If you Use those... How much the user gets paid?

1 for Day 2 for Night

I watched it till the very end 😍

You could match WB on comparative videos... 3:37

Make a video about the new black magic pocket camera 4k and its predecessor

rental one day maybe even then you should try them yourself first.

boss kapadyak? HAAHAHAHAHHA

If you ever work on a pro set, you'll see them around, and also you can rent a RED for $400-$800 a day from some places, which isn't too bad if you have something important to shoot with a budget.

u just made my day with this comment hahahahhaahhaha

It's fun to pretend.

Yoooo, wtf you doin here?

Arri looks way better here honestly, also higher price...

Yeah based

why are you here?

I agreed hundred percent but what if you setting up HDRX up to18 stops on RED?

9gagerofl also the camera’s supposed to look “crap”...it looks like that because it’s not graded properly yet. In raw or log profiles, you get a washed out and crappy looking image with a lot of dynamic range that allows you a lot more room for Colour Grading it in post.

A well-shot footage will look good whether it's displayed in 360p or 4K. Think about it. Any Pewdiepie videos look shit on 4K because it is. But movies look really good even on SD. So your opinion remain valid regardless. If you think it's shit then it's shit to you. It's just a ridiculously expensive shit as far as you're concerned.

@@Slesaint17 Nah, when you look at some of the footage with LUT's already applied you can tell a clear difference.

Leave a like for no reason Please well yeah, with LUT’s already applied is a different story, I’m talking about Raw or Log profiles without any grading or LUT’s on them.

The red was raw

That's why Arri is the most used Cinema Camera for Feature film. Reds however are very good for vfx heavy films

@@TommyMinerPhotograpy as an vfx artist i can say, ARRI is always the best choise in any way. not only skin tones, also dead pixels and the whole colourmanagement and colourspace etc. etc.

i really liked the Dark scenes from Red, it has that darkness mood to it

@@TommyMinerPhotograpy yeah, I'm not sure about that. I would always prefer working with Alexa footage.

It's not even colors, just the superior dynamic range and hyper smooth heilight rolloff. Alexa is the king

@@alexkurtsaev3617 Red has a better dynamic range typically. But the image colorspace pipeline of Alexa is just greater, of course!

ARRI has wayyyyyyyyy better dynamic range than the RED

I think red looks more accurate to life, and arri is like overexposed, but that's my opinion

@@mason7031 No, the Red has better dynamic range - according to the companies themselves and independent tests. The Arri has pixels that are like twice the size though so it captures way more light, which is why it's far better in low light. I'm not sure why it seems to handle the light and shade better in the beach hut shot but it could be a similar thing. Arri do insist on putting a green hue on the footage though for some reason. I'm assuming that's because the human eye is most sensitive to green light so they capture extra of it - it can then be colour corrected out in post to produce a superior image than a camera without the extra green.

@Hallucinogenichusky uh the Arri Alexa LF is considered the best of the industry full stop right now.

I mean realistically, you're not gonna use that footage without color grading

Arri just looks some much better, all looks so much better blend in together, idk what it is exactly, but its gives a really cinematic look straight out the sensor

Red looks sharper, but that doesnt always mean better

Funny, in most shots I thought the RED was way better. It comes down to preference.

Jordan Drake I was on a prestigious interview set, all REDS, one was the early model. Super quiet set....then that RED fan kicked in.

I shoot roughly half Alexa and half Red. I do prefer the Alexa image and would choose any variant over a RED, but for me Red has always been very stable and easy to kit out and use. Literally never had an issue in nearly 10 years of use from the Red one to the helium. It's just different, which is bad on either camera if you haven't prepped for that particular piece of equipment.

Reds good...but..... Arri 65 is godlike image, what a camera.

That's why he's such a great creator....

