it's cheaper than your Deluxe reissue, at least where I'm from

Obviously, I'm talking about a full, clean, sound. I use pedals for overdrive and fuzz tone.

+Mauro Rossetti dual tone maybe but nothing beats a cranked coronado even jimmy page used one...

Mauro Rossetti Lol, why on earth would you buy an amp like this and rely on pedals for distortion? I mean, for fuck's sake 🤣🤣🤣

Groove Tubes GT-57

David Doyle Seriously. Fender Twins are the most boring amps out there - and EVERYONE uses them.

@@allrequiredfields they sounded good on Never Mind the Bollocks

You got a new one didn't you? How's that one treating you?

well not to good, the number one channel dont work but the number two + one channel works so i dont get it, i just dont have luck with these supro amps, but i do love themn though

pretty big.....

Nonah Yobusiness yea everyone know led zepplin was a unknown shit band and they sound was awful

Yeah, it is a very good sound actually. But not everyone has a good ear for tone...

It's the miking. Close miking with an SM57 is where that shitty, fizzy top end is coming from. I guarantee that amp sounds nothing like this, IN the room.

@@tonytouchzz Jimmy Page actually used multiple mics to balance the tone so it wasn't too shrill.

Yeah...I agree with the high end sounding a bit shrill on these. In this demo he had the Tone knob turned all the way to the right...which is essentially putting the Treble all the way up. God knows why he did that ? I certainly wouldn't have that Tone knob turned all the way right.

It is the exact same circuit, unless I am mistaken. I think the only difference in sound would be the from the speakers/tubes. I would like to heat the RI up against the original. Also bare in mind, KZfaq compresses the shit out of the video so the sound we get isn't what you hear in person. There may be a difference of course, but just a few things that may alter the sound. Feel free to correct me if I'm wrong on the circuit/speakers/tubes, etc.

Arturo Infante Nowhere near, but comes close ? Dude, you're high. ;)

@@kommi1974 Same circuit yes, but there must be other vintage parts that are not available now. Being an old amp it would have had Allen Bradley resistors and a lot of ceramic disk caps, resistors and caps would drift, etc.

I have the dual tone and this demo does a really good representation of the amp in my opinion. It does have that spiky clanky high end qualities to it. But it is what it is and a unique tone.

Thats what my coronado sounds like ,but with some 'room' obviously, unless Im pretending Im a sure 57 that day.

Depends on what you want. A Twin is hyper clean, this amp will distort more easily when you turn it up.

Jesse Maes Yep... Absolutely agree. Twin Reverb is massive clean headroom with not a lot of natural (if any) amp-driven grit. the wattage is also a lot higher in any given Twin Reverb so it's kind of apples/oranges aye. This Supro amp seems to have a LOT of great tonal qualities and a lot of sound shaping to be had at the control panel as well. The tremolo and gain alone sound delicious and very touch sensitive. IF, you always play with a pedal board to get your gain/distortion and need to fill a great deal of space (like a small arena) and/or don't mic your amp (or if you're one of the modern "E-rig" players who really use their amps more like a PA and re-amp through electronics), then a Twin could be what you're after. BUT, if you play a variety of settings from at home/practice spaces to jams to gigs etc, you'd likely be way better off with a 'smaller' output amp that you can mic but that will give you the ability to play "straight in" (no pedals) and still get that grit and distortion from the amp itself (and most importantly to me, the guitars volume/tone controls) not the pedal board alone. I play a faux-tweed Peavey Classic 50-212 (a very "un-Peavey' like amp but a total sweetheart) and I really like the pre/post volume controls and the good master volume (vs some of the "bad" circuits some, including Fender, have used over the years) because they allow me to have a 50w, 2x12 amp for bigger gigs, but still crank it down and use it for smaller gigs and settings without blowing other players out of the room (and it's a great place to sit and set a beer when need be) but still get the same distortion of having my guitar cranked... More "versatile" amps fit a larger group of players needs better IMO. But, if you're after a big loud "speaker" to play a mass of effects out of the Twin Reverb is a great choice cause you won't get a ton of unwanted over-drive/distortion from stacking effects and a lot less signal degradation if you're running powered/buffered pedals

+Carl Rudd Eminence

+gorblimey61 They are !!.

@@keiranbradley3222 I think he means tag board or turrerboard handwired. Im practicing useing a solder iron with my feet and my teeth, so I can create a new bootique market.