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Versatility continues to come up quite a bit in the discussion of drums and particularly snare drums, yet the aspect that most greatly affects the versatility of the drum isn’t actually the drum itself- it’s the snare side drumhead. While some people default to adjusting the snare-adjacent pairs of tension rods, we’ve got an alternative method. In this episode we explore how to control articulation, sustain, and overtones via specific tension rods on the bottom of the drum.
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Signal chain:
Mics - Focusrite Clarett 8Pre USB & OctoPre - MacPro w/Pro Tools 12.8
Recorded at 48kHz / 24bit
Focusrite Clarett 8Pre USB tinyurl.com/Clarett8Pre
Focusrite Clarett OctoPre tinyurl.com/ClarettOctoPro
Full kit: AKG C414 at drummer's perspective
Snare drum & tom tom close mics: Shure SM57
Primary Bass drum: AKG D112 centered on reso
Aux Bass Drum: KAM R3 ribbon mic ~10” from reso
Drums:
Pearl Masters Maple Custom Extra + Ludwig COB
Cymbals:
Vintage 14” Zildjian Hihat top over Masterwork Jazz Master bottom, 22” Jesse Simpson custom modified ride
Drumheads:
Snare: Evans UV1 / Snare Side 300
Main Bass Drum: Evans UV EMAD / EQ3 Coated White reso w/port
Toms: N/A
Hosted by: Cody Rahn
Production: Ben O'Brien Smith @ Cadence Independent Media
Production Partners: Evans Drumheads, Promark Drumsticks
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