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In this exclusive (spoiler-filled) Post Mortem of Guns & Gulaabs, Raj & DK speaks with Anupama Chopra about their unique collaboration process, the challenges they face, and the growth of streaming content in India. They delve deep into their journey, from the conception of their latest hit Guns and Gulaabs to their approach toward storytelling.
We asked the Indian Film Industry for their Top 5 Favourite Films of All Time. Here’s what they told us: bit.ly/3Owx7tC
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00:00: Interview with Raj & DK
00:46: Defining streaming in India
01:47: Mastering & figuring out the format
04:22: Humour as the signature
05:18: The writing process
08:58: Creating grey characters
11:55: Pushing these characters
12:57: The fluidity of the partnership
15:20: Prepping for everything, except actors
20:23: Being on the same page with each other
21:30: Shooting effortlessly
22:24: Demand for stars on streaming platforms
26:12: Is money the solution for filmmakers?
27:13: The transition of Chota Ganchi
30:00: Nostalgia as a common element in films
33:14: Upcoming projects
34:50: Rapid-fire round
36:08: Allowing cellphones on set
37:46: Annoying things actors say to Raj & DK
38:33: Avoiding item numbers as much as possible
39:42: Pet peeves
41:00: Raj & DK on balancing each other
43:09: Feedback & reviews
45:00: Nervousness of streaming vs film release
47:47: Everything being measured with Family Man
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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.