All 3 parts of the series are now up! Part 1: What is ProRes RAW - kzfaq.info/get/bejne/m76AdNOKyJytlGg.html Part 2: How to Film ProRes RAW - kzfaq.info/get/bejne/p6qnnM-Xy6mul6s.html Part 3: Editing and Grading ProRes RAW - kzfaq.info/get/bejne/hslmgddjutK4gas.html If you enjoyed this series please subscribe! And/or check out my camera guides here: academy.dslrvideoshooter.com

Great series. It is keeping this 78 year old brain activive.

DSLR video shooter has grown my craft so much over the years. Caleb, thank you for the guidance your work is under appreciated for the value you provide your subs. I have purchased two of your guides and they are way underpriced for the time you put into them. I just can’t say enough positive things about your work. Thank you.

This series is fantastic, Caleb! Thank you for taking the time to put it all together. I would love to see further updates from you as more manufacturers allow ProRes RAW and more details emerge. Keep it up!

Great job on this series, my dude.

Just found out about GH6 getting raw with Ninja V+. So I needed and education and watched a few videos and came across you 3 part series. Although it's old, it answered all my questions and now I'm in the know. Loved it and love your channel just like everybody does. One of the very best channels. Thank You.

Your talking shots just look so amazing! Almost unreal, reminds me kind of next gen video games with hyper realistic graphics. Keep up the good work!

I like how you had your intro at the end this time with the closing cards. Jumping right into the content without it in the beginning was really smooth! Also: looking forward to getting my hands on prores raw in the future. Very exciting stuff!

Thank you for producing this series on ProRes Raw, very informative and definitely à cost effective way to do post! Please continue this series on ProRes Raw for a better workflow Awesome! 😎 👍

I think the series format works well for your content style. The bite-sized bits of info left me waiting for the next one, without getting too long or technical. I did pay more attention to my alerts looking for part two and three. So thumbs up for what it's worth.

Great series! Looking forward to future installments!

thank you so much for this series I just started shooting in prores 4K (not RAW) and this series has helped me so much in figuring out how that footage works.

thank you Caleb for this 3 episodes! this gave me huge information about Prores for i have no idea of these kinds of specs and features and information. looking forward to learn more from you

I appreciate your work. I got a better understanding of prores. Thank you 👍

Man, Part 3 really helped me out. Was reviewing my first attempt at shooting PRR and thinking "WTH have I done wrong here?" Thanks a ton.

Reaaly interesting Caleb! I'd love to see more content on ProRes RAW in the future!

Ready for the next part! Hapily recording pro res raw with my z6 and Ninja V. 3 gigs a minute!

This series was awesome! Thanks for all the work you put into it. Definitely not for everyone in terms of the camera equipment needed, the storage, software and workflow. However, this is why I watch I your channel - to see what could be in my near future =)

Can’t wait for the different camera manufacturers starting to implement this into the hardware. Looks lovely. Blackmagic first, I guess..

Great job on the explanation! I'm really intrigued by the new software and can't wait until it becomes mainstream to appear on mirrorless cameras

Oh I love that MAC PLUS in the background! I had one of those!

Great series, very informative with lots of great examples. So excited to get testing.

Hahaha, "I'm Hardcore, so I'm just gonna turn all that off." Legend. Loved the series and I'm pretty curious about the future updates also. Great work, Caleb.

Awesome Series! ProRes RAW is gonna be a huge deal soon, super exited :-)

4:14 "I'm hardcore, so i'm just gonna turn all of that off" lmao

Please keep adding to the series! although I dont have the equipment for ProRes RAW the videos are still very interesting!

Very good series. Much appreciated 💪

Thanks. This was an excellent series.

This is going to be sooooo good. Thanks Caleb. Ry from Dubai

As expected another top-notch set of videos, thanks. I’ve gotten bored with shooting 1080p footage and safe picture profiles on my Sony FS5 using FCPX. I am planning to get the RAW upgrade for my camera and start with a Atmos Ninja Inferno and shoot more S-log footage knowing Ninja Inferno can only shoot ProRes 4K 10 bit, not RAW. Later down the line if I have a need for ProRes RAW I’ll invest in the Shogun Inferno and some SDI cabling. Again awesome video series!

Great video! I am interested in the worlkflow keep this series going

thanks for the detailed series

Thank you so much for this series.

Thanks for the series..Does this benefit ONLY high contrast scenes or good even for low light ones??

I'm fully on board. With ProResRAW coming for the Nikon Z6, I'm looking at buying into the Nikon Z line.

