With certain compromises, yes. There is no good way to remove the Remjet though. That`s the first thing. Then, bleach fixes for ECN are bad. But you could live with that. Proper ECN UL bleach would attack the tanks, so you`d have to substitute it. All possible. So, can you process ECN-2 S8 film? Yes. Will it be fun and convenient? No. Removing the Remjet only after processing will be no option either, btw: The CD is alkaline and will soften and solve the Remjet layer, and wash parts of it into the CD, rendering it unusable for other films. Thus, you´d have to run it as one-shot, which is not very efficient.

You can definitely do ECN2 with this setup and I will probably do a separate video about that at some point. In the La Palma video I linked, there is 50% Vision 50D footage, so you can definitely get really nice results. For end users there are several small Kits available, for example the Bellini ECN-2 Kit. Using the "original" Kodak chemistry makes little sense as you can only buy that in 20L bulk quantities (the Filmomat only needs 500mL). There are two main limitations: ECN2 needs 5 baths, but the Filmomat has only 3 tanks. This requires to split the process into two parts and exchange the chemistry in between. It's easily done in 5min. Second, like Ludwig already said, is the RemJet. The majority of the RemJet is removed during the process, after the PreBath and rinse. A small part sticks to the film, tough, and needs to be wiped off with a soft sponge after the process. This is a bit tedious and the film needs to be wiped multiple times, to get rid of all the RemJet. Of course its not as convenient as sending the film to the lab, but it's definitely fun to do. At the end of the day, ECN2 was always designed to be done in continuous processors - so doing it in batch (no matter if with the Filmomat, Lomo Tank or whatever equipment) will always be a bit of a compromise.

Thank you! In this video I process Ektachrome (reversal film), which has no RemJet. The workflow for 16mm is the same, you just need to increase the distance of the spiral to 16mm :)

@@filmomat_official thanks for the info. Would you be able to process B&W reversal films such as the Super8 Kodak Tri-X 7266?

@@TheLucaaw Yes, black and white reversal is perfectly doable with this setup. You can for example use the Foma reversal Kit, or also the new Adox reversal kit.

scanning super 8 without a good dedicated scanner isn't worth it in my experience and good ones are very expensive.

Zdravo Da li se to gubljenje boje dešava i na Fuji velvia, ili provia, posle dužeg vremena? Hvala

@@vladamiskovic Goodnight All chromogenic films lose color, only some are more stable than others. It also has to do with how the films are preserved, which must be around 10º Celsius and 50/55% humidity without contact with gases or other types of different films.

​@@josesaraiva9566Filmove čuvam na sobnoj temperaturi, dakle oko 22 stepena. Boljih uslova nemam, kao i mnogi. Negde sam čuo da filmovi brže propadaju ako se drže hermetički zatvoreni u kutijama. Ispostavlja se da su najdugotrajniji crno - beli filmovi, jer oni nikako ne mogu da izblede.