I have just taken up the piano after 30 years of playing guitar. I love your teaching style. It would be awesome if you showed us the 5 chords you play in the opening. What a beautiful and smooth sound.
@Piano_Pig6 жыл бұрын
This has been highly requested! I will definitely be making a video explaining and teaching the intro chords in the future :)
@robertr65713 жыл бұрын
you are the FIRST teacher to show me this technique! And I have been taking lessons both on line and in person for over two years! THANK YOU!!!
@Piano_Pig3 жыл бұрын
You're welcome, glad to be able to help 🙂
@joshuabenson25686 жыл бұрын
Hey, could you do a video on Gospel related stuff? It could be a really useful addition to your jazz and blues related stuff that you teach.
@Piano_Pig6 жыл бұрын
I've actually had a few people ask me to some videos on Gospel stuff, it's on my to-do list :)
@PIANOSTYLE1004 жыл бұрын
The following is a simple yet a little .complicated walkup In the overall chromatic bass line..then I switch to slash chords. In my.lifetime.Ive done this progression thousands of times but never wrote it out in such detail...Kinda of a Andre Crouch move. LH Will play F G Ab A Bb B C C# D.. In the bass two octaves down... Now some of this or.all of this can be rootless . .The chords will be AC F. Bb D F nest chord is called.a G7b9..it is (Ab B D F)..Play the .ACF again play the G7b9 again then the A C F. again am doing this with no piano.. so this will have C in the base here..I think. notice the A C F is just a 1st inversion F... or In slash chords. ACF/C. Next the left hand base keeps.coming up chromatically. I think I play a (C# Dim7) here with the afore mentioned. C# base..btw this can be done very fast or extremely slow. and can be repeated a few notes back.and forth. Any ways in slash chords you are on. C# dim/C# . or better called A7b9/ C#. Now here are some choices you have. The Cycle or 4ths or 5ths says you.can go to D or.Dmin etc.from a. A..so play the base A as mentioned in the the first paragraph.. So Go to D7 or Dmin.7..lets stick with Dmin 7. At thine you land on D.base play the A C F again. It is rootless Dmin 7...or you could go to D.base and play dominant D7....I. usually just play. an inversion of D7. ACD F#/D..Then an option would be play a Gmin7...
@zamianelliott52204 жыл бұрын
Do you have rootless voicing in left hand and licks in the right hand in all 12 keys exercise?
@Diamond88keyz3 жыл бұрын
Yes! I am for that.
@perlemming6 жыл бұрын
Great video :) I have seen many of your videos and I'm now a subscriber. I've been playing (around with) piano for about 30 years. Never received any lessons, and never learned techniques, so I'm not very skilled. But your videos and way of showing it has made me sit down with my keyboard and practice progressions and finger placement almost daily :) So thank you for that. In the end you play normal progression followed by rootless. You ask which is nicer. I actually think that the two sets work very nice together. But agreed, rootless have a smoother feeling to it.
@Piano_Pig6 жыл бұрын
What a lovely comment! I'm so glad my videos have motivated you to get stuck in with the piano, that's the aim of the game :) And yes I agree, I combination of the two (with & without roots) tends to work the best!
@rosiefay72834 жыл бұрын
1:54 Your first point relates really to one instrument's *part* in a combo -- the chord still has its root thanks to the bass line. 6:17 I indeed prefer the second version, but that was because of the ninth-chords. But not a single chord you played was really a rootless chord. It is possible to have chords which are rootless in the sense of having the function of a chord whose root isn't sounded. For example in the context of d minor,
@moisessantacruz89036 жыл бұрын
Love the way it sound it gave more color to the sounds. Thank You great video.
@Piano_Pig6 жыл бұрын
Glad you enjoyed it :)
@gregb75955 жыл бұрын
Nice, i would alternate between them to keep it interesting.
@bettyennin63353 жыл бұрын
Thank you sir, for clarity! God bless you!
@LohPro10 ай бұрын
i think the coolest parts about rootless voicings are: (1) your hands basically "shift", so the left now plays chords & the right is now free to do whatever it wants like, further extensions, doubles, play a solo, etc. & (2) it opens the door to playing "extended arpeggios", which are basically arpeggios that start off notes other than the root. So over a "rootless CMaj9" chord, the arpeggio could be that of an [em7] chord (E-G-B-D, starting off the 3rd of the CMaj9. to further this concept, you can apply "parallel" scales, such as the [em blues], [em dorian], etc. so no matter what scale or arpeggio you play in the upper chord/solo instrument, the overall chord will still be "rooted" by the bassist. there are also tunes that play true rootless, which gives a very ambiguous & "up in the air" sound.