@@mrRhwalden i know I've been watching him since 15k subs

only after your comment i realized that this was 30 minutes... welp it was 30 minutes well spent

ye same, i legit didnt notice it was 30 mins until seeing this comment

@@matthewburhans4355 yeah I was closing the video when i accidentally touch the time line 😅

totally agree

He is the kid from up, feel old yet

I cannot unsee this now

When I first watch a video of him I thought that too

Totally 😂😂😂

And: Nobody cares about resolution beyond 4K

You should. Having higher res gives you more flexibility in the edit suite plus, there's the idea of shooting for the future and archival purposes.@@useless_name

ikr

I prefer red cameras footage

Dragon in the wild as he said it’s all about personal preference

I agree, arri much better, but muuuch more expensive

Brighter does not mean better

Me

@@alexpena1224 you

Did you buy a RED Gemini 5k ??? I follow the channel of yours a long time ago, I LOVE the content

Can you make tutorials of Final Cut Pro X

That explains why they used it for The Revenant

That's crazy

@@TwistVisuals I thought the exact same thing when I read his comment. Loved hearing The Revenant's DP talking about divorcing film after testing digital in those conditions.

first time i booted up my ARRI. I thought the temp info must had been an error due to temperature sensor failure, turns out, it was just that good regardless of what environment you throw it in. Even after ten years of using, still went on like a dream, just like the Leica M3, legend is legend

" LTT had me believe that the RED camera is the undisputed best when it comes to professional video shooting". As Linus always said, it's the best camera for them, not for the world.

With just minor lighting ,the Red can be made to look exactly like Arri which is possible in Controlled scenario as in LTT ,beyond which you get 8K resolution which I think is the reason LTT went for red.

Have you seen his video ripping red apart? I got the vibe that he hated red because they're literally ripping massive amounts of people off buy price gouging peripherals that are necessary for the camera to operate in a useable fashion.

@@mrwashur1991 It was a fun Video where he complained about the price from the perspective of a consumer. He knows why the peripherals are expensive.

I think both have their places. I don't think there's any doubt that the dynamic range and colors make ARRI the king of cinema. They have 26 Academy Awards in technical, and cinematography winners tend to be filmed using ARRI. Example in 2020 Irishman, Joker, 1917, Parasite and many more.

They shot it on film

@@andrehall6432 hahaha

@@andrehall6432 I thought it was shot on a IMAX cam

Is it blender?

I think quadro

Spark The Regular Hahahahah 😂

Not anymore..there was a unused telescope belong to NRO and donated to NASA which said to be much more superior than hubble

The hubble has been out of order for a week ...

@@DVZM. I just use hubble cause its more populer

@@EGK20 I use hubble since its more populer

"still" worth? dude products made in germany are expensive af because of their quality

chiggedycheckyoself Gute Deutsche Qualität!

not in cars...

@@BloomBoerg true

The grandMA lighting consoles (the most widely used and most reliable and most powerful control platform on the market) is German, German engineering is still THE best

we have no idea what the fuk is life till we are living like that hahaha

Haha lol I never had sex before

Right now, there is no other digital camera that gets the colors as right and true as the arri alexa. The reason why Hollywood shoots with it most of the time.

It resembles film the most but colourgraded red does look really similar

I've used red gamma 4 and it's pretty bad at retaining highlights and shadows, however shot in log with red's rec709 luts they're alot LOT closer

Red almost seems like a camera that can get a similar look to Alexa but needs much more configuring. Alexa is just on point out of the box

@@SHDEdits alexa doesn't have HDR features like red. only their alexa mini and new camera has 4k sensor red helliums now 8k and has more dynamic range. Red raw compression is amazing.

@@dankazama09 Yeah but the issue with Red for a lot of large DP's is it's highlights and color, They just don't roll off the same as an Alexa, which is why older DP's are more attracted to it, it resembles a more filmic texture. You certainly can bring extra dynamic range out of the Red with it's raw, however that's only when using raw, I've seen comparisons between the Red Hellium and Alexa XT on a base log exposure, and alexa handles color much better then Red at different stops. Alexa seems to keep very consistent color information, which for large budget features obligated to maintain a certain tone, it makes sense why it'd be the more desirable camera brand. Of course this all depends on what you're shooting too. If you're shooting an Apple Commercial or a high budget CGI feature, then Red is the way to go for it's flexibility in resolution and raw. However for something with a little more edge, that doesn't look as perfect and more stylistically different, Alexa is a great choice for it's imperfections. There certainly is such a reason to avoid something too sharp and too perfect when picking a camera for a film. I'd say alexa is great for dramatic narratives, science fiction features and anything that requires a bit more edge.

