Ravel: piano trio in A minor. Kantorow, Muller, Rouvier
Рет қаралды 39,415
Күн бұрынMaurice Ravel, piano trio in A minor (1914). Jean-Jacques Kantorow - violin, Philippe Muller - cello, Jacques Rouvier - piano. From the sountrack to "Un cœur en hiver" (A Heart in Winter).
1. Modéré - 00:00
2. Pantoum (Assez vif) - 09:11
3. Passacaille (Très large) - 13:15
4. Final (Animé) - 20:50
Buy it here: www.discogs.com/Ravel-Kantorow...
@robertcohn8858 6 жыл бұрын
One of the most beautiful and enchanting pieces of music I've ever heard.
@bonniebrauer3338 3 жыл бұрын
Maurice had a deep, yet delicate use of harmony, instruments, and also created fabulously complex dramatic orchestrations which used ballet, unusual extra instruments, and unique ideas. The Music World considers him to be largely at the top of the heap. (Me, too! lol)
@jackroark6928 6 жыл бұрын
wow, first time ever for me! how lucky I feel because now I have to something to listen to over and over again for the next 3 weeks!
@jackroark6928 3 жыл бұрын
@Jonathan Beck ha! good point!
@shin-i-chikozima 2 жыл бұрын
His music and his works' fabulous performers are beyond description , and I feel the unfathomable emotion
@artofmusic303 8 жыл бұрын
Beautiful playing.
@lucibellesuppafly8565 8 жыл бұрын
un grand film m'a conduit ici ... Un Cœur en Hiver m'a conduit ici !!!!
@hervescellier6943 6 жыл бұрын
J' ai acheté en 1988 ce disque alors réédité en CD par Erato. Il a ensuite été une nouvelle fois réédité dans les années 90 avec la photo de l' affiche du film puisque c' est cette version qu' avait choisie Claude Sautet pour Un coeur en hiver - grand film en effet. Elle en reste une des plus belles de toutes les versions aujourd' hui parues de ce trio.
@llcamus249 6 жыл бұрын
Beautiful!
@Alisha_Woo Жыл бұрын
Un cœur en hiver brought me here :)
@didierlecloerec5850 2 жыл бұрын
Cette partie de l'oeuvre de Ravel est méconnue - le film de Claude Sautet me l'a faite découvrir alors je lui suis très reconnaissant d'autant plus que j'aime ses films.
@bernardparret3191 Жыл бұрын
De quel film s'agit-il s'il vous plaît ?
@Octatonic 10 ай бұрын
It’s un coeur en hiver
@ytbghost1233 5 жыл бұрын
Magique
@envalsen5838 4 жыл бұрын
Splendide version presque expressioniste avec l'interprétation de Kantorow au violon. Elle va si bien à cette oeuvre terminée pendant la guerre. Pour correspondre à cette musique, le paysage de Monet nous transporte un peu trop dans un hiver cotonneux à mon avis. Peut-être qu'avec quelques corbeaux supplémentaires et des silhouettes d'arbres ténébreuses cela ferait l'affaire ? Un Van Gogh Monet quoi.
@bernardparret3191 Жыл бұрын
Oui, je trouve Manet plus proche de Ravel que Monet.
@nippy0209 Жыл бұрын
love it
@nairdallewop Жыл бұрын
The notes in this composition sound, descending and forlorn....
@paxwallacejazz 6 жыл бұрын
Well I have a theory that there exists a contemporary esthetic that didn't emerge until Stravinsky and Jazz. So in spite of the modern harmonic sophistication present in this music it still lives largely inside the romantic tradition. However the Adagio cannon that appears later steps into that new esthetic due to it's zen stillness. When the dust finally settled after Schoenberg we find this level of tonal sophistication in the hands of jazz musicians and film composers. So what distinguishes the contemporary esthetic is hard to nail down but I always know it when I hear it. It never feels overly subjective or dramatic in that Faustian 19th century way. In "poetry of the earth" lecture 6 from Bernstein's "unanswered question Bernstein postulates that it all started with Stravinsky's rejection of romanticism and subsequent embrace of everything but sentimentality; to include humor, intentionally mismatched semantic components, rhythmic complexity, polytonality,neo classicism and irony. In poetry you find it famously in T.S. Elliot's opening lines of J. Alfred Prufrock "etherised on a table" after beginning the poem like a romantic poet. So to hear this level of harmonic sophistication in our language or the contemporary esthetic check out Kenny Wheeler or Bill Evans or Wayne Shorter Ballads try "Infant Eyes"
@nakedmambo 6 жыл бұрын
Stravinsky? He was still writing old-fashioned music when Satie had already been stretching harmony way past romantic traditions. Stravinsky's 'new music' was only a year after the death of Debussy. In short, he's a bit overrated.
@paxwallacejazz 6 жыл бұрын
nakedmambo Stravinsky's polytonality and polyrhythms in History of a solder and The Rite aren't subjective in the romantic tradition they aren't Igor saying "this is what I am feeling" there's an almost journalistic distance a refrigerated distance and in "The History" there's humor.
@paxwallacejazz 6 жыл бұрын
Also Satiety was also busy making his rebuttal to the super romanticism of Wagner etc in his own way like crafting exquisite little objects that didn't swoon demand and implore eg Gymnopides .
@paxwallacejazz 6 жыл бұрын
nakedmambo of course it's after Debussy I mean his death and Mahler's death left a void in whose light it became clear that notions of tonality needed revamping So the 20th century crisis is defined by the divide between Stravinsky and Schoenberg. PS you really don't want to stand by your statement that Stravinsky is overrated because, if he only ever wrote the "Rite of Spring" he would still be a giant.
@nakedmambo 6 жыл бұрын
L'Histoire du soldat is from 1918, Parade had already been staged by this time a year earlier. and Satie's La Piege de Meduse pre-dates it by five years. I'm sorry, but Stravinsky wasn't presenting a new concept.
@rodrigoantoniosilva7 5 жыл бұрын
Strange that the pianist played the last notes of the first movement as if they were on F clef... Anyway, beautiful performance.
@chrisdwyer9570 5 жыл бұрын
So does Rubinstein and others. This misreading is justified because E and G are part of the C Major harmony. I do believe the G clef reading with C and E makes more sense because it highlights the Major third, just like the cello pizz. does.
@solowcello 3 жыл бұрын
In his recording with Heifetz and Piatigorsky, Rubinstein played the chord in bass clef by accident (a misread) and other pianists figured that he had some “inside information” and copied him. (I studied with Piatigorsky.) The right hand of the piano is supposed to take over the notes of the violin and cello.
@jacquesrouvier3253 3 ай бұрын
Pianist has been lucky enough to have a chamber music teacher, Jean Hubeau, wonderful musician who could have access to the manuscript .....Anyway, thank you for the compliment.
@judyclark2734 6 ай бұрын
Sorry ,except that it's in a minor key and you're staring down a Cliff into an abyss, on a bleak winter scene: Ravel has NO appeal to the Hoping Soul, whatsoever, but rather to the Existential agony of those with No Solutions and No human intention to Discover one. merely Mourning and impotence