This video along with part one of the TABS workflow was super helpful for me. Even if I make individual decisions based on the project I'm working on which may deviate from this, I appreciate the clear and direct explanation and breakdown of this. Been struggling to really put all of this in a box for a few years now and you have presented this complex system from 30 thousand feet so that we can see the big picture. Thank you so much. Very helpful.

Some cases when you should bend these FX rules: • Gated reverb - gate should be added to A after reverb • Low-cut reverb - add EQ to A if your reverb plugin doesn't have it built-in • For some styles of music there should be a distortion on S • For delay with reverb you should send from A to A (delay A to reverb A) But in general these rules are awesome! I never used FX Return bus, but I definately should try it out.

Higly appreciated!

ALL of your tutorials are fantastic. I like the way you get rid of the cookie-cutter stuff in these "new and improved" versions of Logic. I'm staying with Logic 7, and have no desire to "progress" to logic 10. Your tutorials make me feel more confident, because you have validated many ideas which I was already using. I've worked very intuitively up to this point, so it's nice to see it all laid out very logically. Thank you so much!

another great video. 👍

Keep going ! I love the approach for us who are more professoional, clears away the BS

Thank you for this. I am going to work through your autoload set up. I have a friend who dod this for me on Logic Pro 7 many years ago, but he did not go as far ass you have with it. I now understand what he did. I have been muddling through with mixes all this time and have felt overwhelmed whenever I began a new project. I upgraded a few years ago to Logic Pro X and am loving the improvements. I just have to teach my ears how to do all of this again. At least I can see a logical work flow that will speed me up and get me straight to creating. Thank you George.

Simple and effective explanation, and certainly for people who have never worked in the analog studios of yore (or live), this is essential info. I started recording in the 80s so I guess my personal approach is built on similar philosophy, though somewhat less organized. My only comment covers just a couple of things every pro does but not covered here, though not sure how/where you'd place it into this flow exactly; parallel compression and what I'd call nested bussing. I often use parallel compression for things like drums and cymbals/room mics, I also use nested bussing to separately manage like-types of instruments, but then have a cohesive final 'stem' bus of everything, like all the drums for example. Another example; I recently dealt with a big band session that had 12 horns, so I built 3 busses for the sections, then a final buss for my Horn stem with a de-esser and Iron master buss comp on it. I'd say this next level of workflow is almost essential, and having build into template format a huge time saved. Using your methods, would you do this kind of template building at the Tracks level? Or would you find ways to creatively build your buss section to allow for this?

Been a great start to my new year, working through your excellent tutorials, really appreciate both your time and expertise, I am itching to start recording, but just want to really go through all your videos again, it has helped so much….again huge thanks

I'm really enjoying this series and look forward to each new video ... and am each one multiple times to absorb all the great tips.

Fantastic George! Very helpful. If you don't already have it planned, can you show how to properly incorporate and route reference tracks to use during the mixing phase? Thanks...

I knew all this and then got into Logic and forgot being logical, D'oh! Can't wait to try this on some of my old mixes! :D

Nice series you have going. Great info. One thing to add…consider a mix bus for processing. This also makes it easier for dropping in a reference track (which can be played unprocessed at the stereo output). Just a thought….thx for your videos!

Do you have preplanned reverbs lengths in your template and what length delays should we aim for or avoid?

Sorry for all the questions but this video addresses things that no one else talks about. Are you suggesting that you don't use verbs on Keys or is it implied that if you did you would add an AUX Key Verb? Can't wait for other great content you may reveal.

Hi Gabriel. Question. I am not sure how to set up internal effects such as a reverb using your buss and tabs set up. I don’t have external devices. Great videos. Please show steps for setting up in logic. Thank you.

Clarifying. Thank you.

you are helping us out a one thank you for that. can you tell me how you get two mixing mixer on one screen. thanks

This info is gold… thank you! Quick question: do you think ATMOS will impact your TABS model?

Hey George, really love the videos and the way you present them! I'm curious, whats the software you are using to create the workflow chart in this video? Thanks!

Do you use track stacks in Logic to make your busses or are you doing it a different way?

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