@premasru6 жыл бұрын
The rootless, second version you played sounds lighter and clearer, to me :)
@Piano_Pig6 жыл бұрын
Awesome! Rootless voicings are great :)
@HeavenlyBridegroomMusic Жыл бұрын
Love the way he explains it.
@letsnotgothere62424 жыл бұрын
Cruella Deville arranged by Johnny May for piano uses rootless voicings. It essentially switches between C7 and F7 in the beginning. They are voiced like this: (E, A, Bb, D)→(Eb, G, A, C). Like piano pig said, these voicings include the thirds and sevenths. And I think because the sevenths are nondiatonic, but also standard to include in blues progressions, they really help imply the chords' roots. In other words, hearing Bb in the bass in this song tells me this is a C7 bc it's unlikely it's anything else (except maybe a Bb or Eb, but the tritone of Bb, E, Is in the chord, so they're still unlikely) Thanks for coming to my TED talk
@novellmusicmedia68956 жыл бұрын
The best youtube video yet on this topic!
@Piano_Pig6 жыл бұрын
I'm glad you think so :)
@arthurbadal32602 жыл бұрын
very good explanation the way you do ... I do this every day with my students specialy thos who playing in band and I see very good results.
@mikegeld1280 Жыл бұрын
Good stuff man 👍I play electric bass, but I still watch ur videos cuz they're well done I always learn something, cheers mate
@julianho7672 Жыл бұрын
many thanks.................... so simple & clear!
@basseysantus2 жыл бұрын
I prefer the second one Nice one sir
@parkerchace3 жыл бұрын
Thank you, very enjoyable and well explained lesson!
@RyderGemini Жыл бұрын
Nice video, I was confused as a guitar player learning Ableton why the roots were gone. Being careful with velocities is tricky too. Good stuff.
@eduardog875811 ай бұрын
Thanks from México city fantastic
@yudipitre57202 жыл бұрын
I don't know what is rootless voicing. Thank you The way you teach is excellent
@Munneke19622 жыл бұрын
Thanks 🙏
@user-pm1xk5vw3u4 жыл бұрын
I love searching for "the licc" in tutorials from jazz musicians
@kharimarquette6 жыл бұрын
I tried my hand at rootless voicings for a while, and they sounded excellent!
@Piano_Pig6 жыл бұрын
Good job! Yes, they always produce such a great sound :)
@jaustin7532 жыл бұрын
Good job of teaching.thank you
@DJazium Жыл бұрын
Great explanation!
@phonofish3 жыл бұрын
Love your Tutorials 👌🔥💯💪
@nickrkr4 жыл бұрын
That's a very good explanation... Thanks
@user-gi3ro9rm9k6 жыл бұрын
I just realized that the right hand for the Cm9 chord in your intro is a rootless voicing without the bass!
@ProfeARios6 жыл бұрын
Excelent tutorial!
@Piano_Pig6 жыл бұрын
Thanks!
@Marco-bh9im Жыл бұрын
Did anyone see the little piggy move? @0:05 😂
@cabal41715 жыл бұрын
Haha I thought I was imagining the moving pigs.. I subbed after your video on the Pianotv Convention
@Larosoftravel6 ай бұрын
Amazing
@tresorpro51185 жыл бұрын
you are A good teacher
@anzatzi Жыл бұрын
Great!
@coastline62733 жыл бұрын
I LOVE YOU
@grevisse5 жыл бұрын
And in this lesson I want to talk about..... (the pig in the left teletransports).... "rootless voicings". That´s the magic of music!
@jehenisus5 жыл бұрын
Fmaj9 rootless voicing is written in the bass clef. You might want to check it out
@lordmjh2 жыл бұрын
we could play the first chord sequence without the root oh, then play the sequence again with the root changing the section from a 4 chord progression to 8 chord progression which adds a sense of building to the song. just a thought.
@brianmason98036 жыл бұрын
Nicely explained. Thank you.
@Piano_Pig6 жыл бұрын
My pleasure Brian, glad you enjoyed the video :)
@johnellison30304 жыл бұрын
Great Video. Thanks for posting it. Cheers.
@Piano_Pig4 жыл бұрын
No worries, John! Glad you enjoyed it 🙂
@mmccarrell6 жыл бұрын
First. My reward, a free piano lesson.
@wayneandrus3072 жыл бұрын
nice video
@TonyClarkeThinks6 жыл бұрын
Great video.