Great series and a great channel! When you're testing, please try working with underexposed shots as well, one of my main issues with Slog is that it performes rather miserably in low light. Intersting to see what can we do with Prores RAW in this situation.

Great series! Really helpful. Thank you very much!

Holy crap that is some incredible stuff!!

Thanks for this. Exiting times for indie filmmakers like myself. I value your thoughts, not just hype and superficial noise. Nikon's jumping on board with Atomos with full frame 12 bit ProRes RAW looks really exiting! Hope you do a review of the Z6's ProRes RAW image when that drops, hopefully with improved autofocus firmware, looks frikken amazing...

I liked the series. Good job sir.

Great video series! I feel soooo educated now!🤓

Love your stuff and thanks for sharing

great job on all 3 parts

Awesome PRR series of clips bro. Gold star!! Eheheh"...just wingin' it with these wheels" Hilarious :)

Can't wait to see how to bring this to the GH5. Have you ever thought of making a video on proper internal exposure for HLG? That would rock...

Very educational. Thanks.

Howdy! What are you using for screen capture? I have both Mac and PC and was just curious if you had any professional recommendations!

Man this was nearly all of the information I ever wanted to know, thank you so much for this awesome video, two requests, could you show us some noise examples we might experience with direct from sensor recording and also how much you can bring back from low light shooting with the fs5? :) thanks again

Love this! I'm on board!

Amazing stuff! How was the render and export times? CRM eats my iMac Pro's lunch during those processes.

Soooo cool! Great video! Thanks

Nice series. I'd like to know more about the workflow: backup original, working with a copy and most of all the rendering process in FCP when using ProRes RAW. I have a Ninja V and it's amazing to work with...

Exciting stuff Im hoping to eventually give it a go on my Z6. Is it feedable to work from the recorders disk as my MacBook Pro has no space on it.

love ur content bro !!!

Thanks for the video!

Very good info, thank you!

Thank you so much! This is exactly what I am looking for! Sony F55 ProRes RAW?

Would love to see you work with the Nikon Z6 ProRes RAW output.

Amazing series on prores raw I was wondering if you have played with picture profile and colour space ie. shooting Slog- s-gamut vs Cine 4 if that affects the colours at all? thank you for all the videos have learned a lot here.

Thanks man, ....cutting edge indead! Do you think the upcoming Blackmagic 4k camera will shoot ProRes RAW when they release it later this year?

Thank you Caleb.

cool video man! would love to see a noise/ exposer video. Just got a fs5 and inferno. There's not a lot out there, believe it or not.

2 years later i am on this video again cus i am about tu record raw on the new a7siii, men what camera u was recording this video its incredible how sharp nice and clean it looks. and i love your content btw

I liked this series.

great video thanks!

Hello! First of all, thank you! This was the most thorough and educative videos about ProRes Raw. I am wondering, since the release of this video, have you found a good workflow when dealing with Denoising? It’s mentioned briefly in the end but I would love to learn of a good workflow for that. I am using Neat Videos’ Denoiser, but it has a tendency to be extremely taxing on my machine, even tho it looks almost flawless. Thank you again!

Nah this is sick! Definitely renting the Z6 + Atomos V soon to play with this, maybe use it for some of my bigger projects!🤷‍♂️

That is unbelievable! Prores raw is amazing! Does it work with premiere?

Hey, great video series! Just wondering, what we’re your import settings set to when you brought the raw files into fcpX? Also, what kind of hard drive speed / raid config would you recommend if editing 4K 60fps, 16 bit pro res raw ( Sony a7s iii to ninja v) on an 2017 iMac?

i heard sony hlg are doing quite the same thing (although not quite raw) it records video on rec.2020 hlg color space. so it's supposed to be wide enough than basic log in rec.709 color space with a 4:2:0 compression.

Thank you for the great video. I just got my FS5MKII and tested the Prores RAW. The examples you have there are a bit misleading, as the material isn't actually captured that over-exposured, it just looks like that straight out of the camera (even though while filming the levels are ok). So don't expect the Prores RAW to save you if you blow out your footage. There is some extra dynamic range compared to normal Prores, but for example the material shown at 4:30 isn't over exposured - it's just the way the raw footage looks like before the slog (or whichever you use) conversion.

Hi Caleb! I love the amount of bokeh you have going on and how sharp you look even do you move slightly back and forward. I would love to know: 1. In what aperture did you film this video? 2. What is the distance between you and the background? Thank you so much for your videos. I'm always waiting for your reviews because not everyone is as detailed as you!!! Freaking awesome job.

Adobe user here but I watched for the good information. Thanks.

ProRes is amazing...

