Really reminds me of the Kyrie Eleison fugue from his famous Requiem!

So gut ausgedrückt! Ich hatte im vergangenen Mai in Montreal die Gelegenheit, dieses Meisterwerk als Chorsänger (Bassgruppe) zu singen. Es war eine Menge Arbeit für mich, aber auch viel Spaß, Freude und Stolz, unter anderem! Es muss auch gesagt werden, dass es 25 Jahre her ist, dass ich in einem Amateurchor gesungen habe, und dass wir zusätzlich zu diesem Werk viele andere lernen mussten, nur Mozart, insgesamt mehr als 80 Minuten Musik. Hier ist ein Auszug (ich warne dich, wir Chorsänger waren fast alle Amateure): kzfaq.info/get/bejne/apZzptx9psfVqn0.html Übersetzt mit www.DeepL.com/Translator

Thanks for sharing your experience. It's a magnificient work.

I've sung in before and I have to agree with you completely. That laudate pueri is tricky. We took it faster and that made it even more of a challenge.

I’ve had this on repeat all evening from 16:52

Да,технически совершенно,но нет Зюйсмара,нет искры божьей....

That's usually the case for period specific performance.

Harnoncourt, it's in descrption. ;)

I didn't see it, sorry. Excellent choice, in my opinion Harnonccourt is the best rendition of Mozart's sacred music.

@@juliano7056 Harnoncourt was such a genius. So bummed that I never got to see him ):

Weird how?

But what they're playing *does* match what is written. It's your brains, that are calibrated on 440. :)

I have perfect pitch, and watching baroque score videos used to be hard for me, but I've learned to read in different modes.

The score we see here is not what Mozart wrote. Apart from the violins everything was notated in different c-keys so absolute pitch was not an issue because everyone was used to constant transposition. Universal pitch didn't even exist then.

Tuning is ok but there are too many notes.