Likewise my friend. I can't wait for your room to be completed as well. Sounds very promising. You are welcome anytime

Bro you still mad?! >_< God bless you. This room is a real treat.

@@doyleshafer hi Doyle 👋 not mad - my advice came across wrong - not my intention. All in all if you’re happy with it that what matters. Side question: did you consider JTR over Perlisen? Or you chose latter because you had them in you living space in the first place? Total overkill probably but I sense you would like it 😁

Yeah that came across the wrong way! But yes I considered many brands. Ray is much more sensible...until he plays Flight of the Pheonix and your ears pressurize. It's fun 😁

It’s amazing! Still bummed I had to give up my spot for bass brings us together. Just started working again so hopefully I can try to make MWave and see you there. But yes u should come on down to Houston sometime. Imad room is always a good time. I think we are doing another listening sesh this weekend to try some things out.

You are welcome anytime brother! See u at Mwave

Lol PREACH

You've gone National and mainstream now!

We thank you for your contribution 🙏 I remember when he was describing the custom build and I couldn't quite picture it but, you did a solid job.

No way. Thats cool

Fantastic work as usual, Mike!!!

Mike's cabs are dead silent and he went overboard with bracing and definitely with these bad boys! Plus he is one of the nicest dudes you will meet.

The black ones that are also above the MLP Eric?

@@Rayman-expertsoundpro That youtube site no longer exists. Is there a web-site for those semi-circle black diffusers?

Stereo integrity

From HD Fury: the HD Fury Vertex2 does offer tone mapping capabilities. Tone mapping is a process used in High Dynamic Range (HDR) video to adjust the luminance and color of images to match the characteristics of a display device. This is particularly important when playing HDR content on displays that do not support HDR natively. The Vertex2 is equipped with advanced video processing features, including tone mapping, which allows it to adjust HDR content to be displayed on non-HDR displays while preserving the dynamic range and color accuracy as much as possible. This ensures that HDR content can still be enjoyed on SDR (Standard Dynamic Range) displays without loss of detail or color fidelity. If that is the only thing you picked out in the video as notable then think we missed the point...lol

@@Rayman-expertsoundpro Your lol is simply unwarranted, clarifying the use of a product in a video has nothing to do with missing the point of the video, it's an excellent HT audio system and I did not imply otherwise.

The JTR subs I drive have no bottom. Clean bass that makes you give before they do. I too would like to hear both in the same room to compare. Wonder when JTR will start putting out dual 24s?

I absolutely love JTRs and I have had many of them in my room. However a 24 is a 24! These are also sealed and the Cap I had in here was ported and it was blast. For my room sealed are a better choice. There is ton of ULF but cleaner and the room is not moaning and groaning as much. I bet I could have 4 RS2s in here as well and would love them but would cost me more than double what these did. Plus I am covering the entire bandwidth with those NSWs

@@Rayman-expertsoundpro Interesting. Very similar experience. I was running 4 ported SI HST-18s, and then recently switched to all sealed. Two dual-sealed 18's and two sealed 24s. I am liking the sealed subs a lot. It's definitely perceived as a cleaner sound, and no more port chuffing. The 24's are definitely impressive, but wasn't as big of a difference as when I got my first two SI HST-18s in. That was a religious experience.

Dont have experience with it.

For many enthusiasts it's about extension down into the single digits, free from distortions, etc. A quadrupling of cone/stroke is required for every octave downward to maintain the same output. So the max your two 12"s can do at 40hz, would require (32) 12"s down at 10hz! The requirements add up fast.

@@FOH3663 I used to compete in Crank it ups back in the day, even with a Sony ES cd player ( late 80's ) and a spectrum analyzer, music didn't go down much lower than 20-25 hz. What source material goes down to 10hz ?

