Nah cannonball had a dark warm sound and almost sounded like tenor. Cannonball also was a genius. While Pat is really good, he's not cannonball
@wforwadeed19 күн бұрын
melodic warrior 🚒🔥
@Parkerpraysandplays25 күн бұрын
Damn
@realfellaz25 күн бұрын
Bro listened to Patrick Bartley hell yeah
@excru350624 күн бұрын
was there an interview where patrick recommended this solo? ik patrick knows all about rnb sax players
@JorisPosthumus26 күн бұрын
Yeah, it is pretty cool, kzfaq.info/get/bejne/bLBklrGZ2bmldoE.html
@makmak-cb8fw27 күн бұрын
A legendary solo.
@alexkelsh27 күн бұрын
What record?
@ballzuru598325 күн бұрын
you can search Earl Bostic Tiger Rag and it’ll show up
@bryandickerson536528 күн бұрын
I’ve been a big fan of his playing for many years, but never heard THIS - good lord! The best compliment I ever got was on a jump swing gig with the great Dave Frishberg subbing on piano. On a break he told me my alto playing reminded him of Earl Bostic. I was on cloud 9 for a month!
@kibblesbits48929 күн бұрын
hello mr meat man i am farting!
@MusicLiberatesАй бұрын
Amazing saxophone technique!!!
@RutherfordRyan1Ай бұрын
Well done on your transcription….. What a mofo performance
@LucaFabianoАй бұрын
nice!
@excru3506Ай бұрын
the attention to articulation in your playing is killer
@alphageek101Ай бұрын
That was Charlie Parker.
@bread8979Ай бұрын
@@alphageek1011:00
@MarvelousMaxterАй бұрын
LETS GET IT
@girarddunn7903Ай бұрын
What note did he not know? Criss is up there with Charlie Parker and Stift, very fast on the alto, pays to study and practice, R.I.P. CRISS, hope you’re in heaven entertaining the angels.
@JaiPaiPaiАй бұрын
🤯🤯🤯🤯🤯🤯🤯
@paolorossi9571Ай бұрын
Ormai il jazz è diventato una gara a chi fa più note quasi sempre troppe e spesso inutili. Cliché e pattern sentiti e risentiti buttati dentro ossessivamente per sopperire alla mancanza di idee, fantasia e creatività che poco hanno a che fare con l'arte
@drewmfieАй бұрын
amazing transcription! do you know what he quotes at 1:01? it's also in roy eldridge's famous 1941 after youve gone solo.
@snobal4368Ай бұрын
sounds like he's quoting "the stars and stripes forever," a sousa march
@Thouveninpascal16 күн бұрын
@@snobal4368 Yes , amazing, but who made it, a man or a software. The original is a 2/2 not a 4/4 with sixteenth notes. Youtibeis now full of software transcriptions, and full of mistakes.
@AndrewJanussonАй бұрын
More likely written by Bird and stolen by Miles.
@OCTOKATSАй бұрын
Would it be possible to upload a melody lead sheet? Great chart and solos!!!
@ballzuru5983Ай бұрын
@@OCTOKATSbefore I give you any resources I must say this, going to these recordings and listening, learning, and figuring out how to use your ear to identify the chords will pay you dividends in return. Your ear is one of the most important items in your musical toolbox and developing it now will greatly benefit you. With my own experience as an aspiring musician, I promise it will help you! With that being said, you can find it on google pretty easily. Go to google (I use google for lead sheets all the time) and search “crazy rhythm lead sheet” or something along the lines of that, then go to either “images” and or “shopping” at the bottom of the search bar. I might show you images of the lead sheet from the Hal Leonard version of the real book first, that’s the one you want. But it might have the sheet but with a “preview only” watermark on it. Then go to the website the image it’s from for a bigger version of it. Happy shedding!
@rhythmfieldАй бұрын
Can we just go ahead and NOT do the “GOAT” thing? It’s done - thanks in advance, world … 😎
@fresamouseАй бұрын
Incredible job!
@bobdukan2778Ай бұрын
After You've Gone is amazing in terms of story and building - but this one also just describes Patrick in such a traversal way in that he explores a bunch of language pre-established by player's he obviously loves (Adderly, Hodges, etc) while also explore super modern harmonies that he could only have thought of. Thanks for sharing!
@airier-c1458Ай бұрын
0:54 wait how did this happen? how did the band know to accent those 4 beats? or like was it called upon by a previous phrase? it just felt so locked in almost out of nowhere woow!
@jeffmillАй бұрын
0:24 - the new licc? (Seriously, awesome modern quote)
@DaltonBell-pr1tsАй бұрын
He’s quoting all night long by the Mary Jane girls for folks who may not be familiar. Such a cool thing to quote
@isaackelly816628 күн бұрын
@@DaltonBell-pr1ts lmao I knew I had heard that lick before 😂
@charlesperformsАй бұрын
yeah Ballzuru!!!
@zombeats2160Ай бұрын
nice transcription dude
@zqa12swxАй бұрын
geez you can hear where Cannonball came from in Carter's solo.
