00:04 Ziemlich langsam - Lebhaft 10:24 Romanze. Ziemlich langsam 14:34 Scherzo. Lebhaft 19:53 Langsam - Lebhaft - Presto

2:15 1악장 1주제 5:38 1악장 2주제 12:13 2악장 장식을 통한 장조의 변화 16:10 3악장 장식음의 변주 21:24 4악장 주제와 1악장 1주제

The 1st movement is perhaps my favorite Schumann piece. Tragic, expressive, mysterious, exhilarating...those rhythms and one of the best brief codas you will ever hear. that feeling of suppressed excitement is something Schumann does better than anybody else...and then when it bursts out it's as thrilling as anything in Beethoven.

I love the tempo Sawallisch takes in the piece. He gives the music a sense of forward momentum that I really enjoy. So many conductors slow Schumann down in an effort to make him sound "profound and serious" but just end up sounding sludgy. This is wonderful.

the introduction to the finale is probably one of the most epic introductions to a movement i have heard so far..

C'est une des plus belles symphonies romantiques, et c'est une belle interprétation!!!

Pierwsza symfonie, jest bardzo zrównoważona, trzecia piękna słodka, za to czwarta bardzo przewrotna, można odnieść wrażenie, że Schumann bawił się dźwiękami....śliczna ,można słuchać na okrągło..... Wszystkie doskonałe !!!!!!!!!!

Sawallisch is such an excellent conductor. I was amazed by his conducting of Schubert and sure enough he delivers again with Schumann.

I never cared much about Schumann's Symphonies but since I have a concert where we're playing the 4th soon, I am really starting to discover and like his symphonies

Thank you so much for rendering this masterpiece, Raff Symphonies are also very euphonious !!

Sawallish's Schumann 4 is golden disk and monumental playing. It is very truthful in Schumann's score and played without much exaggerations. Nevertheless, this give great impressions to listener like me (classic fan - conductor for 50 years).

Was für eine fantastische Interpretation!!!

Wolfgang Sawallisch + Staatskapelle Dresden sind die Nr. 1 für die Schumann-Sinfonien! Auch seine Interpretation der 8. Sinfonie von Franz Schubert ist fantastisch!

The first movement is perfect.

管弦乐队的幻想曲转换为 Symphony 4 第一乐章 缓慢的开头主题 1:33 2:14 呈示部主题 2:55 次主F大 3:31 呈示部重复 3:51 呈示部开始发展 4:51 巨大的展开部出现了两个主题 5:30 第一个主要主题（英雄的，行军的降D大和F大 6:15 第二个主要主题（温柔且抒情E大和降A大 第二乐章-浪漫曲 主题10:23 第三乐章-谐谑曲 主题14:34 19:49 到第四乐章开头的过渡）它基于第一部分的开头和隆重铜号 21:24 主题 21:45 主题的过渡乐段

Thank you! Beautiful piece and it's very helpful with the sheet music!

Charming symphony. One of my favorites, and I can't put my finger on *why*. Weird.

The best score video of Schumann' 4th UNPARALLELED

the score is so very helpful for me after trying - unsuccessfully - to follow the bass trombone part! 🙂 thank you!

Brilliant ! Was für ein Meisterstück von Gefühl, Ausdruck und Dramatik ....Damals schon wegweisend und für mich bis Heute immer noch Aktuell .

I wish I could write like this

슈만 - [교향곡 4번] [교향적 판타지] 1. [각 악장을 쉬지 않고 이어서 연주] 2. [이전 악장의 선율적 소재를 나중에 등장시키는 (순환 구조)를 보여줌] why? → [악장 간의 연계성을 강조하기 위해] → [교향적 판타지] 1841 - 교향곡 1~4번 작곡 [교향곡의 해]

Una obra sublime! gracias por compartirlo @Im Walde 🎶👏👏

I think the fourth movement of Brahm's first symphony is partially inspired by the fourth movement of this symphony.

Thanks for uploading!

Beautifully playing.

Wonderful interpretation.

Stunning performance. Magnificent.

