That's a great way to describe it!

Playing quiet is definitely much harder to do. Great add.

Totally agree! Thank you for checking out the channel!

Hi Paddy - Sorry for the late reply. PMauriat would be great for a new Low Bb. If you're open to a low A model I'd suggest a W01 Bari from Yanagisawa. If you're open for a used one I'd suggest a Yanagisawa B901. I'd say you'll be north of $5K USD for something worth owning, unless you get a great deal.

@@bjbarisax01, followed your advice, I did get a bari and I found someone who did a hack job on the price of a new P. Mauriat PMB 300 UL (low A) for less than $$ grand, how about that, that's a good deal. I've had it for 10 days, had it adjusted by a local and it suits me just fine. Thanks for all the good advice, all I need now is a good teacher on a once-a-month basis. Stay sharp and amazing BJ. ( I cannot divulge the real purchase price for fear of reprisal)

Thank you! Mpc is a Bill Street and the reed is a Harry Hartmann Carbon Fiberreed.

I've never met Leo, but I'd say he's definitely got his own thing. That's super important and tough to do. I don't picture myself moving like that ; ) He uses a lot of "effects" in his playing... growling, multi-phonics, sucking/popping on the reeds... there's Miles Osland (check him out if you're not familiar) who wrote a lot of saxophone charts using effects like that a lot in his own playing.

it's an overtone glissando, interesting shit