@johnsheehan21086 жыл бұрын
thank you
@Piano_Pig6 жыл бұрын
My pleasure bro
@carterearles9528 Жыл бұрын
Pig on the shelf at 0:05 👀
@blast15092 жыл бұрын
Pianopig made me understand why music theory is so important
@ArgoBeats6 жыл бұрын
Thank you, Simon... beautiful sonority, is this voicing which Bill Evans often used to play?
@Piano_Pig6 жыл бұрын
Ohhh yes, Bill Evans was a master of rootless voicings! :)
@mr.fabian84716 жыл бұрын
excellent!!!
@Piano_Pig6 жыл бұрын
Glad you enjoyed it :)
@whugheswhughes981445 ай бұрын
In many of these examples, you're keeping the root in the left hand? 4:48, 4:57 for example. So is that still technically rootless?
@Diamond88keyz3 жыл бұрын
Hi Simon
@idamusicworld Жыл бұрын
Does it mean that, I can either play the root note with the left hand, or I just play the rootless chord with the left hand?
@juanalvarado47232 жыл бұрын
Woah
@SomeWhiteGuy_6 ай бұрын
Thanks 🎹 🐷
@thewindwakinghero74233 жыл бұрын
0:48 *PANIC* Every da-
@Tyler-ko8dp Жыл бұрын
Hey Simon, I think I understand the concept but I can never tell if a progression I am trying to play...is using rootless voicings...if that makes sense? Like how are you supposed to know? Do you have to look at the other instruments like the bass? What if the root note of the bass guitar is playing the lowest note of the piano's ROOTLESS voicing....does it then just become which ever chord the bass is hitting?
@LohPro10 ай бұрын
the notes of a chord, such as a type of 7th, contain the notes of a "relative" chord, for example: [dm7] is D-F-A-C, but if the root is omitted, you have an [FMaj] triad. so to your question if the bass guitar plays the lowest note of the piano's rootless voicing, the harmony would then become [FMaj]. even if the chord player used the note "D" in their voicing, it would still be some type of F chord, like an FMaj6 or add13 (F in the bass, A-C-E-D in the upper voices) the bass determines the chord overall. so whatever the chord player think he or she is playing, the bassist is ultimately having the final say in what the chord really is. (ie; the chord player is jamming away thinking of an FMaj7 chord, but if the bassist says "i'm gonna play the note D" underneath all that, the chord becomes a dm9 chord.
@merlinsyoshi2 жыл бұрын
Ok so after watching the “sexiest minor chord voicing” video, i was confused how you could call the chords the way you did. After watching this I now understand the reasoning for rootless voicing. Still strange to me to name a chord based on a root note thats not in the chord. I suppose if your playing with a bass player it makes sense, but on its own i’d still call it by another name. Also i’m curious, are bass notes on piano not included in the term “voicing”? I would assume that bass notes on the piano in a chord are just a wider voicing, no? I’m not a piano player, so i honestly don’t know. Anyway great content, you earned a sub!
@RustyTube6 жыл бұрын
Yes, I did prefer the after version.
@jordanjacques84633 ай бұрын
What if they are just triads?
@yoav044446 жыл бұрын
hi great tutorial' but i have a few questions - what scale is this? iv'e watched your jazz scale tutorial - and that's what i do not get: when you play a chorde progression, do they all share a regular scale? (like C maj, F# min...) or they are all based on these jazz scales? (like the lydian scale for example) - are the jazz scales ment for a whole chorde progression / melody to be based on? on you use each one for every specific chorde?
@Piano_Pig6 жыл бұрын
It sounds like you are referring to the modes. Modes are sometimes used to write entire songs but more commonly, it's just a major or minor scale which the chord progressions are built from and the modes can be used to 'improvise' over the top of the chords.
@rettersvess5 жыл бұрын
I have a similar question regarding chords and scales- I have noticed each chord in the progression fits into the Dminor scale apart from the A7 which includes a Dflat- what factors lead to choosing to incorporate this chord into the progression and break out of D minor? (if that is what is even happening at all) And is it a jump into D major? Thanks for your super helpful videos by the way it's appreciated :)
@rettersvess5 жыл бұрын
Ok I have just seen you already answered this question below, so never mind!!
@iliaspsylopoulos23693 жыл бұрын
Did anyone else notice the pig on the keys at 0:12 for a few seconds?
@Smoothhh_One4 жыл бұрын
Can we get a tutorial on how to play the intro music?
i was messing around with a major 2-5-1 and tried playing the iii(em7) instead of the ii(dm7) i noticed when i tried to make it a rootless voicing that i couldnt. because of the f sharp in the eminor scale wouldnt work with the c major scale. and when i tried to flat the f sharp it sounded like a dominant chord which its not suppose to. please help.