@excru3506Ай бұрын
that figure at 1:44 sounds like something modern. killin!
@alvistd2168Ай бұрын
Lou Donaldson said he was the best technical player. Those high notes are unreal. There is another piece where it's like a dog whistle.
@SelmerpilotАй бұрын
Bostik certainly had his own thing going, and his false fingerings certainly influenced a lot of players. Technically great, but he was no Phil Woods, Cannonball, Stitt
@koju3891Ай бұрын
@@Selmerpilot technically and musically flawless, im sure all three players you named were heavily inspired by Bostic, considering he was before their time, this must be your first time hearing him.
@SelmerpilotАй бұрын
@@koju3891 I can't speak for Cannonball nor Stitt, but I knew Phil pretty well and he was never influenced by Bostic. I know David Sanborn absolutely was and he adored him, and Phil for that matter. Bostic's contribution can never be forgotten, he truly had his own thing going and only he could do it. The same could be said for Boots Randolph.
@alvistd2168Ай бұрын
I have all his records. outside of those in the know he doesn't get enough love. Listen to his rendition of Black Coffee or Smile.
@dogeman8175Ай бұрын
nicely done!!
@lxxwjАй бұрын
so glad ur shedding light on this solo, this performance is one of my favorites from emmet's place
@gdludusАй бұрын
Is “ghost tongue” just doodle (or deeden) tonguing? Like holding the tongue on the reed?
@ballzuru5983Ай бұрын
@@gdludus yup same definition lol
@connorsobieri245Ай бұрын
Got to love a high quality transcription.
@parkerpolenАй бұрын
YEAH!!!!
@UkuleleAversionАй бұрын
The Fmaj13#11 should be F13#11. Haven't heard the original recording of the tune, but in this performance Emmet and Russell treat it as a dominant IV chord with a #11.
@ballzuru5983Ай бұрын
@@UkuleleAversion thanks for clarifying lol. In the head (of the og recording and this rendition) they use that maj13#11, but both recordings actually do flatten the 7th for the solos. Originally I thought it was interchangeable but it’s true form and intended harmony was the maj7, but now I know they primarily use the dom7 for that chord in the solos always (idk how I didn’t realize it before lol they emphasized it constantly)
@UkuleleAversionАй бұрын
@@ballzuru5983 Ah, I see. Honestly, then, it could go either way. Fmaj13#11 isn't strictly wrong then if that's what is played during the heads. I had the same problem when transcribing an Emmet Cohen solo over People Will Say We're In Love. On that performance, the changes are super different to the original song (from "Oklahoma") and the bassist and Emmet often sub in changes like the bIImaj7 for the V7 chord. So, I had to take a kind of average of all the chord changes played for each chorus.
@samucaeosmano9207Ай бұрын
Absolutely mind blowing what this guys does, you can hear the love he has for music in each note
@yvesbajulazАй бұрын
hooolllllyyyyy s........ whoaaaaaooooo....
@user-rd8ow9yj1qАй бұрын
what a water mark
@blakecarey8522Ай бұрын
Cooked!!!!!
@drewmfieАй бұрын
excellent work! you'd think with the wealth of recordings he made in his lifetime, he'd be better remembered and appreciated but i feel that most west coast musicians in general tend to be overlooked and forgotten unfortunately
@PepperWilliams_songcoversАй бұрын
I just busted a blood vessel!! Earl Bostic was so far ahead of his time! Coltrane noted him as one of his first idols! I'm sure Charlie Parker was practicing his butt off after hearing EB? After all, he was born in 1913 and Charlie Parker was born some seven years later in 1920, Coltrane 1926, Lou Donaldson 1926, Cannonball Adderley 1928, Phil Woods 1931, Oliver Nelson 1932 and David "Fathead" Newman. So these 'cats' were definitely listening to Earl Bostic 'coming up'. What I loved about Earl is that his solos weren't only technically flawless, but there was SO MUCH FEELING INTO IT! This is unlike many players TODAY that can play technically fast, but the feeling is completely gone! I won't mention the few players that do this because I'm not interested in hearing from the haters! But Earl Bostic was definitely a GOAT, or THE GOAT of the Alto Sax.❤❤❤❤❤ And unbelievable transcription!!!
@badhatharry4323Ай бұрын
Jesus Christ. I'm selling my horn
@PepperWilliams_songcoversАй бұрын
Don't feel bad. Even great players pale in comparison!
@natemalakar327Ай бұрын
check out Eddie Harris's solo on Oleo. it's another one of those solos where it makes you second guess keeping the horn lol
@koju3891Ай бұрын
if you think this makes you want to sell your horn you gotta hear Up There In Orbit by Earl Bostic and Cherokee in 12 keys by Chris Potter
@EspioTheChamelion1Ай бұрын
goat
@PepperWilliams_songcoversАй бұрын
Excellent solo with so much feeling, even though he's 'ripping' technically throughout!❤❤❤
@excru3506Ай бұрын
yeah!!!
@lemonwarrior3234Ай бұрын
OMG I LOVE SONNY CRISS!!!! THANK YOU SO MUCH!!!!!!!!