@@batsonelectronics Very cool. I participated in one car audio competition in the early 80's. It wasn't a crank it up contest, I guess it was a linearity test. They placed a small tripod mounted test mic, and played a test signal ... measuring FR uniformity. I didn't win but I received a dot matrix printed paper readout if my freq response! It was a '76 Chevette, Alpine head end, 5" door mids, dash mounted Alpine dome/ribbon two-way tweets, supplemented by a dual voice coil 10" sub from SpeakerLab (in a sealed/quasi IB alignment). Powered by Alpine and Linear Power. Alphasonik active crossover. Regarding 10hz and below content; soundtracks special effects go as low as 3hz-4hz (War of the Worlds, Blackhawk Down, How to Train Your Dragon, a few examples). Of course in music you don't encounter it much, but spectrals on some material show its there. Synths, and perhaps the leading edge plosive of kick drum hit. Tchaikovsky's 1812 Overture, the cannon blasts possess single digit energy (Telarc version used 105mm Howitzers from the US Military). Before CD, there was few turntables that could track the 7hz blasts ... the tonearm would just fly out of the groove!

You know anyone else i can film?

@@ThatHomeTheaterDude We definitely need you to chronicle these local theaters!

Nice. However, such a measurement needs; - frequency - distance - environment (ie., ground plane outdoors, indoors 3k cubic feet room, etc.) For example; 120dB at 10hz is only about 20dB above audibility. Whereas 120dB at 3khz at the listening postion, will be painful!

better clarity and better dynamics

I noticed the screen size 1st for that theatre setup

Either brand is not for me. There are great systems out there with both of those brands though

Yes. Its uncomfortable how loud these are capable of

can't go any wider, its a 120 inch on a 144 wall with bass and traps speakers in corners. AT would force me to give up one row of seating which I am not willing to do.

Who the fook is this guy

There is no such thing my friend....😀Until you hear it you won't know

Ha. Got eeemm

Whats your beef Larry

Id say youre too unconcerned with your Lfe

@ThatHomeTheaterDude absolutely, I have 12 subs but ur just reactively guessin, I watched a video and made an opinion

@@bingdong8571 id like to hear the story about your screen name. :)

Wow, this post reeks of arrogance. 2 channel systems and theater setups have completely different goals. - No reason for a 24? One. Home owner. He is emulating a popular theater in Wisconsin's sound signature. If that is his goal, he is very close. - There are many subwoofer superstars out there like JTR, the delineations are pre-built configurations, vs flat packs and who pairs which crossovers and amps. - Angled speakers aren't necessary in a calibrated 2 channel system, with a small listening area. A theater attempting to get full range without hotspots in all seats in a short space may be needed. - Music configuration and movies are miles apart when dealing with multi zoned systems. - If you think for a SECOND, that this bass response resembles a car audio sounding system with no bass clarity, you have no idea what advances a responsive, tight driver with good calibration can do. I have 6 x 18's and my bass is razer sharp, filling the entire space instantly. Does one have to address the residual patterns that can add up quickly? Of course. Did you see the room treatments here to adequately accommodate this? Doesn't seem like you did. The speaker recording this was simply overwhelmed, leaving you to think incorrect conclusions. Lets tame the 2 channel bias a tad. If he wanted one, he would have built it.

You are missing a few data points here. First a mic on a phone will never be able to pic up the bass and its distorting badly, second you have no idea on the dispersion patterns of the JTRs, third you don't seem to understand the concept of headroom and what that does to sound quality.....you are certainly entitled to your opinion but you lack the information to make definitive and conclusive statements such as yours.

@@tkcdac Right on!

@@tkcdac Movies have sound tracks in them buddy. A Soundtrack is usually a song. If you calibrate for music you get a better accurate movie and TV audio experience. Throwing giant subwoofers at your lack of calibration knowledge only creates a mess akin to an aftermarket car audio system

@@Rayman-expertsoundpro Who said i watched it on a phone? Regardless, that sounded like a straining speaker and yes that who come through a phone speaker as well