The Art of Virtual Production with Weta Digital

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Earlier in the year, our Executive Producer David Conley and two of our VFX Supervisors, Erik Winquist and Stephen Unterfranz, joined Shadow in the Cloud director Rosanne Liang on a panel for the DGA Virtual Production event. They had an open conversation about modern virtual production technology, including two projects with different LED workflows, and discussed in detail the learnings and challenges they experienced with some of our earlier LED virtual production projects.
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Пікірлер: 27

@physixtential 2 жыл бұрын

It's not often you can get 3 artists to sit down and articulate this much about a complex topic with such consistancy and clarity across all of them. Great video. Great hosts.

@aloorinithin5099 2 жыл бұрын

Nice, keep posting more stuff, exciting work

@ababiya_worku 2 жыл бұрын

Finally 1hr video!

@nanopixel.studio Жыл бұрын

This is great. For someone like myself wanting to get into Virtual Production, this was very helpful and informative.

@boodang100 Жыл бұрын

You guys just raised my IQ. Thank you for this video. It gave me so much insight and several ideas.

@thebrownfilmshow 2 жыл бұрын

This is great.

@koonsickgreen6272 2 жыл бұрын

You guys are amazing

@Narsil1794 Жыл бұрын

Hope to use virtual production and weta digital for my killer Battle of Britain screenplay. Of course I will try to shoot in the real thing as much as possible. :)

@filmeditstudios3182 2 жыл бұрын

Honestly, you guys are doing gods work over there, and I would be absolutely thrilled to join your team in the future

@Tallacus 2 жыл бұрын

You mean Epic Games and ILM was doing God's work

@Tallacus 2 жыл бұрын

You mean Epic Games and ILM was doing gods work

@ComproDesigns 2 жыл бұрын

@@Tallacus send what makes you say

@bandersnatch7348 2 жыл бұрын

@@ComproDesigns he's talking about The Volume that ILM built with Epic Games (Unreal Engine). However, he's also missed the point since this is about virtual production at a low budget.

@matruxas 2 жыл бұрын

@@bandersnatch7348 "Low"

@zerocool_42 Жыл бұрын

Imagine the things they can do without the constraints of polygon counts and bake time for lighting. With unreal engine 5 introducing the lumen and nanite technologies, I can see exponential jumps in workflow for anyone trying to do virtual production. It's a wonderful world we live in :)

@campbellgray7553 2 жыл бұрын

It would be interesting from a DIT perspective to do a massive test with the spectrometer to measure the change in colour depending on LED wall source distance from subject. For me, the magenta skin tone is horrific but my biggest concern is the screen tearing and visible artifacting, one must also be careful with use of shutter angle given the frequency of the LED panel's themselves. Perhaps testing with live grading the Unreal footage and removing luminosity of specific hues (such as that magenta) may improve the spill before needing to grade it out. Ideally that would all be tested in prep, along with every single light that would be used in the show.