

As Chick Corea said,,,,, it's not about what you play outside, it's all about how you come back in.

@jakekyler9254 3 жыл бұрын

I know I am kind of randomly asking but do anybody know a good site to stream new tv shows online ?

@dallasmayson4342 3 жыл бұрын

@Jake Kyler I would suggest Flixzone. Just search on google for it :)

@sonnyahmad3378 3 жыл бұрын

@Jake Kyler try FlixZone. You can find it by googling =)

@harryashworth5311 4 жыл бұрын

My view is that for a lick or idea to become natural and not contrived it takes waiting. Because if you learn a lick and then play that lick at a gig that day the lick never feels intrinsic but a lick you learnt from a week ago can suddenly come out naturally

@fabivilla2442 8 ай бұрын

love des dudes

@Tabu11211 4 жыл бұрын

I'm so happy I found you guys.

@stellareffectsmodelingsolu1746 2 жыл бұрын

Great stuff!

@guyanastasenzi3785 4 жыл бұрын

Please need to the name of book and autor in this great videos

@georgevorres5240 2 жыл бұрын

Triadic chromatic approach by George Garzone

@charlexguitar 2 жыл бұрын

It seems to me that no matter if it does not get to apply in a musical context, its a great way to learn either a keyboard invisible paths or a fretboard invisible paths, im a wrong?

@ToddBrooks-gm6hy 4 ай бұрын

I'm late to the party but I'd like to throw out (in?) a reminder that just because you are using triads, you don't have to constantly PLAY triads! You can sustain a note (non Garzone) or play any melodic line you come up with, eighth notes, rhythmic variations, whatever, connecting triads but not playing triplets. That is rather than drawing from a scale or 4 note arpeggio, you're drawing from triads but not phrasing everything in triplets. Same thing is too frequently heard when someone is playing triad pairs... rather than sounding like a cool line it screams triad pairs because of the predictable rhythmic repetition.