I listened to the released song, it's awesome! It should get more recognition.

Love the track Chris. 👍🏾

Great sound great song.

Great video Chris. Something different yet again. A source of inspiration to many Cubase users I am sure.

Great video Chris very helpful. More of this kinde how to route 👍👍👍🤘🤘

This is awesome!! Love it Chris! 👊🏾💯

Nicely done, Chris! Performing the arpeggiated robotalk part is where the magic really happens. I rarely sync delays to tempo, often preferring slightly lazy for the dreamy, ambient vibe (a la Eno, Lanois). I need to look into that pedal! ;)

Just what I needed. Thanks!

Golden

Sounds great.

amazing, please Chris, same video but for pedals!!

OK Chris here's a listener request - who are some of your favorite french language electronic / pseudo electronic artists? I have all the good ones I've found like Clea Vincent, Brigitte, Juniore, La Femme, Poom, Christine and the Queens. But these are only what I can stumble across as an english speaker. What is some cool french electronic indie music that we might not know? Or even any language. Most of what I have is from Sweden and France, for this genre.

Hey Chris, this is fantastic! Thanks for this great video and the wonderful music!

Super intéressant. Merci Chris pour ton taf ^^

Criss as usual great video. I have a non related question. You did a video on bounce tracks... I would love to be able to bounce multiple audio tracks into one stereo track inside cubase without using audio exports .

Awesome!!

Hi Sir, I wanna enter the analog world so i would like to ask if is it possible to you one hardware on multiple inserts or you have to bonce it and turn it off before using it on another channel?

Can confirm: 16:08 music causes same effects on me.

Nice video... When I create an external effect, a hardware, whether it is 2 mono or 1 stereo hardware, loses the stereo and everything is heard in the center? Does this happen to you? And also when I send send - line out from the settings in Cubase and my return input 1 has a delay even though I have all the settings of the apollo twin usb.. is there any other way to not have a delay?

Thank you...

pretty cool

Thanks Chris! Very helpful tips! I realized that you print the audio as render in place for the first time and then record it for the second time. Wondering why is that? And what’s the difference between render in place vs. recording the audio?

Hi Chris, Wonderful music and thank you for this video. I’m sure you used the external instruments delay compensation in the I/O - Do you find this is accurate as sometimes I obtain a zero reading but there has to be some some signal delay with an external digital unit fx processor. Just wondered what are your thoughts. Thanks, Jeff

Is this "External FX" tab only available in Cubase Pro? Thanks

I've been using cubase since my fully blown out Atari 1040STE . Yeah, the big one with a 8mHz clock and a whopping 4MB (not gig) of RAM and literal rack of AKAI samplers.. Cubase 11 Pro is a long way from those days! You didn't go over the " measure delay". I didn't see a delay on the reamp send either. Are you not getting an issue with latency/timing in your rig? I've got a Clarette as my main interface and clock so there's great response time. So, I'm the guy who has "that old reverb laying around". I've got a old 1970s era Pioneer Spring reverb that was built for stereos patched in as an external effect and there is nearly 23ms of compensation applied when I use measure delay. Am I doing this wrong? It's basically for extra flavor and I used it on a snare. When I used "measure delay" it came back with that number. The manual wasn't very specific but I just assumed Cubase measured the "trip" in and out then compensates for the latency. It seems to work well that way. How is it that when you're going out to a pedal board that's not an issue? Additionally, I set up my "reamp" as an output. I then just send the dry guitar in cubase to that output instead of the stereo buss and mic the cabinet. I had it as a buss for awhile but stopped because this was easier. Is "render in place" the key here? Cause I don't do that and I've never used Freeze either. I liked how render in place adds an ease of functionality the way you're doing this so I'll try that out. Id love to know your thoughts about the measure delay feature. I'm still finding out new tricks all the time. If you're too busy maybe another commenter can chime in. I love this channel

Is the pro version necessary to add a hardware insert? I see no way of doing that in elements.

Hi Christ, im using ur816c and preamp heritage ha73 eq, but when i connect In, Out to enternal fx, the signal is so bad, its look like the micro opposite to speaker, im testing on ur rt4 too, but not working, pls help me, thanks.

Great 👍

Cheers Chris. The Robotalk is amazing. Did you mute the original guitar part feeding the Robotalk after recording the pedal or use both? I wasn't sure what you would keep. Thanx

Bonjour Chris. At 9:44min you drag the new BOUNCE EVENT over the original EVENT (I didn't know that I can do that). Both EVENTS are there hatched. When I do that on my project, the dragged one REPLACE the old one. Questions: How do you know witch one will play? Is there a setting/preference for that? Thanks.

Thankyou Great Video Chris :) inspirational! And a great sounding track. I just have a quick question related to this about impedance/signal level. I know you used the re-amp to go from XLR to hi-z for a guitar cab. For the robo effects pedal did you just go in from a line out…Or use the reamp box again? Also for using guitar effect pedals in general would you recommend to go back into an audio interface on a hi-Z input? I’d be really interested to know if there would be a change of frequency response. I can’t seem to find much online about doing this in DAWs as outboard external gear on a prerecorded DI guitar signal. Thanks!

beton yetmez

Hi Chris, I have Eventide H9 Max pedal and I am using it as external instrument exactly as you described. That pedal (and also few other external effects that I have) also have MIDI IN/OUT ports, but so far I didn't quite get to the point on how to utilize Cubase to change H9 parameters (i.e. reverb room size, or choosing different program, etc) from the DAW itself, using MIDI port from audio interface that is already connected to the H9 MIDI ports?

Hi Chris. Thank you for this video. You are speaking about using stereo channel with mono signal because of using stereo effects. Everybody tells me to use in my Cubase mono channel for mono signal and then send it into stereo group for using stereo effects. But it seems to me too complicated.. Is it bad idea to use EVERY time stereo channel for mono recording? Is there any bad reason to not do it? I think it sounds absolutely same like when i record into mono channel. Thank you very much. I am still thinking about it..🙏