11:09 12:13 2악장 시작모티브 변주 16:10 3악장 - 시작모티브 변주

written in 1841, one of the happiest years of schumanns life having married klara vik, the first redaction had little success although liked by brhams more, this is the 2nd redaction from 1851. Schumann called it a symphonic phantasy, in it he used the most lyrical and personal themes, it isa symphony with the most new not just of his but german symphonic romanticism from the 1st half of the 18th century

Somehow i find schumann scherzos very unique and interesting

3:05 don't mind me. just logging the time for my audition piece

Schumann and Sawallisch... What could be better? (The Second is my favourite, but the Fourth is a close second, so to speak.) Sawallisch understands Schubert and Schumann like no other conductor.

3rd Movement scherzo is practically borrowed from kalliwodas first symphony Schumann loved his music so I can see why he used the exact main theme for it lol

Marvellous!😀

Super!

The scherzo really sounds Mozartean… like the c minor piano concerto rondo

Bravooooo!

As a violist with a tense right arm, I am terrified of the 1st movement.

Nel primo movimento ti sei preparato alla grande per un esame e un'ora prima hai un'ansia di presentarti all'appello entro a ripondere? Non entro? Entro? Mai si dai! Ma non so nulla! E poi arriva un tuo amico e ti da' incoraggiamento, una mano amica e sicura, e tu ti butti e alla fine prendi 30 e lode, tutta la follia del momento e poi sei talmente esausto da non capirci nulla da non esultare o gioire stai realizzando una tua piccola grande soddisfazione ma in un secondo ti rendi conto di non aver fatto nulla di non essere nessuno e guardi il cielo. Nel secondo movimento ti senti magicamente un eroe che danza con gli angeli e i demoni e i soldati volati in cielo e intanto pensi a quanta sofferenza hai dovuto subire, sorridi e poi ti arrabbi, ti arrabbi e poi sorridi.

absofukkinglutely mega

2:15

6:38 Cm solo 1 12:13

"La única salida es seguir avanzando" Ojalá entiendas esa frase...

I need to play at 16:07 for my audition 🙁

0:07

Its way too sharp.. what did you do? omg

I tend to side with Brahms on this discussion. The Finale of the 1841 version is by far superior to the 1851 version, in my humble opinion. Which doesn't mean that this recording is great.

4:50

21:24

has anyone ever had to be in a echo room and then hear more than 20 teenage girls screech unexpecdadly

1:35

01:45

19:35 heroes 3 soundtrack :D

great recording except the timpanis sound like they are clipping or something

26:18

11:07

Influences of Ludwig van Beethoven 's seen dramatic 4then movement

I never really noticed it before, but does anyone else hear Beethoven in the first movement of this great symphony? 😀😀😀😀

1악장 1주제 2:15 2주제 5:38

>not period performance REEEEEEEEEEEEEEEE

from 15:33 to15:39 beautiful motive

2:15 1주제

1주제 2:15

Underrated I think

In my humble opionen Schumann > Mozart

00:04 2:15 19:53 21:24

Junge und begabte Pianistin spielt Klavier. kzfaq.info/get/bejne/pKeoarapupysoY0.html

My audition needs me to play from 16:07 :(

I prefer Mendelssohn's tighter knit symphonies than to Schumann's. Mendelssohn was a better orchestrator.

Robert Schumann be like: if you can't write for the piano.... Write for the orchestra instead 😉

Adam Case (writing in his history orchestration) said, “ The work of Robert Schumann… Provides one of the few instances in which a composer of the first rank… Was unable to handle the orchestra even moderately well…he did not conceive theme and passages, patterns and textures, which owe their very being to particular instruments or groups of instruments… The continuously even tone quality, the full body but monotonously rich tint of his coloring, is due to the employment of string, woodwinds, and horns in constant combination.“🫢

管弦乐队的幻想曲转换为 Symphony 4 第一乐章 缓慢的开头主题 1:33 2:14 呈示部主题 2:55 次主F大 3:31 呈示部重复 3:51 呈示部开始发展 4:51 巨大的展开部出现了两个主题 5:30 第一个主要主题（英雄的，行军的降D大和F大 6:15 第二个主要主题（温柔且抒情E大和降A大 第二乐章-浪漫曲 主题10:23 第三乐章-谐谑曲 主题14:34 19:49 到第四乐章开头的过渡）它基于第一部分的开头和隆重铜号 21:24 主题 21:45 主题的过渡乐段 做報告需要請容許我複製謝謝 亚历山大彼得洛维奇

0:05

2:14

21:24

0:05

21:23

16:10