Shot Matching Done Right - DaVinci Resolve Color Grading Academy 6/8

No video

Shot Matching Done Right - DaVinci Resolve Color Grading Academy 6/8 - MotionVFX

Рет қаралды 6,977

motionvfx

Күн бұрын

Пікірлер: 20

@saviorkakama691 Ай бұрын

Best balancing tutorial have seen so far... and I've been doing this since 2014... thank you.

@motionvfx Ай бұрын

You are very welcome! Thanks for watching, and stay tuned for more!

@flbassmaster5551 12 күн бұрын

Amazing tutorial!!!

@motionvfx 9 күн бұрын

Glad you like it!

@juancarloscervantesflores8649 10 күн бұрын

Thanks 👌👌👌👌 Nice and clear

@motionvfx 9 күн бұрын

Welcome! 😊

@huggeebear 8 ай бұрын

-Dude, honestly, that was one of the best all-time balancing tutorials I have ever seen..Would it be possible to link 3 .TIFFs so we could follow along?

@motionvfx 8 ай бұрын

There you go 👉🏻 mvfx.co/DVR_GradingAcademy_06_Stills

@huggeebear 7 ай бұрын

@@motionvfx 🤘you rock, thank you!

@jamied6166 3 ай бұрын

When you tried Shot Match, what was your timeline colour space set to? It's not likely to work at all if that doesn't match how your CSTs were set

@rendermanpro 2 ай бұрын

Can I move set of node from "clip" to "timeline" level? That so weird that they not make it just "copy - paste"...🤦

@narrativasavulsas 8 ай бұрын

The problem with using the timeline node make color adjustments is when titles are added to the film. Havent found a way do bypass that.

@MattMcCool0 8 ай бұрын

You can put all graphics in a separate group with a CST in the post clip that flips them into your working space. Then the final CST flips them back to 709/2.4. It seems like extra work, but the benefit is you can easily switch your entire project to a different output space if you need to export an HDR version for example. I will show this in lesson 8 where I walk through the entire workflow.

@TheRealBarkinMadd 7 ай бұрын

@@MattMcCool0I think the bigger issue is putting a look at the timeline level - typically you wouldn't want the look to affect your titles. I wish Resolve would allow for shared compound nodes - I can imagine using a shared compound look node that would be applied at the post group level - could be used for all your footage groups and left out for your graphics groups. In this case you wouldn't use the timeline node unless it was for a global vignette, I suppose. Great tutorial, btw.

@Deep-Travel 8 ай бұрын

I think you may be using color match wrong. If you try to match two uncorrected log files won’t work. You need to have a basic grade done first before using color match.

@MattMcCool0 8 ай бұрын

Yeah, probably. I never use that feature. I tried it years ago with standard 709 shots...didn't look great, so I never touched it again😅

@Fireandagrill Ай бұрын

he did a the by using the CST in the example

@user-vm2ej8xv8p 8 ай бұрын

In FCPX 10.7 the app Mlut dont open.

@motionvfx 8 ай бұрын

Please reach us via chat on our website 👉🏻 mvfx.co/Chat, our support team will check what's going on!

@HarisCupina 8 ай бұрын

Do the Datamosh Matching 🧞‍♂️ Liked the tutorial itself, interesting flow and showcase, have no clue about colorgrading, jet absorbing what you have to say here ❤