totally agreeing!! She is magnificient.

She's pure fire in that piece! I love it

Not just aggresive but very elegant and smooth as well, and she has a great sense of phrasing.

Her prowess is astonishing, but her style is a bit too forward for me.

Ella es Pasional no Agresiva! La agresividad no es una virtud, la pasión sí!! De nada!! 😏

She has risen already.

Yes she is excellent! Bravo!

没吃过苦难的人很难表达吉卜赛人的生活，技巧不错

Lo mismo

Totalmente de acuerdo !!!

Though this is among my favorite performances of this piece it is certainly not at all how Sarasate would have played it. If she plays it like a mountain then sarasate plays it like a river.

@@hopelessviolin4690 Is there a link or recording ?? of Sarasate playing it to compare? Please illuminate !

@@hopelessviolin4690 tried Teo Gertler's river flowing version... more like Itzhak 's but hopelessly non Spanish not to say in free flowing Gypsy style.... so I'll agree to disagree .

@@davidleesn kzfaq.info/get/bejne/d6idatF-u9-ymGg.html here it is. Notice how sweet his tone is.

@@hopelessviolin4690 thank you. My long reply ended up on the @aimson ... So glad of your correction ! the link and this conversation...enlarging my narrower thinking of how Spaniards would have played Z. privately and how they would record it in a style that Kreisler picked up and championed , e.g. Hungarian Dances of Brahms. Different views are enlightening ! The virtuoso speed and flow of Sarasate in this recording (I hope not a speeded up playback) sacrificed the Navarre, Pamplona gutsy character that legend has it Sarasate loved and would not miss annually even when touring America. Like you, I prefer Maria Dueñas performance that I hope will convince and educate the global concert goers of what generally goes on in a Spanish (especially flamenco dancing gypsy) heart privately .... with in my head foreign stereotype of : running ahead of bulls if not bull fights, Carmen level of gypsy fiery freedom, potato-butter pancakes , strong dark red wine called Torro..(?) bull's blood ( also Hungarian?!)and of course the castanets, zapateado and guitar rhythms of flamingo dancing that Sarasate's compositions also celebrated! (please excuse my greed and laziness ) Are there links for those too also played with the same sweet flow for the global touring , especially American audience that Sarasate's generation was able to start and achieve !?

Maybe never

When someone gets to the top envious souls wake up.

Maybe they just pushed the button by accident. Old people like me sometimes do that! But this time it's not me.

hopefully it was an accident

Strange, because the saddest part is the middle one (at least for me it represents the sadness).

@@Chibanah Yeah! Everytime I hear the middle part it makes me emotional. Maria Dueñas' performance was so emotive

She absolutely shredded it without losing the musicality. A true player is to be able to play fast and still make it tasteful and not butcher it. Watch her, she’ll be one of the greats.

Unfortunately she lost me at the last part, it was too fast and shredded, it lost its original czardas dance theme and feeling by that. Still it was incredible, but sometimes you have to hold back your skills, you feel to show off otherwise.

As far as I know, she lives in Austria now and the Austrians will definitely take good care of her! :-)

She doesn't need any country to take care of her, if anything her parents! And of course they love her in Spain

Yes!, i feel exactly the same.