I loved how you nailed the term quasi-random. To me some modern jazz sounds like quasi random harmonies without idea, journey or resolution. People just seem to avoid looking "simple" and shy away from using traditional harmonies, but at the same time, there is less music in the result, just a competition who is more sophisticated on the stage. I guess the public taste is getting more complex over the years, and Bach's kind of harmonies I-V-I-V do not cut it anymore. But the time when diminished seconds (halftone intervals) would be appreciated in every chord did not come yet. When public taste reaches that level, we will finally see the introduction of quarter tones into mainstream music:)

Wow, the atonal reharm sounded great!

the beatles chords sound the best to me. not just sure if its because they are the familiar changes im used to hearing

excellent explanation, love your hand gestures

Loved that locked hands!

simply great. Thank you so much

Great info as always 😃

Love your work man keep it up :)

The Australian MangoldProject

What happens if I’m trying to reharmonise a song that starts in the key of C major and modulates to Ab major or anything else at the chorus?

All My Loving reharmonized is just that part of Kathy’s Waltz (jk)

Is that Kawai ES-110?