Bach: Brandenburg Concertos BWV 1046-1051 by Szymon Goldberg 🎧 Qobuz bit.ly/39m1v5L Apple Music apple.co/2ZgSrNO 🎧 Amazon Music amzn.to/3OYWNRm Tidal bit.ly/3CyL7vp 🎧 Deezer bit.ly/3AmDWFM Spotify spoti.fi/3AtxexE 🎧 KZfaq Music bit.ly/3WSM3WG SoundCloud bit.ly/2XCoyqS 🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... Johann Sebastian Bach (1685-1750) - Brandenburg Concertos BWV 1046-1051 *Click to activate the English subtitles for the presentation* (00:00-02:30) 00:00 Brandenburg Concerto No.1 in F Major, BWV 1046 - I. (Allegro) 04:22 Brandenburg Concerto No.1 in F Major, BWV 1046 - II. Adagio 08:47 Brandenburg Concerto No.1 in F Major, BWV 1046 - III. Allegro, Adagio, Allegro 13:10 Brandenburg Concerto No.1 in F Major, BWV 1046 - IV. Menuetto, Trio, Polacca, Trio Violin : S.Goldberg / Oboes : H.Stotijn,A.Mater,W.Knip Bassoon : T.de Klerk / Horns : J.Bos,I.Soeteman 21:10 Brandenburg Concerto No.2 in F Major, BWV 1047 - I. (Allegro) 26:58 Brandenburg Concerto No.2 in F Major, BWV 1047 - II. Andante 31:48 Brandenburg Concerto No.2 in F Major, BWV 1047 - III. Allegro Assai Trumpet : W.Groot / Flute : H.Barwahser Oboe : H.Stotijn / Violin : S.Goldberg 35:05 Brandenburg Concerto No.3 in G Major, BWV 1048 - I. (Allegro) 41:42 Brandenburg Concerto No.3 in G Major, BWV 1048 - II. Adagio 42:10 Brandenburg Concerto No.3 in G Major, BWV 1048 - III. Allegro 47:27 Brandenburg Concerto No.4 in G Major, BWV 1049 - I. Allegro 54:46 Brandenburg Concerto No.4 in G Major, BWV 1049 - II. Adagio ma non tanto 59:25 Brandenburg Concerto No.4 in G Major, BWV 1049 - III. Allegro Violin : S.Goldberg / Flutes : H.Barwahser,L.Oostdam 1:04:41 Brandenburg Concerto No.5 in D Major, BWV 1050 - I. Allegro 1:15:35 Brandenburg Concerto No.5 in D Major, BWV 1050 - II. Affettuoso 1:22:07 Brandenburg Concerto No.5 in D Major, BWV 1050 - I. Allegro Flute : H.Barwahser / Violin : S.Goldberg Harpsichord : J.van Wering 1:27:56 Brandenburg Concerto No.6 in B flat Major, BWV 1051 - I. (Allegro Moderato) 1:35:14 Brandenburg Concerto No.6 in B flat Major, BWV 1051 - II. Adagio ma non tanto 1:41:07 Brandenburg Concerto No.6 in B flat Major, BWV 1051 - III. Allegro Violas : S.Goldberg,M.Major / Viole da gamba : P.Lentz,H.Bol Double-bass : A.Woodrow / Harpsichord : J.van Wering NETHERLANDS CHAMBER ORCHESTRA SZYMON GOLDBERG Recorded in 1958, at Amsterdam New mastering in 2021 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr One of the most notable events in Szymon Goldberg's career was the founding by him in 1955 of the Netherlands Chamber Orchestra in Amsterdam, with which he gave excellent concerts and made numerous highly acclaimed recordings (including the Brandenburg Concertos) over the next 22 years.. This new mastering, which we are proud to release on all popular streaming platforms, does justice to this legendary recording. Brahms: The 3 Violin Sonatas by Szymon Goldberg and Artur Balsam 🎧 Qobuz bit.ly/3AaPw73 Apple Music apple.co/38OzljE 🎧 Amazon Music amzn.to/42cOmVy Tidal bit.ly/3tuR9dc 🎧 Deezer bit.ly/3trjVuZ Spotify spoti.fi/2XcduAe 🎧 KZfaq Music bit.ly/3C3Vol4 SoundCloud bit.ly/3k6mVJJ 🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... Johann Sebastian Bach PLAYLIST (reference recordings): kzfaq.info/get/bejne/l6yJgqSa29PJqn0.html

For those who don't know about the story behind Bach's Brandenburg concertos. In 1721, Bach composed six “concertos for various instruments”. He dedicated them to a German nobleman and sent the manuscript as a gift, hoping to land a job as the court composer in Brandenburg. The nobleman never replied. Bach eventually took another job in Leipzig, where he lived for the rest of his life. The 6 concertos were lost for 130 years. They were never performed. The manuscript was eventually sold for about $20 and shelved in a library. The Brandenburg Concertos sat there until 1849, when they were discovered and published for the first time. Thank god.

