Very neat!

that's a very nice print. Love the abstraction of the subject

Thanks ! this was great, i showed it to my year 7 students today before we started carving and it answered lots of their questions.

Excellent clear demo. Thank you.

Thank you so much for explaining this! Your print is beautiful- its inspiring me to get out my linocut supplies from the art cupboard!♥

Love this I did a similar design - I started with a lemon yellow and masked out the blue section - I pulled a yellow first layer with my whites carved out. I then would unmask the blue section and masked my red section (which is yellow) and pulled a blue print Now I’ve got a pure blue (cyan coloured actually) and a green mix of my lemon yellow and cyan blue - made a Jamaican lime colour from the cyan blue and lemon yellow Now I pull the red section and mask my blue and green sections - I used a deep red colour which resulted in a red pushed toward the orange side of red as a result of red mixed with first layer lemon yellow. Then I finish with my black outlines. Voila … une maison extraordinaire Thank you.

Thank you for sharing this wonderful video!

Thanks Frank - very clear & helpful.

That seems helpful. I may do that for my lino reduction project as well. Little by little by little.

Great demonstration, clear and useful thank you!

Thank you!

thanks for a very inspiring video!

great! I muss try it next weekend

Thank you 😊🙏👍

This was the best and clearest presentation of the reduction method that I have come across. Kudos!

I finally understand this, thank you! In my art class I’m doing prints for the first time so this was very helpful

Thank you so much!

Nice and clear explanation :)

Very nice final result, clear edges. Could you plz explain the registration process, it looks like there is more than one print, according to how the image is placed on the paper? Thank you!

Great job,,,never done this,can't wait to try it, it looks confusing,can I use fluid acrylic?

Great job Frank. You did a great job and instructed me well in the field of Lino. My Lino art has become a lot better because of this demonstration. Also can you do more than three colours?

Thank you for taking the time to create this video, it is very informative. My question: what kind of marker do you use to go over the pencil marks on the lino that will not wash away when you wash off each printing ink? Does it interfere with the printing ink at all?

Took me almost to the end to make the connection that, if you're doing multiple copies, you need to print them all in a sort of assembly line where all of the blue, then all of the red, then all of the green, then all of the black, get's printed before moving on to the next color. No room for mixup there.

@Frank what editor did you use for your video?!

So well explained and demonstrated! I think I finally understand the process lol. Neat work!

This is Brilliant ! Thankyou so much, I'm just starting out with lino Printing, and this is So clear and easy to follow ! Have Subscribed !

Very clear, and do-able! Thank you!

Great video! Thanks for sharing. What is the name brand of the linoleum you used?

In this case where your blue is just one area and it's surrounded by white, would it make sense to only charge that section of the matrix? Or is it better to always charge the whole thing for some reason?

A question. One of the things I've heard about linocut is that you only get so many copies before the linoleum degrades too far to get a good print from the stamp. In your experience, how many could you get with a 4 + black print like this?

tracing paper is a hard way to get you image transfeered to you block i perfer to take my image and make a xerox copy and tranfer that to the block you can get very complex images that way

Nice video, Thanks! I am a beginner, what kind of inks did you iuse, water- or oil- inks?

Great demo. Thank you!

That was so cool dude! Thanks. 😀

Thank you! This was very helpful

very nice

Thank you. It makes sense to me now

How do you clean the ink off the lino between each colour?

So this means you can use it only one time? And you have to do many of the same?

Very good and THANKS.

thanks for the tutorial

Or do many of the same stages?

My paper is always sticking to the Lino

What if you make 25 prints and then later decide you want more? Since the first three color areas have since been removed you can’t get them back. Wouldn’t it be better to make 4 plates so you can print as many as you’d like? Just curious. :)

Thank you for your demonstration. Isn't it that you can make only ONE print with this method?

Okay so if you were doing multiple prints would you instead of doing one, on each inking do multiple sheets at a time with each color. Because you are carving as you go, you can't go back and do it over again right. So if you wanted to do a limited edition of 25 prints you would have to do each color 25 times on different sheets.

Looks like a fun experiment but isn't the whole point of a print that you can make more than one copy? This method only allows for 1 print. Why not carve out 4 lino blocks (1 outline-black&white- and 3 colored)?

I'm afraid that this entirely misses the point of reductive linocut. The process is best exemplified by Picasso's brilliant use of building exciting forms which are not fully realized until the final color. In fact, I am not aware of any other artist who has exploited and revealed the full genius of this technique.

Goofy ahh art project