Describing sculptures like those included in this exhibition, Ser Serpas has said that “the act of making is a choreographed performance, of which the assemblage is the aftermath.” The performance begins in a city-in this case, New York, and specifically Brooklyn-with the artist collecting discarded objects that speak to her through their color, the ways they have become worn or torn, and their structural openness to being combined. Then she works with the objects’ orifices, odd junctures, and gravity to combine them into provisional sculptures. This process yields a feeling of potential energy just at the moment before an object’s collapse. The resulting sculptures become a kind of dual portrait: first of the city as seen through its cycles of consumption and decay, and then of the artist herself through the expressive choices she has made.
The 2024 Whitney Biennial is organized by Chrissie Iles, Anne and Joel Ehrenkranz Curator and Meg Onli, Curator at Large, with Min Sun Jeon and Beatriz Cifuentes. The performance program is organized by Iles and Onli, with guest curator Taja Cheek. The film program is organized by Iles and Onli, with guest curators Korakrit Arunanondchai, asinnajaq, Greg de Cuir Jr, and Zackary Drucker.
See the full artist list and learn more at whitney.org/exhibitions/2024-.... Book tickets here: whitney.org/tickets
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