There is something very particular in this recording, and for our 21st century ears, something unusual. The instruments answer each others, this explain the slow space, but there is much more to it of course. It might be a way to think, by the players, what the music is all about and it's not about technicality and pure performance. It's a lost art, and we have impoverished our self, our culture in the process. Thank you for your work.

Finally a recording that doesn't try to establish a new speed record.

The pacing brings the richness forward

Whoever reading this, I pray that God visits your home today with Healings, Blessings, and Miracles. Amen.💕wish you all good health and a good day 🙏🏻💋💚🙏🏻💋

Above all Bach must 'swing', as only he can. Most modern performances have a lot of speed, but no swing. This glorious performance has modest pacing.... and SWINGS all the way. Wonderful.

This quenches the aridity of the soul

Oh how lovely! The pace, the sensitive relationships among sounds and between silence and sounds - and so much more! Thank you for sharing this treasure.

I prefer this recording of Bach's Brandenburg concertos to all others. Everything is balanced just right. Thanks Reference Recording for posting and introduction!!

A masterpiece performed by very skilled and sensitive musicians...

The harpsichord cadenza in the 1st movement of the 5th concerto is one of the most beautiful ever recorded.

The music of J.S. Bach is steps in space or running on the Earth. No stumbling and stones. I can never describe it, it is so massive. I have never been to Brandenburg. But in Berlin, near the Brandenburg Gate, we often walked with my parents and brother in 60th of the 20th century💙💛💯🌻.

Comfort and solemnity of this wonderful performance is immeasurable profound and an order of magnitude awsome

I keep coming back to this. It's like the soundtrack to my life's most beautiful moments. Thank you for creating something so magical. 🌈💖

Wunderschöne Interpretation dieser sechs perfekt komponierten Konzerte mit farbenreichen Tönen verschiedener Soloinstrumente sowie gut harmonisierten und perfekt entsprtechenden Tönen der anderen Instrumente. Der unvergleichliche Violinist leitet das ausgezeichnete Barockorchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Die verbesserte Tonqualität ist auch erstaunlich hoch als originale Aufnahmen von dreiundsechzig Jahren vor. Alles ist wunderbar!

What an incredible interpretation of the Brandenburg concertos!

Magnificent performance of these wonderful concertos. Thank you for the impeccable New Mastering.

Thank you so much for sharing another quiet time of pure joy in listening and appreciating such sublime music 🎵 🎁

It's as if I am hearing these wondrous works for the first time.

Beautiful performance, wonderful and appropriate taste in tempo.

Thank you for the upload. The concertos that can be listened to again and again! Each time to be impressed more and be grateful to have a chance again to admire them whenever we wish.

Bellísima versión e interpretación de éstas joyas de la música de todos los tiempos. No puedo sino imaginar al gran Sebastián junto a su numerosa familia disfrutando de su propia música con esta versión del mto. Goldberg. Pensar que en su momento estas piezas no fueron ejecutadas, sino mucho después de la muerte de Bach.

아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎻🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕

어쩌다가 한번씩 클래식을 듣고 있는데 ,뭔가 우아하고 풍부한 악기들에 편성과 아름다운소리가 바로크시대에 가고 싶다는 생각이 들었어요. 좋은 음악소개 감사합니다!!!

Listening to the Brandenburg concertos of my favourite composer is a pure joy to me! The music is as sweet as honey which evokes in me sadness sometimes but most of the time amazement as the wonderful music can uplift the mood of even a gloomy person.It is a mood-lifter. I had purchased a CD of this music in the early 90's which plays slightly speedily.Here it is a slow version. However, both are magnificent and fantastic which always help me soothe my soul. A case in point is Concerto No.1 in F Major Bwv 1046; No.3 in C Major Bwv 1048. Needless to say that I was mesmerized by the enchanting music of great maestro! Thanks for uploading a different interpretation of Bach's gem. Imagine, if we didn't have these kinds of musical wonders when we were confined to homes , thanks to Covid-19? Bravo, Gracias!

