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Пікірлер: 17
@PaponaintegraАй бұрын
Shawn, you are the best teacher!!
@knirirr2 жыл бұрын
Very useful indeed, thanks! I'm applying those ideas to bass solos at the moment; it will be a long time before I could do the same on a trombone.
@esotericist2 жыл бұрын
at last! I've found the blues trombone content I was looking for! well done Shawn. And I've been looking for quite a while.
@alansouza11722 жыл бұрын
You gave us great content, with very clear examples.. thanks.. I don't speak English... I'm using the translator... sorry, again, thank you
@tioliak6 ай бұрын
Great explanation, clear audio, nice playing. Well done!
@jamieharris80752 жыл бұрын
I agree with esotericist. This is the best blues learning video I have seen and I've looked at a lot of them. It opens up the gates! Thanks.
@ShawnBellMusic2 жыл бұрын
Thanks for the kind words. I'm glad to hear that the concepts are helping you in your practice!
@IBoughtItMyself14 күн бұрын
02:52 First idea with chart 04:38 Bb pentatonic lick 06:23 ii-V-I example 07:39 Resolving to chord tones 10:14 Inflection: Scooping into a resolution 11:06 Inflection: Falling into a note
@tyler_dold4 ай бұрын
Yes! Loved the section on inflections, the amount of nuisance possible with the slide is tremendous. I've personally been taking notes from the style of Pat Metheny as I've found that the inflection he uses in his guitar playing translates super well onto trombone.
@HS-rw1fo3 жыл бұрын
These videos have been really helpful thanks man
@romelhenriquezmarin39682 жыл бұрын
I really like your videos, so much learning
@pebblebeach85172 жыл бұрын
Yeah this is great content…thx
@alansouza11722 жыл бұрын
At minute four and forty the example with sheet music, does the articulation change to the second figure? Thanks
@alansouza11722 жыл бұрын
at minute four and thirty-seven... sorry.... on the descending scale... thank you
@ShawnBellMusic2 жыл бұрын
Hey Alan, It sounds like I was using a variety of articulation when I recorded this, but I'm not sure that I was doing so intentionally. I tend to use a legato single tongue for most lines, but it sounds like I was articulating the first example a little more in this case. For the most part, those types of choices are influenced by my listening habits more than by a conscious choice when I am improvising.