@@UkuleleAversion thanks for clarifying lol. In the head (of the og recording and this rendition) they use that maj13#11, but both recordings actually do flatten the 7th for the solos. Originally I thought it was interchangeable but it’s true form and intended harmony was the maj7, but now I know they primarily use the dom7 for that chord in the solos always (idk how I didn’t realize it before lol they emphasized it constantly)

@@ballzuru5983 Ah, I see. Honestly, then, it could go either way. Fmaj13#11 isn't strictly wrong then if that's what is played during the heads. I had the same problem when transcribing an Emmet Cohen solo over People Will Say We're In Love. On that performance, the changes are super different to the original song (from "Oklahoma") and the bassist and Emmet often sub in changes like the bIImaj7 for the V7 chord. So, I had to take a kind of average of all the chord changes played for each chorus.

He’s quoting all night long by the Mary Jane girls for folks who may not be familiar. Such a cool thing to quote

@@DaltonBell-pr1ts lmao I knew I had heard that lick before 😂

Nah cannonball had a dark warm sound and almost sounded like tenor. Cannonball also was a genius. While Pat is really good, he's not cannonball

@@gdludus yup same definition lol