Beautiful, I like the version of Karl Richter too. Thanks

Absolutamente genial la versión y el sonido de 1958.

Really beautiful, best way to start the week, thank you very much and best regards to you!

Awesome performance!👏👏🙏❤🌹

This really is the best recording. It's way more rich

Never heard of this recording. Wonderful! Sounds like a very modern performance.

Tudo lindo, tudo maravilhoso.

une version d'antologie ,merci du partage

Que Magnifica, Gloriosa, Bella, Fina, Gloriosa y Grandiosa es la Música, especialmente la de Johann Sebastian Bach, que gran interpretación por parte de Szymon Goldberg y la Orquesta de Cámara de los Países Bajos, sin dudas esta es una de las mejores grabaciones de los 6 Conciertos de Brandenburgo con instrumentos modernos, pero con fidelidad a la partitura. Gracias por compartir esta joya y muchas otras más.

Goldbergs gold. A treasure. Thank you CM/RR.

Pure joy. Thank you.

Magnífico 💫🎶💕

Divin... Merci :-)

Merci beaucoup , magnifique !

What a magnificent remastering of great sound quality and fidelity. Sadly some of the comments appear confused. CMRR is just what it says, a reference point ... for great, deeply felt and considered recordings from the past. Should you prefer some jazzed up, emotional period instrument hotch-potch, that's up to you. You are missing the point this time. Thank you team at CMRR for a wonderful, historic upload. You are adding so much to our rich musical heritage.

Absolutely Splendid! Thank you from Australia.

🌺Thank you!🌺

thank you so much for the upload !

Adore his Mozart works with incredible Lili Kraus, too. Heartful masterpieces of two incredible people and artists.

Muchas gracias.

On est là devant des trésors. Un enchantement permanent, comparable aux merveilles qu’il nous offre avec Lili Kraus dans son interprétation des sonates de Mozart. Goldberg, je ne sais pourquoi, me fait penser à Edwin Fischer. Son humanisme peut-être...

OLD SCHOOL PRECISSION

Thanks

Precioso. Muchas gracias.

Gracias.

The violin is marvellous.

Покой Душе Здравствуйте Все Здравствуйте Всегда. СПАСИБО ВСЕМ ЗА СЛУЖЕНИЕ КРАСОТЕ СПАСАЮЩЕЙ МИР

اللهم اهدنا اجمعين وجعلنا جميعن مؤمنين - اللهم آمين يارب العالمين 🏵

Très bon choix. Merci.

Maravilhoso ate que enfim encontrei lindo lindo muito chik

I thought the Rudolph Baumgartner version was one of the best but DAMN! I think this version even tops that.

Good, solid recording that swings without scampering - as I like. For comparison, one may wish to recordings by I Solisti di Zagreb, The Chamber Orchestra of the Saar or Sarre or Saare, the Paillard Chamber Orchestra, or the Academy of St. Martin in the Fields. Hoomeyow!!

Jascha Horenstein recorded these works slightly earlier for VOX in what many consider way ahead of its time in performance style.

1:02:05

Show me the better version among "authentic"s, pls. :))

Where was only Bach and Bruckner.

497//22.09.21.

My apologies to the harpsichordist - excellent work - but Trevor Pinnock is still the GOAT. I am convinced that he went down to the crossroads at midnight and sold his soul to the devil for the great 5:1 cadenza.

Nechte mne posluchat baacha. A neotravujte

Membaja

very stodgy "reference"...

It may be a classic, but stands nowhere close to Café Zimmerman performance. I just cannot 'unlisten' to Café's performance. Is so elegant, full of life. I found this a bit underwhelming

If you set the playback speed to x1.25, you bring these performances pretty much up to current-day tempi. The music actually doesn't sound ridiculous at all. Perfectly listenable to. Bach's incredible writing still shines through. The only slightly jarring thing is the speed of the vibrato. Excluding the tempo difference, you're left with basically the timbre of "modern" versus historically informed instruments. At x1.25 speed, these performance drag much less. Old movies often seem "slow" to the modern brain. Similar effect here. Maybe we don't need the music to be "spelled-out" so deliberately any more. Maybe it's that 1950s ears were less accustomed to Bach / baroque music, with the post-WW2 Bach revival and widespread availability of recordings still at a relatively early stage.