@Piano_Pig5 жыл бұрын
I'd just leave the 9th out of the iii chord so it doesn't clash with the key
@fartenthusiast-zl2qv5 жыл бұрын
@@Piano_Pig ok thanks i thought rootless voicing had to have 4 notes atleast but that makes sense thank you.
@LohPro10 ай бұрын
@@fartenthusiast-zl2qv old comment, but hopefully someone sees this & it helps them. rootless chords often do have 4x notes, but they don't have to be "in order" according to the scale. you can throw in a 13 & forget the 11. you can also throw in "available" tensions such as b9, #9, #11, b13, etc. Pretty much any note works, as long as they don't clash against the guide-tone 3rd or 7ths.
@abelton205 жыл бұрын
What if there’s no root in the bass? I tried rootless voicings with my left hand while soloing with my right hand, but it doesn’t sound right because there’s no root in the bass
@asamiyashin4444 жыл бұрын
I think that the point is to use them when you have a bass note, otherwise they will become other chords.
@FATLEHAZE224 жыл бұрын
What key did you build the progression in?
@prodbyselase4 жыл бұрын
Trey B I’m still learning myself but I believe it’s in D minor. The Dm is a I9, Bbmaj7 the VI7, the Fmaj9 is a III9, and the A7b9 the V. My notation isn’t probably correct, but hopefully you get the gist.
@FATLEHAZE224 жыл бұрын
Gotcha thank you!
@MOSMASTERING6 жыл бұрын
Maybe my musical ears are undeveloped, but I thought they sounded almost the same, except that the second sounded what I would describe as tighter and cleaner. I use words like that because I'm an audio engineer/producer so I have good ears when it comes to certain aspects of sound, but some jazz where the player just mashes half the piano keys to form some crazy chord, then pianopug suggests swapping one of the notes for 'effect'. I ain't gonna hear that change!
@Piano_Pig6 жыл бұрын
Haha this comment made me laugh! Just keep listening to jazz and maybe spend some more time focusing on the harmonic side of things rather than just the production side of it? Just a suggestion but I hope you have fun developing your ears 😀
@MOSMASTERING6 жыл бұрын
PianoPig Hey man, I am loving your videos! I'm moving house next week and will be setting up a mini setup away from my main studio so I can mess around and practice my piano. I miss it! I've had it in storage for almost a year. I'll be working my way through your entire catalogue. Seriously, best piano videos in the internet. So many are pointless waffle or metaphors or too slow.. you say what it does, how to do it and why and give examples of where it can be used. Perfection! I'm in Brighton, where abouts are you Mr Pig?
@MOSMASTERING6 жыл бұрын
PianoPig PianoPig I have all my exams up to Grade 6, I'm looking to brush up this year and get the last few certificates. I've been playing a long time, but I only wanted to get really serious recently and now I work for myself and I have the time to practice. My ears aren't too bad, I can tell you what chords are and I can play melodies back Ive heard on TV/radio after a few seconds finding the root.
@Piano_Pig6 жыл бұрын
That's sounds perfect! Having a separate place just for your practice time is ideal. It's good to know you find the channel useful man! Brighton is a lovely place! I live in Fareham, down south near Portsmouth! But I'm moving to Spain for 4 months in about 6 weeks :)
@deejay56336 жыл бұрын
Hello, Id like to ask what ,made ypu decide to use A7b9 chord instead of A9, is there an appropriate situation in which you can utilize 7b9 chords? Thanks for the great videos Simon 😊
@Piano_Pig6 жыл бұрын
Hello, I was just replying to your other comment and it disappeared haha! The answer to the other comment was: Yes, exactly that! A major 7 chord has a natural 7th, and a minor 7 has a flattened 7th. The reason for this is that the major 7 is built from the major scale (which has a natural 7). And a minor 7 is built from the natural minor scale (which has a flattened 7th).
@Piano_Pig6 жыл бұрын
As for this comment, A7(b9) chords are awesome when the chord is acting as a dominant 7, resolving back to the 1 chord as was the case with this A7 :)
@deejay56336 жыл бұрын
And another one, what rootless voicing did you use at the end of the video?
@deejay56336 жыл бұрын
I see now, thanks for giving me an idea about 7b9 chords 😁
@Piano_Pig6 жыл бұрын
No worries! And the one at the end is was a minor 6/9. It's called a 6/9 because it doesn't have the 7th, such a lovely voicing :)
@Domstraight5 жыл бұрын
A pig appear on your tv at the beggining of the video! I saw it!!!!