Post Festivitas Canutem, Lund, Sweden
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9 жыл бұрынThe original performance of Post Festivitas Canutem, Lund, Sweden, January 11th, 2015 A.D:
This is contemporary aleatoric music (see Werner Meyer-Eppler) with elements of the genre of the catholicon, exemplified by the 15th century Missa cuiusvis toni of Johannes Ockeghem, and also influenced by Segerstamian sonostochasticism.
If you are not already familiar with finnish composer Leif Segerstam´s non-pulastive (aka free pulse) symphonies, for better understanding of this work you are encouraged to first listen to Segerstam´s 212:th symphony recorded by the Gothenburg Symphonic Orchestra:
• Video
Segerstam is himself also exploring the sonic range of the piano:
• Leif Segerstam haast b...
@nikolaybarovski4474 9 жыл бұрын
No ideas, No melody Noting interesting!
@DavidLundSweden 9 жыл бұрын
Thanks! The absence of overt melody lies at the very heart of sonostochasticism, so there is absence of melody, just as it should be, but do you think there is also an absence of mood?
@nikolaybarovski4474 9 жыл бұрын
DavidLundSweden Yes!!!
@DavidLundSweden 9 жыл бұрын
Nikolay Barovski Ok, got it! Nothing is more valuable than a frank critic. What do you think of the piano in Arvo Pärt´s Frates, please? kzfaq.info/get/bejne/fNF4eM2a2r-mpYE.html Pärt is IMHO less extreme in his style than Segerstam, so maybe his work is more palatable.
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