Maritime Interpretation dieser ozeanischen Suite mit perfekt vereinigten Tönen aller Instrumente. Der intelligente Dirigent dirigiert das erfahrene hr-Sinfonieorchester im fließenden Tempo und mit klug analysierter und durchaus nordischer Dynamik. Danke fürs Onlinestellen!

bravo ❤🎉

Quelle merveilleuse interprétation de ce poème symphonique !!!! Toute la poésie, la magie de cette œuvre par cette sublime direction d'orchestre !!!👏👏👏🎶💫🌊🎶💫🌊🎶💫🌊❤️

Thank you @hrSinfonieorchester and @JanLisiecki for your great concert yesterday in Aix-En-Provence. I think your flight was cancelled because of the snow. You had to wake up at 5am the day of the concert, take another plane, spend hours in a bus and you arrived just on time at the great theatre of Provence which was full ... and the concert was perfect!

Чудесное произведение! Чудесный оркестр! + Ещё комментарий.

Thnks..

Gracias

majestic and beautiful...

As I regard it: One of the most "difficult" Tone Poems Sibelius ever wrote. But if you listen to it many times it will give you back a whole ocean of impressions. Thank you hr-Sinfonieorchester and Alain Altinoglu for this splendid performance!

The Oceanides, Opus 73, is a symphonic poem for orchestra in one alone movement whose the sensibility, oriented acutely to nature, certainly informs The Oceanides. The work is the rare Sibelius' tone poem that does not take its subject from the « Kalevala » the repository of Finnish mythology to which the composer often turned for inspiration. In Greek mythology, The Oceanides were the manifold daughters of Oceanus, the water that circled the earth. The Naiads were associated with water in all of its forms rain, rivers, streams, lakes, and the like and they were one variety of the nymphs that inhabited the wild places of the ancient Greek world. That inspired Sibelius to compose one of the most organic and atmospheric orchestral works in his repertoire. The work's organicism is subtle, not easily perceived on first listening. After the opening muted strings over rumbling timpani, the composer introduces two fragmentary themes, the first in the flutes, the second shared by oboes and clarinets. From this material, Sibelius derives much of what follows. The music itself proves to be an elaborate aquatic metaphor, revised version of the score reveals the impression the sea had made on the composer during his Atlantic crossing. Serene and subdued for much of its course, The Oceanides surges to a climax derived from the opening flute passage just before its closing moments, when the first theme returns, transformed, in the clarinets, bringing back the calm waters of the opening. The detractors will probably deplore the fact that the composer is still a respecter of form, still a devotee of beauty, still a believer in the potency of melody. Sibelius is a fine musical constructionist, but also an eloquent harmonist and a fine colorist despite his fondness for dark tints. Music is a tremendous language without being translated. *Lucien*

🐾🐾🐻🇫🇮 Moi. 👍👍👍....

Wunderschöne Aufführung dieses thematischen und fein komponierten finnischen Meisterwerks mit farbenreichen doch perfekt entsprechenden Tönen aller Instrumente. Der intelligente und geniale französische Dirigent leitet das ausgezeichnete deutsche Orchester im lebhaften Tempo und mit künstlerisch kontrollierter Dynamik. International und faszinierend zugleich!

🧐🤔😇🧭🏞️