@@SHDEdits you have a point. i thought i was replying with stewart gilligan griffin. btw RED has an announcement with NVIDIA they're going to have a software update which boost RED RAW even more. monstro is the beast. OLPF LL and HL helps alot with color have you tried it? i use promist filter if i want to soften my image a bit

@How Not To and you are a very gullible little bastard

pixel quality > pixel quantity. red 8k seems like a marketing stunt.

LOL

Tams80 red is new and Alexa is more expensive and red gives a more technical sharp look which you tubers like

you're right its way over the top, Alexas can shoot 4k with a 2gbps bit rate but youtube recommends mp4, H264 compressed formats and a max bit rate for 4k at 45 or68mbps. Its money they could utilise more effectively elsewhere in production, but... oh well!

@@ThatPaulBlake What would be an optimal KZfaq camera for you?

​@@technoled6732 Something simple and affordable, look up GH5 and A7SII comparisons, both great cameras, shoot 4k, A7SII is better for external low light and GH5 is better all round for ease of use. At the end of the day, if you're planning on making short films and have the money, then sure go for a Red or an Arri, but if you're unboxing iPads, then even a DSLR with a good lens would do the job! :D

@@ThatPaulBlake Thank you. I am asking for drone video. I want to go beyond dji and gopro cameras. Both cameras you've noted will do great probably.

The dynamic range is actually better in terms of stops in the Red. I prefer the contrast rendering of the Arri and that could qualify as a "better" dynamic range, but yeah, the Red is technically better.

not really... only the colors look more natural on the arri, the dr is better on a red

the contrast in the ARRI makes things look more natural as in looking at it with your eyes.

Beginner lol

RED is much sharper imo. ARRI looks soft as hell.

The contrast is because of RedGamma3. That’s not how the raw is. Arri uses Rec.709 so the color space is small, thus not so much contrast. Once you grade them you can get pretty much the same result.

whattttttttttttt all of the red clips are soft

You obviously know more about cameras and Film than me, but I always thought that old movies don't have harsh shadows is because they were lit a lot more than todays movies. I did not see this soft look in more modern movies shot on 65mm film, I thought the Hateful 8 (I think it was shot on 65mm) hat fairly contrasted lighting an d looked a little more harsh(which I personally like more than the smooth look of old color movies) because it was lit differently. But i could also be talking nonsense, I only have a very basic understanding of cameras, film and cinematography.

this video didn't even show why red Raw Compression is powerful in color grading once you use RedLog. Resolution+ Red Raw file compression

Ok

This review sounds like it’s from someone who clearly doesn’t use either of these cameras on a daily basis

The dynamic range is insane and once you see it you can't unsee it!

Arris newest camera has even better dynamic range. 2,5 stops more, kinda insane

Alexa, how do I change my name.

They had the name long before Amazon did it.

Alexa bedroom fan on!

Alexa, whats your base iso?

petra ensi oh god, I’d absolutely love just talking to my camera😍

And yeah I would do that at the grocery store too for sure lol

Vjaxa I was there for 2 weeks filming. Haha. Should’ve hit u up for a beer.

Potato Jet damn that would have been so nice, me as a amature video maker I would have had a lot of questions 😂👍 next time bro

Also he's saying the red is meant to look dark in night but really it just doesn't have the low light capability that arri has

@@harrbailphotography5257 The arri looks shit at low light in my opinion. 13:26 the RED is waaaay nicer when it comes to low light. But the arri looks so nice at daylight.

@@tastydoritos9915 In that low light shot the Arri has better dynamic range and less noise while the RED's default profile is massively crushing the blacks to the point that there's no detail left. Not clue how you came to the conclusion that the RED looks better.

Because RED is more flexible for editors.

Because RED is cheaper. As simple as that.

It can, the RED camera is just superior in low light recordings.

Just look at 1:31

@@tastydoritos9915 I think you got it mixed up. At 1:31, red is 1.

@@Chivoyage i know that's why i think it looks WAY nicer lol

@@tastydoritos9915 Fair enough. Despite the fact that the poll shows that the majority beg to differ with that conclusion, I guess even one person feeling that the red is better at low light proves that it comes down to preference, my bad.

its crazy. i didnt knew arri before this video and now everytime a see a movie or msic video which looks especially nice its always shot on a alexa.

@@Ginkoman2 ikr! It's just sooo beautiful!!! 😭