Great! Thanks 🙏🏼

that is really really amazing, what details where hidden

Great video. Know a lot more now, thanks. Does FCPx 10.4.3 have grading facilities under the Color tab when (and if) I import ProRes Raw from my Atomos V (on order) OR do I have to purchase a colour grading software plug in? like Colorgradingcentral. In other words when ProRes clips are imported the Colour Wheels appear to use?

thanks for this! I've a question - Since its RAW video, can I just shoot in standard picture profile instead of a flat one? Will I have enough leeway to grade? With photos, I know I can shoot RAW with standard picture profile and thats what I have been doing and it works well but I know if thats the case with video too

It would be nice to upload one clip in prores raw for us to evaluate quality , i am curious to see how fs5 handles iso using this format

So were you over exposing those images for the sake of showing off dynamic range? Keen to know the best way to shoot with this. Would it work as well with under exposure? Great series man.

Good series, just need to wait till it comes to cameras like GH6 or sumit.

Great follow up video. I would hope Apple will open up ProRes RAW to other developers. I would not consider buying Final Cut Pro X just to get at ProRes RAW. I don't think that would be a wise business decision on Apple's part. I'll settle for ProRes HQ any day over buying another program.

Very interesting that you are using the "Wide Color Gamut" setting. I've found that using this setting has been awesome for grading S-Log2 footage directly in FCPX (I finally got my reds back!). Typically, you would have to convert the S-Gamut color space to Rec709 using a LUT, but with the addition of a "Wide Color Gamut" setting it's not necessary. This is because Rec2020 and S-Gamut have a very very similar color space. On top of that, it seems that FCPX acts like a LUT in that it remaps the Rec2020 color space when you export. I've found in my testing that a Rec709 export from a project that's set to "Wide Color Gamut" still keeps the reds that I was losing when grading in the "Standard" color space setting. Do you have any thoughts on this? Great video by the way!

Holy shit. That's impressive.

SICK!! Is this a standard option in the FS5II?

Would you be able to do an update on the current state of Pro Res Raw? or have you already done that?

At this time 1.5 years later in December 2019, has APPLE updated ProRes Raw to include camera acquisition meta data? Do they have future plans?

This is excellent. Would love a tutorial on transcoding from FCPX or compressor to another format (ProRes 4444 for example). I have an FS5 and Inferno and would love to shoot ProRes RAW, but have no idea how to use FCPX. Our system is based off Premiere and Avid so I don't have much interest in learning X at the moment. Really hoping Resolve or Premiere gets Apple's blessing in the next few months. Even a comment would be appreciated. Thank you!

Totally great info, keep the series going. What's happened since May 2018 with ProRes Raw? So glad I bought a FS700R camera, way back when; best video camera for the buck all time. Keeps on re-emerging as a phenomenal camera, and now with ProRes Raw. Sony took them off the market so people could spend thousands more on the FS7 I suspect. I imagine on eBay they are selling like hotcakes now. So what is happening with Convergent Design's Q7+? It's gone silent on updates and no announcement on ProRes Raw?

Super Helpful. I recently purchased a Fs5 MK2 + Shogun Inferno. One question that I have not be able to find out answer to: What is the SDI output quality when shooting 1080p 24fps? I know the 4k RAW and 2k RAW output is 12 bit, but in order to shoot 24fps in 1080p, you have to switch the SDI output from RAW to X-AVC. Is the 1080p SDI feed now mirroring the internal Fs5 quality of 10bit 422 or is it still a RAW feed which will record in 12bit ProRes RAW on the Inferno? Hope that all made sense. Thanks!

Presumably Sony's Catalyst Browse would be a good way to check all your camera settings in the clips?

Time to update these videos for the current A7SIII and FCPX. The clips you show only look blown out because of using a Rec709 Library/Project? Seems like you should be using a PQ Project?

super job thks question: do you think FS5 MKII is worth the upgrade from FS700 4K using Proresraw? thks

1: Awesome series! 2: 4:48... mind... blown... 3: I think I'm going to need more harddrives...

Yesss Premiere Pro just got it!!!

At 2019 Atmos has a video that says they are partnering with Nikon to record ProRes RAW from the their Mirrorless camera bodies using HDMI (which is Nikkor lensers have been hoping for!!!)

video still holds super weight almost 3 years from now hhahahah holy hell. just got the a7s iii and ninja and enjoying learning more and more!

what light do you use for your talking setup....so well lit and crisp!

Hi, what´s your hackintosh specs?

Hi Caleb, What did you shoot this video with? Looks super sharp... lights and cam?